El manuscrito Rimas de Doripso de Quer. Hacia una nueva edición del poeta sevillano Pedro de Quirós

Tras considerar el proceso de recepción de las poesías de Pedro de Quirós, a partir del manuscrito hispalense, publicado con estudio de Menéndez Pelayo en 1887, se da a conocer un nuevo y más completo códice rotulado Rimas de Doripso de Quer (Ms. 8494 de la B. N. M.). Se estudia la relación entre ambos manuscritos presentando las composiciones hasta ahora desconocidas y que se publican como apéndice final.After dealing with the the process of critical recepction undergone by Pedro de Quirós´s poems, through the so-called "manuscrito hispalense" (which was published in 1887 with a study by Menéndez Pelayo), this paper makes know a new and fuller manuscript entitled Rimas de Doripso de Quer (Ms. 8494 of the Spanish National Library-B.N.C.). The article analyses the relationship existing between both manuscripts, and then it incorporates those poems until now unknow, which are published as a f inal appendix

Quintana y la revalorización del romancero: arqueología de un paradigma equívoco, con Góngora al fondo

Este trabajo estudia cómo los historiadores de los siglos XVIII y XIX (Quintana, Durán) se interesaron en el romancero, y hasta qué punto ese interés se puede relacionar con la ideología romántica. En concreto, el estudio se centra en la recepción del romancero nuevo de Góngora a finales del siglo XVIII y comienzos del XIX, que críticos como Quintana lograron revalorizar y reintroducir en el canon literario. This paper studies how 18th- and 19th-century historians (Quintana, Durán) became interested in the romancero, and considers to what degree that interest can be tied to romantic ideology. Specifically, this paper focuses on the reception of the romancero nuevo of Góngora at the end of the 18th and begining of the 19th Centuries, which critics like Quintana were able to reasses and reintroduce into the literary canon

Self interest and justice principle

We introduce non-enforceable property rights over bargaining surplus in a dictator game with production, in which the effort of the agents is differentially rewarded. Using experimental data we elicit individual preferences over the egalitarian, the accountability and the libertarian principle and provide evidence to support the inability of these justice principles to account for the observed behavior. Although this finding is consistent with the idea of individuals interpreting justice principles differently, we show that dictators behave self-interested concerning redistribution and choose which justice principle best maximizes their own payoff. We interpret this result as the justice norm imposing a constraint on otherwise self-maximizing agents.dictator game, justice principles, self-interest, self-serving bias.

Poética del exordio en la épica culta renacentista: La modelización clásica e italiana y sus proyecciones a los poemas épicos españoles (1552-1605)

The functions of the exordium in the classical tradition of the epic poem undergo a transformation in the Italian cultured epic up to Tasso’s Gerusalemme. They are rhetorical features that exert a powerful influence on the Spanish cultured epic that is analyzed in the present paper, which addresses 65 works in-between 1552 and 1605. The analysis categorizes the different configurations that range from the appeals to the reader to the symbolizations of writing, covering all the space delimited by history and fiction. Las funciones que el exordio presenta en la tradición clásica del poema épico se modifican en la épica culta italiana que llega hasta la Gerusalemme de Tasso. Son programaciones de orden retórico que inciden conjuntamente en la épica culta española aquí estudiada en 65 obras comprendidas entre 1552 y 1605. Se categorizan las confirmaciones exordiales que van desde las apelaciones al lector a las simbolizaciones de la escritura, ocupando todo el espacio conformado por la historia y la ficción

Legibilidad y disfrute de la literatura sexual española (una teoría historicista y sus proyecciones) : Artículo-reseña sobre Gaspar Garrote Bernal, Con dos poéticas. Teoría historicista de la literatura sexual española, Valladolid, Agilice Digital, 2020, 296 pp. = Legibility and enjoyment of Spanish sexual literature (a historical theory and its proyections) : Article-review about Gaspar Garrote Bernal, Con dos poéticas. Teoría historicista de la literatura sexual española, Valladolid, Agilice Digital, 2020, 296 pp

Revisión crítica y comentada del libro de Gaspar Garrote recientemente publicado, Con dos poéticas.Teoría historicista de la literatura sexual española (2020)

El retrato y sus valores ónticos: Sobre el prometeísmo en los retratos de poetas españoles del Siglo de Oro

The article opens with the analysis of the basis for certain discussions about art and its creative value (which springs from the human ability to imitate),  spread from Antiquity onwards. It then focuses on the different responses to the connection between fictor and pictor. The dialogue between literature and painting in portraiture from the Renaissance onwards allows for the spread of a discursive space about the portrait which is base on the idea of the Promethean concept. There is a specific formulation of portraiture in which poetry and painting merge in the historic variety of the statute of similarity. With varied responses, the portrayed poet addresses the painter (or the painting) in a panoply of variations that range from the maximum (the stereotype of absolute sameness) to the minimum (the absence of similarity and the loss of value of the painting). In this context, the article delineates very subtle variations on the archetype of similarity and the subsequent value of the artist as a sort of Deus occasionatus. Those variations go from Paravicino and Góngora to sor Juana Inés de la Cruz, including Anastasio Pantaleón de Ribera,Alonso de Alarcón, Gabriel de Bocángel, José de Valdivielso, Antonio de Solís o Álvaro Cubillo de Aragón. As it reinforces the secret of painting, the gaze is the object of the exercice of looking while emerging at the same time as an antological expression of knowledge about the image and art.Tras analizar la fundamentación de ciertas explicaciones difundidas desde la Antigüedad entre el arte y su valor creativo (nucleado en el poder concedido al hombre de imitar), se estudian las variadas respuestas a la conexión de fictor y pictor. La mediación entre pintura y poesía en la retratística a partir del Renacimiento permite la difusión de un espacio discursivo sobre el retrato fundado en la idea del prometeísmo. Surge como formulación específica la del retratismo en que poesía y pintura se fundan en la variedad histórica del estatuto de la semejanza. Con respuestas varias el poeta retratado se dirige al pintor (o al cuadro) en una panoplia de variaciones que van desde el máximo (el estereotipo de la semejanza absoluta) al mínimo (la desemejanza y la pérdida de valor del cuadro). Para ello se van remarcando sutilísimas variaciones sobre el arquetipo de la semejanza y el valor consiguiente del artista como especie de Deus occasionatus. Variaciones que van desde Paravicino y Góngora a sor Juana Inés de la Cruz, pasando por Anastasio Pantaleón de Ribera, Alonso de Alarcón, Gabriel de Bocángel, José de Valdivielso, Antonio de Solís o Álvaro Cubillo de Aragón. Afirmando el secreto de la pintura, la mirada es objeto del propio mirar y una forma ontológica de saberes sobre la imagen y el arte

The Writing of Transit: The Verbal Em-blems of Tejada Páez on the Death of Philip II

Desde el concepto de emblemas verba-les se explica exhaustivamente el conjunto de tres composiciones de Agustín de Tejada Páez, recogidas en la Poética silva, que fueron destinadas a dar cuerpo verbal a un aparato ceremonial simbolizador de la muerte de Felipe II. Acudiendo a un amplísimo aparato bibliográfico, que no deja atrás ninguna aportación esencial sobre los rituales funerarios y los valores emblemáticos de aquel tiempo empleados en las piras exequiales, se configura un modelo explicativo donde los poemas sintetizan el uso social de las imágenes y su poder cualificador. Se establece, así, un juego de equivalencias entre cada imagen emblemática y sus valores con un sentido de identidades simbólicas. La dicción en lo icónico-verbal se multiplica en juego plural de lo icónico-visual, de forma que palabra y mirada se superponen, entrañando un marco de visiones que exponen la suprema entidad especulativa de los versos.From the concept of verbal emblems the set of three compositions by Agustín de Tejada Páez, collected in Poética silva, which was intended to give verbal body to a symbolic ceremonial device of the death of Philip II, are exhaustively explained. Going to a vast bibliographical apparatus, which does not leave behind any essential contribution on the funerary rituals and the emblematic values of that time used in the funeral pyres, an explanatory model is configured where the poems synthesize the social use of images and their qualifying power. Thus, a set of equivalences is established between each emblematic image and its values with a sense of symbolic identities. The diction in the iconic-verbal is multiplied in the plural game of the iconic-visual, in such a way that word and gaze overlap, entailing a framework of visions that expose the supreme speculative entity of the verses

La poética de las ruinas en el Siglo de Oro

This article opens with some general reflections (both classical and contemporary) on the meaning of ruins, and then it addresses the need to devise explanatory paradigms about the different historical periods and poetical sequences. The article takes as its starting point the broad meaning of the concept in Spanish, together with the extensive bibliography existing in the international context, and it favours those studies published in the last decades, as well as those poetical texts and genres unexplored so far. By doing so, the article makes it possible to offer a different historical and exegetical organigram. Examining the data about different traditions and topoi, the article demarcates both the historical sections and the authorial inflections, and it provides a series of paradigms that reveal certain textual gaps in relevant writers and works that have been paid scant attention. The article also explores the far-reaching changes operating in the eighteenth century, including the new view of Rome, the presence of artificial ruins in the English garden, travel books, and the beginning of modern archaeology, resulting from the discoveries of Pompeii and Herculaneum.Tras reconsiderar en contraste varias reflexiones generales tanto clásicas como actuales sobre el significado de las ruinas, se establece la necesidad de elaborar paradigmas explicativos sobre las diferentes etapas históricas y series poemáticas. Partiendo de la amplitud semántica del término en español, el recurso crítico a una abundante bibliografía de alcance internacional, y privilegiando la aparecida en las últimas décadas, así como el aporte de nuevos textos poéticos y de diversos géneros hasta ahora no considerados, permite ordenar y disponer de un organigrama histórico y exegético diferente. Articulando los datos referidos a distintas tradiciones y tópicos, se determinan de manera precisa tanto los segmentos históricos como las inflexiones autoriales, elaborando una sucesión de paradigmas, que ponen de relieve determinados vacíos textuales, en autores y obras de relevancia no siempre atendidos. El estudio se prolonga con los cambios de todo orden que supuso el siglo XVIII, desde la visión diferente de Roma, la presencia de las ruinas artificiales en el jardín inglés, los libros de viajes y la aparición de la arqueología moderna, tras el impacto que supusieron, entre otros, los descubrimientos de Pompeya y Herculano

Optimization of Efficient Neuron Models With Realistic Firing Dynamics. The Case of the Cerebellar Granule Cell

Biologically relevant large-scale computational models currently represent one of the main methods in neuroscience for studying information processing primitives of brain areas. However, biologically realistic neuron models tend to be computationally heavy and thus prevent these models from being part of brain-area models including thousands or even millions of neurons. The cerebellar input layer represents a canonical example of large scale networks. In particular, the cerebellar granule cells, the most numerous cells in the whole mammalian brain, have been proposed as playing a pivotal role in the creation of somato-sensorial information representations. Enhanced burst frequency (spiking resonance) in the granule cells has been proposed as facilitating the input signal transmission at the theta-frequency band (4–12 Hz), but the functional role of this cell feature in the operation of the granular layer remains largely unclear. This study aims to develop a methodological pipeline for creating neuron models that maintain biological realism and computational efficiency whilst capturing essential aspects of single-neuron processing. Therefore, we selected a light computational neuron model template (the adaptive-exponential integrate-and-fire model), whose parameters were progressively refined using an automatic parameter tuning with evolutionary algorithms (EAs). The resulting point-neuron models are suitable for reproducing the main firing properties of a realistic granule cell from electrophysiological measurements, including the spiking resonance at the theta-frequency band, repetitive firing according to a specified intensityfrequency (I-F) curve and delayed firing under current-pulse stimulation. Interestingly, the proposed model also reproduced some other emergent properties (namely, silent at rest, rheobase and negligible adaptation under depolarizing currents) even though these properties were not set in the EA as a target in the fitness function (FF), proving that these features are compatible even in computationally simple models. The proposed methodology represents a valuable tool for adjusting AdEx models according to a FF defined in the spiking regime and based on biological data. These models are appropriate for future research of the functional implication of bursting resonance at the theta band in large-scale granular layer network models.FEDER/Junta de Andalucia-Consejeria de Economia y Conocimiento under the EmbBrain project A-TIC-276-UGR18University of Granada under the Young Researchers FellowshipMinisterio de Economia y Competitividad (MINECO)-FEDER TIN2016-81041-REuropean Human Brain Project SGA2 ( H2020-RIA) 785907European Human Brain Project SGA3 (European Commission) ( H2020-RIA) 945539CEREBIO P18-FR-237

Removal of emerging pollutants in conventional and microalgae based biotechnology urban wastewater treatment plants

Wastewater treatment plants (WWTPs) reduce portion of the input of pharmaceuticals in aquatic systems, but there is no data available about the elimination of emerging contaminants with microalgae technology. The aim of this work was to determine the average mass flows and concentrations of pharmaceuticals in influents and effluents from two sewages treatment plants using conventional and microalgae based biotechnologies and to compare the removal of pharmaceuticals using both depuration technologies. Only between 20 to 60% of five pharmaceuticals groups is reduce in both WWTP using conventional technologies consisting of a pretreatment, primary settling and secondary treatment by aerobic biological reactor. Using microalgae based biotechnologies efficiency of removal pharmaceuticals is higher than conventional technologies and it increase by using DAF (Dissolve Air Flotation) technology to separate algae biomass