Encuentro de Leopoldo Zea con Mendoza

Fil: Rodríguez Ozán, María Elena

¿Qué conocemos del derecho a la salud?: propuesta de marco conceptual en perspectiva crítica para Venezuela

Este libro hace un recorrido por los enfoques y concepciones dominantes sobre la salud, el derecho humano a la salud y la acción en salud, y sobre aquellos que, en contra corriente, apuestan a deconstruir ese pensamiento y desarrollar una visión transformativa. Desde la perspectiva crítica de los derechos humanos y la epidemiología, se propone un referente conceptual reivindicativo del carácter emancipatorio del derecho a la salud, comprendido como un derecho social fundamental inclusivo de derechos y libertades, dinámico, progresivo, complejo y socialmente determinado, que reclama abordajes más realistas e integrales. Las reflexiones que se realizan en esta investigación tienen origen en la inquietud de trascender el enfoque biomédico y de vulneración y sanción, reducido a efectos individuales que ocultan la génesis que favorece su sistemática afectación. La determinación social de la salud se convierte así en principio clave para redimensionar el contenido y alcance del derecho y de las obligaciones y deberes institucionales

"Unfaithfulness" to Jane Austen?: communicating readings and interpretations of her novels through their films adaptations

As Deleyto claims (1991:162), it is through films that most stories are told nowadays. We can add to this statement that it is through films that many literary works are known to popular audiences, millions of people, throughout the world. One of the British authors whose works have been adapted to the big screen is Jane Austen. These Hollywood film adaptations have been released in cinemas worldwide and have contributed to the cultural and literary exchange between English speaking countries and the rest of the globe, including continental Europe. In this paper, we will focus on two adaptations of Austen's novels:Clueless, an update of Emma directed by Amy Heckerling in 1995, and Mansfield Park, directed in 1999 by Patricia Rozema. These films challenge the traditional notion of fidelity and have been considered by many Austen's devotees to be radical and "unfaithful" deviations from the original texts. However, if we go beyond this notion, these films can be analysed as individual works of art which weave together several prior texts and several interpretations and readings of the novels

Deconstructing Marketing: How Should We Approach Marketing in the New Economy?

As a business function, marketing generates strong resistance within both consumers and companies that favour sustainable consumption and development, so we want to figure out how marketing should evolve to fit into this new economic scheme. In this article, we will analyse the experiences and main conclusions of a focus group about how should business approach marketing in the new economic models. For this, we will first conceptualize both the new economic models and the marketing criticism, as well as the focus group as a qualitative research tool that can help us to frame broader research. We want to highlight the methodology of doing a focus group during a conference as well as the benefits of conducting such a group. The discussion of the focus group brings up two important issues: (a) the green gap in consumers, and (b) the fundamental differences between green and sustainable consumption and, consequently, between green and sustainable marketing. We will analyse the main territories opened during the research, which will help us define a marketing model aligned with the new economies during further research. Our analysis will explore the importance of vocabulary for the perception of marketing, the fact that marketing should be created within the community, or the necessity to create a marketing model using a systemic consensus

La cámara de cuentas de Andalucía: configuración legal, organización y estrategias

En un contexto socio-político marcado por la corrupción y la falta de control en las Administraciones Públicas, el objetivo de este trabajo se dirige a analizar el régimen jurídico del órgano de fiscalización externa de la Junta de Andalucía ─Cámara de Cuentas de Andalucía─, particularmente su organización y la función de control respecto a la gestión y fiscalización contable del sector público en el ámbito de la Comunidad Autónoma. Asimismo, se analizarán: la adaptación a las Normas Internacionales de Auditoría del Sector Público (ISSAI), el procedimiento fiscalizador, la regulación de sus técnicas de información y el régimen de publicidad y transparencia de los resultados del control.In a social and political context of corruption and mismana-gement in Public Administrations, this paper describes and analyzes the autono-mic legal regime of the external control of public funds in Andalusia and if that control is really effective. Therefore, this article aims to investigate the organization and functions of the Court of Audit of Andalusia, the adaptation to the International Standards of Supreme Audit Institutions (ISSAI), the audit procedure, the regulation of its techniques of information and the publicity and transparency of the control results

Propuesta de Plan de Igualdad para la UVA

Aunque la Igualdad de Oportunidades entre mujeres y hombres cada vez se percibe como más real y efectiva, queda mucho por avanzar. Actualmente, existe un Marco Normativo encargado de regular esta materia y a partir del mismo surgen los Planes de Igualdad de las Universidades. En concreto, la Universidad de Valladolid, ha publicado su I Plan de Igualdad de Oportunidades entre Mujeres y Hombres para el periodo 2012-2014. Tras el análisis de dicho Plan y el de otras Universidades Públicas Españolas, se aporta una nueva estructura para futuros Planes de la UVa.Departamento de PsicologíaMáster en Psicopedagogí

Ciudadanos del mundo. ¿Compartimos los mismos valores comunes?

En esta comunicación expondremos las experiencias adquiridas en las diferentes actividades formativas realizadas en varios centros cívicos de la ciudad de Huelva. La principal finalidad era la sensibilización y la formación de mujeres y hombres onubenses, en torno a la interculturalidad utilizando una colección de cómics de valores comunes. Con el objetivo de tomar conciencia de la importancia en la convivencia entre las personas de diferentes culturas, etnias, religiones... Se llevó a cabo con una metodología activa y participativa en la que todos eran protagonistas del desarrollo de dichos talleres.In this communication we will set out the experiences gained in the different training activities carried out in several community centers in the city of Huelva. The main purpose was to raise awareness and training of women and men from Huelva, around an intercultural environment using a collection of comics that share similar values. The aim is to become aware of the importance of living in harmony with other people from different cultures, ethnic groups, religions, and so on. It was carried out with an active and participatory methodology in which all the participants led the development of the different workshops

In Between Spectacle and Political Correctness: "vamos con todo" - an Ambivalent News/ Talk Show

Vamos con todo is a mixed-genre entertainment programme transmitted in Ecuador on a national television channel. The segment of the programme that we examine in this paper focuses on gossip and events surrounding local/national celebrities. Talk as entertainment is central to this segment which is structured around a series of ‘news’ stories announced by the presenters and mostly conveyed through (pre-recorded) interviews. Extracts of these interviews are ingeniously presented to create a sense of confrontation between the celebrities concerned. Each news story is then followed-up by informal ‘discussions’ among the show’s 5-6 presenters who take on the role of panellists. While Vamos con todo incorporates various genres, the running thread throughout the programme is the creation of scandal and the instigation of confrontation. What is of particular interest, however, is that no sooner the scandalous stories are presented, the programme presenters attempt to defuse the scandal and controversy that they contributed to creating. The programme thus results in what viewers familiar with the genre of confrontational talk shows in Spain, for example, may regard as an emasculated equivalent. In this paper we explore linguistic and other mechanisms through which confrontation and scandal are first created and then defused in Vamos con todo. We consider the situational, cultural and socio-political context of the programme as possibly playing a part in this disjointedness. The study draws on the literature on television discourse, talk shows and (im)politeness in the media