1,032 research outputs found

    Handwritten OCR for Indic Scripts: A Comprehensive Overview of Machine Learning and Deep Learning Techniques

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    The potential uses of cursive optical character recognition, commonly known as OCR, in a number of industries, particularly document digitization, archiving, even language preservation, have attracted a lot of interest lately. In the framework of optical character recognition (OCR), the goal of this research is to provide a thorough understanding of both cutting-edge methods and the unique difficulties presented by Indic scripts. A thorough literature search was conducted in order to conduct this study, during which time relevant publications, conference proceedings, and scientific files were looked for up to the year 2023. As a consequence of the inclusion criteria that were developed to concentrate on studies only addressing Handwritten OCR on Indic scripts, 53 research publications were chosen as the process's outcome. The review provides a thorough analysis of the methodology and approaches employed in the chosen study. Deep neural networks, conventional feature-based methods, machine learning techniques, and hybrid systems have all been investigated as viable answers to the problem of effectively deciphering Indian scripts, because they are famously challenging to write. To operate, these systems require pre-processing techniques, segmentation schemes, and language models. The outcomes of this methodical examination demonstrate that despite the fact that Hand Scanning for Indic script has advanced significantly, room still exists for advancement. Future research could focus on developing trustworthy models that can handle a range of writing styles and enhance accuracy using less-studied Indic scripts. This profession may advance with the creation of collected datasets and defined standards

    Geometric correction of historical Arabic documents

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    Geometric deformations in historical documents significantly influence the success of both Optical Character Recognition (OCR) techniques and human readability. They may have been introduced at any time during the life cycle of a document, from when it was first printed to the time it was digitised by an imaging device. This Thesis focuses on the challenging domain of geometric correction of Arabic historical documents, where background research has highlighted that existing approaches for geometric correction of Latin-script historical documents are not sensitive to the characteristics of text in Arabic documents and therefore cannot be applied successfully. Text line segmentation and baseline detection algorithms have been investigated to propose a new more suitable one for warped Arabic historical document images. Advanced ideas for performing dewarping and geometric restoration on historical Arabic documents, as dictated by the specific characteristics of the problem have been implemented.In addition to developing an algorithm to detect accurate baselines of historical printed Arabic documents the research also contributes a new dataset consisting of historical Arabic documents with different degrees of warping severity.Overall, a new dewarping system, the first for Historical Arabic documents, has been developed taking into account both global and local features of the text image and the patterns of the smooth distortion between text lines. By using the results of the proposed line segmentation and baseline detection methods, it can cope with a variety of distortions, such as page curl, arbitrary warping and fold

    Analyse d’images de documents patrimoniaux : une approche structurelle à base de texture

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    Over the last few years, there has been tremendous growth in digitizing collections of cultural heritage documents. Thus, many challenges and open issues have been raised, such as information retrieval in digital libraries or analyzing page content of historical books. Recently, an important need has emerged which consists in designing a computer-aided characterization and categorization tool, able to index or group historical digitized book pages according to several criteria, mainly the layout structure and/or typographic/graphical characteristics of the historical document image content. Thus, the work conducted in this thesis presents an automatic approach for characterization and categorization of historical book pages. The proposed approach is applicable to a large variety of ancient books. In addition, it does not assume a priori knowledge regarding document image layout and content. It is based on the use of texture and graph algorithms to provide a rich and holistic description of the layout and content of the analyzed book pages to characterize and categorize historical book pages. The categorization is based on the characterization of the digitized page content by texture, shape, geometric and topological descriptors. This characterization is represented by a structural signature. More precisely, the signature-based characterization approach consists of two main stages. The first stage is extracting homogeneous regions. Then, the second one is proposing a graph-based page signature which is based on the extracted homogeneous regions, reflecting its layout and content. Afterwards, by comparing the different obtained graph-based signatures using a graph-matching paradigm, the similarities of digitized historical book page layout and/or content can be deduced. Subsequently, book pages with similar layout and/or content can be categorized and grouped, and a table of contents/summary of the analyzed digitized historical book can be provided automatically. As a consequence, numerous signature-based applications (e.g. information retrieval in digital libraries according to several criteria, page categorization) can be implemented for managing effectively a corpus or collections of books. To illustrate the effectiveness of the proposed page signature, a detailed experimental evaluation has been conducted in this work for assessing two possible categorization applications, unsupervised page classification and page stream segmentation. In addition, the different steps of the proposed approach have been evaluated on a large variety of historical document images.Les récents progrès dans la numérisation des collections de documents patrimoniaux ont ravivé de nouveaux défis afin de garantir une conservation durable et de fournir un accès plus large aux documents anciens. En parallèle de la recherche d'information dans les bibliothèques numériques ou l'analyse du contenu des pages numérisées dans les ouvrages anciens, la caractérisation et la catégorisation des pages d'ouvrages anciens a connu récemment un regain d'intérêt. Les efforts se concentrent autant sur le développement d'outils rapides et automatiques de caractérisation et catégorisation des pages d'ouvrages anciens, capables de classer les pages d'un ouvrage numérisé en fonction de plusieurs critères, notamment la structure des mises en page et/ou les caractéristiques typographiques/graphiques du contenu de ces pages. Ainsi, dans le cadre de cette thèse, nous proposons une approche permettant la caractérisation et la catégorisation automatiques des pages d'un ouvrage ancien. L'approche proposée se veut indépendante de la structure et du contenu de l'ouvrage analysé. Le principal avantage de ce travail réside dans le fait que l'approche s'affranchit des connaissances préalables, que ce soit concernant le contenu du document ou sa structure. Elle est basée sur une analyse des descripteurs de texture et une représentation structurelle en graphe afin de fournir une description riche permettant une catégorisation à partir du contenu graphique (capturé par la texture) et des mises en page (représentées par des graphes). En effet, cette catégorisation s'appuie sur la caractérisation du contenu de la page numérisée à l'aide d'une analyse des descripteurs de texture, de forme, géométriques et topologiques. Cette caractérisation est définie à l'aide d'une représentation structurelle. Dans le détail, l'approche de catégorisation se décompose en deux étapes principales successives. La première consiste à extraire des régions homogènes. La seconde vise à proposer une signature structurelle à base de texture, sous la forme d'un graphe, construite à partir des régions homogènes extraites et reflétant la structure de la page analysée. Cette signature assure la mise en œuvre de nombreuses applications pour gérer efficacement un corpus ou des collections de livres patrimoniaux (par exemple, la recherche d'information dans les bibliothèques numériques en fonction de plusieurs critères, ou la catégorisation des pages d'un même ouvrage). En comparant les différentes signatures structurelles par le biais de la distance d'édition entre graphes, les similitudes entre les pages d'un même ouvrage en termes de leurs mises en page et/ou contenus peuvent être déduites. Ainsi de suite, les pages ayant des mises en page et/ou contenus similaires peuvent être catégorisées, et un résumé/une table des matières de l'ouvrage analysé peut être alors généré automatiquement. Pour illustrer l'efficacité de la signature proposée, une étude expérimentale détaillée a été menée dans ce travail pour évaluer deux applications possibles de catégorisation de pages d'un même ouvrage, la classification non supervisée de pages et la segmentation de flux de pages d'un même ouvrage. En outre, les différentes étapes de l'approche proposée ont donné lieu à des évaluations par le biais d'expérimentations menées sur un large corpus de documents patrimoniaux

    Entropy in Image Analysis II

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    Image analysis is a fundamental task for any application where extracting information from images is required. The analysis requires highly sophisticated numerical and analytical methods, particularly for those applications in medicine, security, and other fields where the results of the processing consist of data of vital importance. This fact is evident from all the articles composing the Special Issue "Entropy in Image Analysis II", in which the authors used widely tested methods to verify their results. In the process of reading the present volume, the reader will appreciate the richness of their methods and applications, in particular for medical imaging and image security, and a remarkable cross-fertilization among the proposed research areas

    Remote Sensing and Geosciences for Archaeology

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    This book collects more than 20 papers, written by renowned experts and scientists from across the globe, that showcase the state-of-the-art and forefront research in archaeological remote sensing and the use of geoscientific techniques to investigate archaeological records and cultural heritage. Very high resolution satellite images from optical and radar space-borne sensors, airborne multi-spectral images, ground penetrating radar, terrestrial laser scanning, 3D modelling, Geographyc Information Systems (GIS) are among the techniques used in the archaeological studies published in this book. The reader can learn how to use these instruments and sensors, also in combination, to investigate cultural landscapes, discover new sites, reconstruct paleo-landscapes, augment the knowledge of monuments, and assess the condition of heritage at risk. Case studies scattered across Europe, Asia and America are presented: from the World UNESCO World Heritage Site of Lines and Geoglyphs of Nasca and Palpa to heritage under threat in the Middle East and North Africa, from coastal heritage in the intertidal flats of the German North Sea to Early and Neolithic settlements in Thessaly. Beginners will learn robust research methodologies and take inspiration; mature scholars will for sure derive inputs for new research and applications

    Course Description

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    Framework for Automatic Identification of Paper Watermarks with Chain Codes

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    Title from PDF of title page viewed May 21, 2018Dissertation advisor: Reza DerakhshaniVitaIncludes bibliographical references (pages 220-235)Thesis (Ph.D.)--School of Computing and Engineering. University of Missouri--Kansas City, 2017In this dissertation, I present a new framework for automated description, archiving, and identification of paper watermarks found in historical documents and manuscripts. The early manufacturers of paper have introduced the embedding of identifying marks and patterns as a sign of a distinct origin and perhaps as a signature of quality. Thousands of watermarks have been studied, classified, and archived. Most of the classification categories are based on image similarity and are searchable based on a set of defined contextual descriptors. The novel method presented here is for automatic classification, identification (matching) and retrieval of watermark images based on chain code descriptors (CC). The approach for generation of unique CC includes a novel image preprocessing method to provide a solution for rotation and scale invariant representation of watermarks. The unique codes are truly reversible, providing high ratio lossless compression, fast searching, and image matching. The development of a novel distance measure for CC comparison is also presented. Examples for the complete process are given using the recently acquired watermarks digitized with hyper-spectral imaging of Summa Theologica, the work of Antonino Pierozzi (1389 – 1459). The performance of the algorithm on large datasets is demonstrated using watermarks datasets from well-known library catalogue collections.Introduction -- Paper and paper watermarks -- Automatic identification of paper watermarks -- Rotation, Scale and translation invariant chain code -- Comparison of RST_Invariant chain code -- Automatic identification of watermarks with chain codes -- Watermark composite feature vector -- Summary -- Appendix A. Watermarks from the Bernstein Collection used in this study -- Appendix B. The original and transformed images of watermarks -- Appendix C. The transformed and scaled images of watermarks -- Appendix D. Example of chain cod

    Pertanika Journal of Social Sciences & Humanities

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    The adoption and impact of computer integrated prepress systems in the printing and publishing industries of Kuwait

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    This research is aimed at developing a comprehensive picture of the implications of digital technology in the graphic arts industries in Kuwait. The purpose of the study is twofold: (1) to explore the meaning of the outcomes of recent technological change processes for the traditional prepress occupations in Kuwait; and, (2) to examine the impact of technology on Arabic layout and design. The study is based on the assumption that technological change is a chain of interactions among the sociological, cultural, political and economic variables. The prepress area in Kuwait has its own cultural, social, economic, and political structure. When a new technology is introduced it is absorbed and shaped by the existing structure. Based on such a dialectical conceptualisation, four major levels of analysis can be distinguished in this study: (1) technological change in the graphic arts industries; (2) the typographic evolution of the Arabic script; (3) the workers themselves as individuals and occupational collectives; and, (4) technology's impact on Arabic publication design. The methodological approach selected for this study can be defined as a dialectical, interpretive exploration. Given the historical perspective and the multiple levels of analysis, this approach calls for a variety of data gathering methods. Both qualitative and quantitative data were sought. A combination of document analysis, participant observation and interviewing allow to link the historical and current events with individual and collective actions, perceptions and interpretations of reality. The findings presented in this study contradicts the belief that the widespread adoption of new production processes is coincidental with continuous advances in scientific knowledge which provide the basis for the development of new technologies. Instead, the changes have been hindered by the lack of untrained personnel, the Arabic software incompatibility, and the lack of informed decisions to successfully implement the technology. Without any doubt, the new technology has influenced Arabic calligraphy, but this does not mean the decay of Arabic calligraphy as an art. As this study shows, the challenge is not to the art, but to the artist
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