569 research outputs found

    Effect of Compression Wood on Leaching and Fixation of CCA-C Treated Red Pine

    Get PDF
    In this study, we investigated the effect of compression wood on the release rate of chromium, copper, and arsenic elements from red pine (Pinus resinosa Ait.) and the rate of fixation of hexavalent chromium in the wood. Wood blocks from red pine, some containing compression wood and some with normal wood, were treated with a 1.0% CCA-C solution and then allowed to fix at 23°C ± 2 (74°F ± 4) for 0, 6, 24, 48, 96, 192, and 336 h. After each fixation period, sets of blocks removed from the conditioning room were subjected to 336 h of leaching. The percentage of hexavalent chromium reduced to the trivalent state was determined for solution pressed from matched sets of blocks. The blocks containing compression wood released significantly less chromium and copper elements. For chromium, the biggest effect was seen after the 192- and 336-h fixation periods. In the normal wood blocks fixed for 336 h, the average chromium release rate after 6 h of leaching was almost five times greater than that of the compression wood blocks. Copper and arsenic release was also affected by compression wood, but for these two elements, the effect diminished during the later stages of fixation. A higher percentage of hexavalent chromium was reduced to trivalent chromium in compression wood compared with that in normal wood after most fixation periods, and this difference was significant after 0, 48, 96, and 192 h

    Methylisothiocyanate Fumigant Content of Douglas-Fir Heartwood at Various Moisture Levels After Treatment With Solid Sodium N-Methyldithiocarbamate

    Get PDF
    The relationship between moisture content and the presence of methylisothiocyanate (MITC) in wood following various applications of sodium n-methyldithiocarbamate (NaMDC) was investigated with small Douglas-fir heartwood blocks. While MITC levels were initially higher in wetter blocks, MITC levels in drier blocks remained more stable over the 8-week test period. The addition of water as well as NaMDC to blocks enhanced MITC levels only initially; this effect declined over the test period for blocks at 30% MC or greater. In comparing the effect on MITC levels of applying the NaMDC in powder or pellet form, no significant difference between the two application methods emerged

    DURABILITY OF MASS TIMBER STRUCTURES: A REVIEW OF THE BIOLOGICAL RISKS

    Get PDF
    Mass timber structures have the potential to change wooden construction on a global scale. Numerous mass timber high-rise buildings are in planning, under development or already built and their performance will alter how architects and engineers view wood as a material. To date, the discussion of material durability and biodegradation in these structures has been limited. While all materials can be degraded by wetting, the potential for biodegradation of wood in a mass timber building requires special consideration. Identifying and eliminating the conditions that might lead to this degradation will be critical for ensuring proper performance of wood in these structures. This article reviews and contrasts potential sources of biodegradation that exist for traditional wood construction with those in mass timber construction and identifies methods for limiting the degradation risk. Finally, future research needs are outlined

    Aesthetics of self-scaling: parallaxed transregionalism and Kutluğ Ataman's art practice

    Get PDF
    This article examines relations of ethnography, contemporary art-practice, globalisation and scalar geopolitics with particular reference to Kutluğ Ataman’s artworks. Having been shortlisted for the Turner Prize at the Tate and awarded the prestigious international Carnegie Prize in 2004 with his forty-screen video installation KĂŒba (2004), Ataman became an extremely well-known, globally acclaimed artist and filmmaker. Self-conscious of their global travel and critically attentive to the contemporary ethnographic turn in the visual arts scene, Ataman’s video-works perform a conscientious failure of representing cultural alterity as indigeneity. Concentrating on the artist’s engagement with ethnography, this article contains three main parts. Analyses of the selection of videos in each part will give an account of different scalar aspects of Ataman’s artworks. It will first revisit a previous study (Çakirlar 2011) on the artist’s earlier work of video-portraits including Never My Soul! (2002) and Women Who Wear Wigs (1999). A detailed discussion of KĂŒba follows, which may be taken as the ‘hinge - work’ in Ataman’s oeuvre that marks a scalar transition in his critical focus - from body and identity to community and geopolitics. The discussion will then move to a brief analysis of the series Mesopotamian Dramaturgies, including the screen-based sculptures Dome (2009), Column (2009), Frame (2009), English as a Second Language (2009), and The Complete Works of William Shakespeare (2009). Rather than addressing scale as a differential concept, this article aims to demonstrate the ways in which Ataman’s art-practice produces self-scaling, self-regioning subjects that unsettle the hierarchical constructions of scale and facilitates a critique of the scalar normativity within the global art world’s regionalisms and internationalisms

    The English Riots of 2011: Misreading the signs on the road to the society of enemies

    Get PDF
    Most of the riots that occurred in England throughout modernity were associated with symbolic protests and fuelled by an underlying sense of injustice about specific, objective grievances related to the position of the agrarian or industrial working classes in the socioeconomic and political structure. In the period that stretched from the 1880s to the 1930s, however, it is possible to discern a significant shift in form. Perhaps the most important aspect of this shift was the gradual emergence and development of coherent, unifying political discourses amongst the popular classes (Thompson, 1991). To be specific, the motivation and symbolism that underpinned both protests and riots became increasingly shaped by the related but competing political visions of communism, socialism or Labourite social democracy. These discourses did not incorporate populations en masse, and indeed many individuals remained apolitical or conservative in outlook despite their continued economic exploitation and political marginalization. However, the influence exerted by these discourses was most certainly on the rise and, between the two World Wars, it could be seen at the forefront of most protests and riots

    Historical Research Approaches to the Analysis of Internationalisation

    Get PDF
    Historical research methods and approaches can improve understanding of the most appropriate techniques to confront data and test theories in internationalisation research. A critical analysis of all “texts” (sources), time series analyses, comparative methods across time periods and space, counterfactual analysis and the examination of outliers are shown to have the potential to improve research practices. Examples and applications are shown in these key areas of research with special reference to internationalisation processes. Examination of these methods allows us to see internationalisation processes as a sequenced set of decisions in time and space, path dependent to some extent but subject to managerial discretion. Internationalisation process research can benefit from the use of historical research methods in analysis of sources, production of time-lines, using comparative evidence across time and space and in the examination of feasible alternative choices
    • 

    corecore