Real Time Animation of Virtual Humans: A Trade-off Between Naturalness and Control

Virtual humans are employed in many interactive applications using 3D virtual environments, including (serious) games. The motion of such virtual humans should look realistic (or ‘natural’) and allow interaction with the surroundings and other (virtual) humans. Current animation techniques differ in the trade-off they offer between motion naturalness and the control that can be exerted over the motion. We show mechanisms to parametrize, combine (on different body parts) and concatenate motions generated by different animation techniques. We discuss several aspects of motion naturalness and show how it can be evaluated. We conclude by showing the promise of combinations of different animation paradigms to enhance both naturalness and control

"Sticky Hands": learning and generalization for cooperative physical interactions with a humanoid robot

"Sticky Hands" is a physical game for two people involving gentle contact with the hands. The aim is to develop relaxed and elegant motion together, achieve physical sensitivity-improving reactions, and experience an interaction at an intimate yet comfortable level for spiritual development and physical relaxation. We developed a control system for a humanoid robot allowing it to play Sticky Hands with a human partner. We present a real implementation including a physical system, robot control, and a motion learning algorithm based on a generalizable intelligent system capable itself of generalizing observed trajectories' translation, orientation, scale and velocity to new data, operating with scalable speed and storage efficiency bounds, and coping with contact trajectories that evolve over time. Our robot control is capable of physical cooperation in a force domain, using minimal sensor input. We analyze robot-human interaction and relate characteristics of our motion learning algorithm with recorded motion profiles. We discuss our results in the context of realistic motion generation and present a theoretical discussion of stylistic and affective motion generation based on, and motivating cross-disciplinary research in computer graphics, human motion production and motion perception

Hierarchical Spatio-Temporal Morphable Models for Representation of complex movements for Imitation Learning

Imitation learning is a promising technique for teaching robots complex movement sequences. One key problem in this area is the transfer of perceived movement characteristics from perception to action. For the solution of this problem, representations are required that are suitable for the analysis and the synthesis of complex action sequences. We describe the method of Hierarchical Spatio-Temporal Morphable Models that allows an automatic segmentation of movements sequences into movement primitives, and a modeling of these primitives by morphing between a set of prototypical trajectories. We use HSTMMs in an imitation learning task for human writing movements. The models are learned from recorded trajectories and transferred to a human-like robot arm. Due to the generalization proper- ties of our movement representation, the arm is capable of synthesizing new writing movements with only a few learning examples

A SENSORY-MOTOR LINGUISTIC FRAMEWORK FOR HUMAN ACTIVITY UNDERSTANDING

We empirically discovered that the space of human actions has a linguistic structure. This is a sensory-motor space consisting of the evolution of joint angles of the human body in movement. The space of human activity has its own phonemes, morphemes, and sentences. We present a Human Activity Language (HAL) for symbolic non-arbitrary representation of sensory and motor information of human activity. This language was learned from large amounts of motion capture data. Kinetology, the phonology of human movement, finds basic primitives for human motion (segmentation) and associates them with symbols (symbolization). This way, kinetology provides a symbolic representation for human movement that allows synthesis, analysis, and symbolic manipulation. We introduce a kinetological system and propose five basic principles on which such a system should be based: compactness, view-invariance, reproducibility, selectivity, and reconstructivity. We demonstrate the kinetological properties of our sensory-motor primitives. Further evaluation is accomplished with experiments on compression and decompression of motion data. The morphology of a human action relates to the inference of essential parts of movement (morpho-kinetology) and its structure (morpho-syntax). To learn morphemes and their structure, we present a grammatical inference methodology and introduce a parallel learning algorithm to induce a grammar system representing a single action. The algorithm infers components of the grammar system as a subset of essential actuators, a CFG grammar for the language of each component representing the motion pattern performed in a single actuator, and synchronization rules modeling coordination among actuators. The syntax of human activities involves the construction of sentences using action morphemes. A sentence may range from a single action morpheme (nuclear syntax) to a sequence of sets of morphemes. A single morpheme is decomposed into analogs of lexical categories: nouns, adjectives, verbs, and adverbs. The sets of morphemes represent simultaneous actions (parallel syntax) and a sequence of movements is related to the concatenation of activities (sequential syntax). We demonstrate this linguistic framework on real motion capture data from a large scale database containing around 200 different actions corresponding to English verbs associated with voluntary meaningful observable movement

Modeling variation of human motion

The synthesis of realistic human motion with large variations and different styles has a growing interest in simulation applications such as the game industry, psychological experiments, and ergonomic analysis. The statistical generative models are used by motion controllers in our motion synthesis framework to create new animations for different scenarios. Data-driven motion synthesis approaches are powerful tools for producing high-fidelity character animations. With the development of motion capture technologies, more and more motion data are publicly available now. However, how to efficiently reuse a large amount of motion data to create new motions for arbitrary scenarios poses challenges, especially for unsupervised motion synthesis. This thesis presents a series of works that analyze and model the variations of human motion data. The goal is to learn statistical generative models to create any number of new human animations with rich variations and styles. The work of the thesis will be presented in three main chapters. We first explore how variation is represented in motion data. Learning a compact latent space that can expressively contain motion variation is essential for modeling motion data. We propose a novel motion latent space learning approach that can intrinsically tackle the spatialtemporal properties of motion data. Secondly, we present our Morphable Graph framework for human motion modeling and synthesis for assembly workshop scenarios. A series of studies have been conducted to apply statistical motion modeling and synthesis approaches for complex assembly workshop use cases. Learning the distribution of motion data can provide a compact representation of motion variations and convert motion synthesis tasks to optimization problems. Finally, we show how the style variations of human activities can be modeled with a limited number of examples. Natural human movements display a rich repertoire of styles and personalities. However, it is difficult to get enough examples for data-driven approaches. We propose a conditional variational autoencoder (CVAE) to combine large variations in the neutral motion database and style information from a limited number of examples.Die Synthese realistischer menschlicher Bewegungen mit großen Variationen und unterschiedlichen Stilen ist für Simulationsanwendungen wie die Spieleindustrie, psychologische Experimente und ergonomische Analysen von wachsendem Interesse. Datengetriebene Bewegungssyntheseansätze sind leistungsstarke Werkzeuge für die Erstellung realitätsgetreuer Charakteranimationen. Mit der Entwicklung von Motion-Capture-Technologien sind nun immer mehr Motion-Daten öffentlich verfügbar. Die effiziente Wiederverwendung einer großen Menge von Motion-Daten zur Erstellung neuer Bewegungen für beliebige Szenarien stellt jedoch eine Herausforderung dar, insbesondere für die unüberwachte Bewegungssynthesemethoden. Das Lernen der Verteilung von Motion-Daten kann eine kompakte Repräsentation von Bewegungsvariationen liefern und Bewegungssyntheseaufgaben in Optimierungsprobleme umwandeln. In dieser Dissertation werden eine Reihe von Arbeiten vorgestellt, die die Variationen menschlicher Bewegungsdaten analysieren und modellieren. Das Ziel ist es, statistische generative Modelle zu erlernen, um eine beliebige Anzahl neuer menschlicher Animationen mit reichen Variationen und Stilen zu erstellen. In unserem Bewegungssynthese-Framework werden die statistischen generativen Modelle von Bewegungscontrollern verwendet, um neue Animationen für verschiedene Szenarien zu erstellen. Die Arbeit in dieser Dissertation wird in drei Hauptkapiteln vorgestellt. Wir untersuchen zunächst, wie Variation in Bewegungsdaten dargestellt wird. Das Erlernen eines kompakten latenten Raums, der Bewegungsvariationen ausdrucksvoll enthalten kann, ist für die Modellierung von Bewegungsdaten unerlässlich. Wir schlagen einen neuartigen Ansatz zum Lernen des latenten Bewegungsraums vor, der die räumlich-zeitlichen Eigenschaften von Bewegungsdaten intrinsisch angehen kann. Zweitens stellen wir unser Morphable Graph Framework für die menschliche Bewegungsmodellierung und -synthese für Montage-Workshop- Szenarien vor. Es wurde eine Reihe von Studien durchgeführt, um statistische Bewegungsmodellierungs und syntheseansätze für komplexe Anwendungsfälle in Montagewerkstätten anzuwenden. Schließlich zeigen wir anhand einer begrenzten Anzahl von Beispielen, wie die Stilvariationen menschlicher Aktivitäten modelliertwerden können. Natürliche menschliche Bewegungen weisen ein reiches Repertoire an Stilen und Persönlichkeiten auf. Es ist jedoch schwierig, genügend Beispiele für datengetriebene Ansätze zu erhalten. Wir schlagen einen Conditional Variational Autoencoder (CVAE) vor, um große Variationen in der neutralen Bewegungsdatenbank und Stilinformationen aus einer begrenzten Anzahl von Beispielen zu kombinieren. Wir zeigen, dass unser Ansatz eine beliebige Anzahl von natürlich aussehenden Variationen menschlicher Bewegungen mit einem ähnlichen Stil wie das Ziel erzeugen kann