122 research outputs found

    Applying the key principles of nutrition to nursing practice

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    This article outlines the importance of good nutrition in adults and children. With reference to adult nursing, the article highlights the benefits of nutritional screening of patients, identifies alternative foods for undernourished patients, and discusses why feeding and planning meal times are vital aspects of patient care. In terms of paediatric nursing, the article discusses the implications of childhood obesity and the importance of eating the right balance of foods

    Bed bathing patients in hospital

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    There are a number of circumstances that may affect an individual's ability to maintain personal hygiene. Hospitalised patients, and in particular those who are bedridden, may become dependent on nursing staff to carry out their hygiene needs. Assisting patients to maintain personal hygiene is a fundamental aspect of nursing care. However, it is a task often delegated to junior or newly qualified staff. This article focuses on the principles of bed bathing patients in hospital, correct procedure and the importance of maintaining patient dignity and respect in clinical practice

    Care of pin sites

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    External fixation is a key component in orthopaedic management. However, the use of metal pins or wires may result in complications, such as pin site infections. To prevent infections pin site care must include effective assessment, monitoring and cleaning of the pin site. Differing methods of pin site management in clinical practice have resulted in inconsistencies in the literature relating to best practice. This article explores some of the variations in pin site car

    Dog bEar Scarf

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    Solo Exhibition Josey, Norwich List of Works 1. Orange Pit Pony 2022 Video, Optoma HD29HST projector, Agptek media player Dimensions variable 2. Planet 2022 Fly posters 285 x 459 cm 3. Some days and some nights 2022 Video, Sony Cube, Cyclone micro 4 media player, fly posters Dimensions variable 4. Fleet Do 2022 Denim, zip, oil paint, canvas 255 x 265 x 80 c

    Intermediate level skills : how are they changing?

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    A comparison of student usage of traditional verses ICT learning resources in the Life Sciences

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    The aim of the present study was to quantify the use of different teaching and learning resources in a mixed learning environment and evaluate whether students had different preferences for ICT and traditional modes of delivery to support specific aspects of their learning. We were interested in determining the extent to which students were using traditional learning resources, on-line modules and communications technologies, such as peer collaboration by email, and whether these differing resources were being used by students to learn new knowledge, to consolidate their knowledge, for exam revision and/or for personal interest

    Evaluating undergraduate, laboratory-based learning experience in pharmacology

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    The distinctive role of laboratory-based teaching in science education is well recognised but whether the expected benefits of this style of teaching on student learning is realised is dependent upon multiple factors. Learning is a complex process, affected by different styles of learning and the educational learning space in which it occurs. For laboratory work to enhance student learning, laboratory experience needs to be positive. To evaluate students’ experience of laboratory-based learning in an undergraduate pharmacology course, we have used survey instruments developed and supported by ASELL - Advancing Science by Enhancing Laboratory Learning (http://www.asell.org/) with a view to improving student learning outcomes. At the University of Sydney, pharmacology is taught primarily to students enrolled in either a Bachelor of Science (BSc) or Bachelor of Medical Science (BMedSci) degree program. The unit of study “Pharmacology: Drugs and People” (PCOL2012) is offered in 2nd year, 2nd semester. Face-to-face teaching consists of 26 lectures, six workshops and four laboratories (two wet-labs and two computer-based, dry-labs). In the present study, two survey instruments were used to evaluate students’ laboratory experience. The first, Laboratory Program Evaluation was used to evaluate the students’ overall experience of laboratory teaching within PCOL2012 and the second, Student Evaluation of an Experiment was used to evaluate students’ experience of a specific wet-lab experiment entitled: “The effects of drugs on peristalsis in the guinea-pig ileum in vitro”. This experiment illustrates how drugs can be used to unravel physiological mechanisms controlling gut movements. Students are required to do pre- and post-lab work (creating a flow chart of experimental procedures, experimental data analyses and report writing). The surveys consisted of 14 closed questions and five (survey one) or four (survey two) open-ended questions. In each survey, the final question was: “Overall, as a learning experience, I would rate the experiment/these labs as ....” For PCOL2012, only 37% of students rated the overall laboratory experience as good or better. In contrast, the experiment “Drugs and Peristalsis” was rated by 65% of students as good or better. In reviewing comments, one criticism noted about the second wet-lab in PCOL2012 (entitled “Cholinesterase and Inhibitors”) was the use of a semi-quantitative colormetric assay to determine the hydrolysis rate of substrates by acetyl- and butyrylcholinesterase. To address this issue, we have revised the experiment for 2014. An ultra-fast, scanning absorbance microplate reader (SPECTROstar Nano, BMG LABTECH) will be used to measure, and display, the rate of hydrolysis in each of 48 wells. Additional changes will include holding the wet-lab in the recently opened “super-lab” (X-Lab, Charles Perkins Centre, The University of Sydney), with state-of-the art ICT support, and using LabTutor, ADInstruments (http://www.adinstruments.com/products/labtutor) for pre-lab work and to replace hard copy manuals. The revised wet-lab will be evaluated using the second of the ASELL survey instruments (see above). Details of ratings and comments will be reported in the presentation

    Feminist Emergency: The art field

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    Helena Reckitt contributed to the breakout session ‘The art field,’ moderated by Angela Dimitrakaki (Edinburgh College of Art) and moderated by Kirsten Lloyd, as part of the three-day Feminist emergency conference at Birkbeck, University of London, 22nd – 24th June 2017. Other instigators were Kerri Jefferis (artist), Lara Perry (University of Brighton), and Hilary Robinson (Middlesex University). Panel convenor Angela Dimitrakaki framed the session by noting how, as elsewhere under neoliberal governance, the art field is affected by the normalisation of precarity and austerity and the ‘feminisation’ of labour, even if art is still seen as a terrain for the privileged or, ultimately, of marginal relevance to ‘real world’ emergencies. Art workers are accustomed to suppressed or missing wages and reside at the bottom of the art pyramid; over 3/4 of art students, but 1/2 of art school lecturers, 1/3 of professors, and 1/3 of exhibiting artists; we legitimise antagonism in supporting business-oriented institutions from the museum as a collecting facility to art schools as hubs for entrepreneurial ideology; we participate in a degraded higher education often based on fees, debt, and rampant competition; we have achieved no consensus on whether artworks can be a site of oppositional politics as the structures and institutions in which artworks are encountered, and even produced, are often held responsible for affirming the status quo; our struggles are ridiculed as ‘political correctness’ or delusional utopianism; there is much uncertainty over forms of collective opposition; always short of time; our alternative formations and collectives are hard to sustain; we make do. Is it time to see these conditions as a feminist emergency? The session posed the questions: What does it mean to live, work and struggle as feminists today? Is there really a feminist ‘we’ in the art field in 2017? Following brief introductory comments from the speakers, designed to instigate debate, discussions primarily focussed on structures of work in the art, educational, and academic sectors, rather than art works or their production per se. Issues explored included cultural and academic work under neoliberalism; ways of accessing institutional resources; collective power v. general lack of power; subterfuge and anonymity as feminist tactics; and the shrinking access to art through 'public' education
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