Meet me where the lanterns glow /

https://digitalcommons.library.umaine.edu/mmb-vp/3522/thumbnail.jp

3-Achsen-Kamerastabilisierungssystem: Diplom 2015

Das Ziel dieser Arbeit ist die Modellierung, Untersuchung und Regelung einer Kamerastabilisierung

Understanding the Search Behaviour of Greedy Best-First Search

A classical result in optimal search shows that A* with an admissible and consistent heuristic expands every state whose f-value is below the optimal solution cost and no state whose f-value is above the optimal solution cost. For satisficing search algorithms, a similarly clear understanding is currently lacking. We examine the search behaviour of greedy best-first search (gbfs) in order to make progress towards such an understanding. We introduce the concept of high-water mark benches, which separate the search space into areas that are searched by a gbfs algorithm in sequence. High-water mark benches allow us to exactly determine the set of states that are not expanded under any gbfs tie-breaking strategy. For the remaining states, we show that some are expanded by all gbfs searches, while others are expanded only if certain conditions are met

The Impact of Source Effects on the Evaluation of Music for Advertising: Are there Differences in How Advertising Professionals and Consumers Judge Music?

When choosing music for advertisements, professionals are influenced by a large number of factors that could impair their judgment. This research examined source effects in the evaluation of advertising music by professionals and nonprofessionals. Results showed that advertising professionals gave significantly more favorable evaluations—higher in quality, authenticity, and expected cost—when they thought the music was sourced from performing artists compared with less credible and attractive sources. In contrast, nonprofessionals were not affected by source cues at all. The interplay between professionals’ and nonprofessionals’ perceptions of advertising music and the potential financial impact for brands are discussed

Adaptive Multidimensional Fuzzy Sets for Texture Modeling

The modeling of the perceptual properties of texture plays a fundamental role in tasks where some interaction with subjects is needed. In order to face the imprecision related to these properties, fuzzy sets defined on the domain of computational measures of the corresponding property are usually employed. In this sense, the most interesting approaches show that the combination of different measures as reference sets improve the texture characterization. However, the main drawback of these proposals is that they do not take into account the subjectivity associated with human perception. For example, the perception of a texture property may change depending on the user, and in addition, the image context may influence the global perception of a given property. In this paper, we propose to solve these problems by combining the use of several computational measures in a reference set with adaptation to the subjectivity of human perception. To do this, we propose a generic methodology that automatically transforms any multidimensional fuzzy set modeling a texture property to the particular perception of a new user or to the image context. For this purpose, the information given by the user, or extracted from the textures present in the image, are employed

Lateralised dynamic modulations of corticomuscular coherence associated with bimanual learning of rhythmic patterns

Supplementary Information: The online version contains supplementary material available at https://doi.org/ 10.1038/s41598-022-10342-5Human movements are spontaneously attracted to auditory rhythms, triggering an automatic activation of the motor system, a central phenomenon to music perception and production. Cortico- muscular coherence (CMC) in the theta, alpha, beta and gamma frequencies has been used as an index of the synchronisation between cortical motor regions and the muscles. Here we investigated how learning to produce a bimanual rhythmic pattern composed of low- and high-pitch sounds affects CMC in the beta frequency band. Electroencephalography (EEG) and electromyography (EMG) from the left and right First Dorsal Interosseus and Flexor Digitorum Superficialis muscles were concurrently recorded during constant pressure on a force sensor held between the thumb and index finger while listening to the rhythmic pattern before and after a bimanual training session. During the training, participants learnt to produce the rhythmic pattern guided by visual cues by pressing the force sensors with their left or right hand to produce the low- and high-pitch sounds, respectively. Results revealed no changes after training in overall beta CMC or beta oscillation amplitude, nor in the correlation between the left and right sides for EEG and EMG separately. However, correlation analyses indicated that left- and right-hand beta EEG–EMG coherence were positively correlated over time before training but became uncorrelated after training. This suggests that learning to bimanually produce a rhythmic musical pattern reinforces lateralised and segregated cortico-muscular communication.This work was supported by a grant from the Australian Research Council (DP170104322)

Spatial and temporal (non)binding of audiovisual rhythms in sensorimotor synchronisation

All data are held in a public repository, available at OSF database (URL access: https://osf.io/2jr48/?view_only=17e3f6f57651418c980832e00d818072).Human movement synchronisation with moving objects strongly relies on visual input. However, auditory information also plays an important role, since real environments are intrinsically multimodal. We used electroencephalography (EEG) frequency tagging to investigate the selective neural processing and integration of visual and auditory information during motor tracking and tested the effects of spatial and temporal congruency between audiovisual modalities. EEG was recorded while participants tracked with their index finger a red flickering (rate fV = 15 Hz) dot oscillating horizontally on a screen. The simultaneous auditory stimulus was modulated in pitch (rate fA = 32 Hz) and lateralised between left and right audio channels to induce perception of a periodic displacement of the sound source. Audiovisual congruency was manipulated in terms of space in Experiment 1 (no motion, same direction or opposite direction), and timing in Experiment 2 (no delay, medium delay or large delay). For both experiments, significant EEG responses were elicited at fV and fA tagging frequencies. It was also hypothesised that intermodulation products corresponding to the nonlinear integration of visual and auditory stimuli at frequencies fV ± fA would be elicited, due to audiovisual integration, especially in Congruent conditions. However, these components were not observed. Moreover, synchronisation and EEG results were not influenced by congruency manipulations, which invites further exploration of the conditions which may modulate audiovisual processing and the motor tracking of moving objects.We thank Ashleigh Clibborn and Ayah Hammoud for their assistance with data collection. This work was supported by a grant from the Australian Research Council (DP170104322, DP220103047). OML is supported by the Portuguese Foundation for Science and Technology and the Portuguese Ministry of Science, Technology and Higher Education, through the national funds, within the scope of the Transitory Disposition of the Decree No. 57/2016, of 29 August, amended by Law No. 57/2017 of 19 July (Ref.: SFRH/BPD/72710/2010

On exact categories and applications to triangulated adjoints and model structures

We show that Quillen's small object argument works for exact categories under very mild conditions. This has immediate applications to cotorsion pairs and their relation to the existence of certain triangulated adjoint functors and model structures. In particular, the interplay of different exact structures on the category of complexes of quasi-coherent sheaves leads to a streamlined and generalized version of recent results obtained by Estrada, Gillespie, Guil Asensio, Hovey, J{\o}rgensen, Neeman, Murfet, Prest, Trlifaj and possibly others.Comment: 38 pages; version 2: major revision, more explanation added at several places, reference list updated and extended, misprints correcte

Smart implants as a novel strategy to regenerate well-founded cartilage

Here we explore a new generation of smart, living implants, combining not only active therapeutics but also stem cells, as a novel strategy to regenerate stabilised cartilage and avoid prostheses. This process can regenerate the subchondral bone foundation, which is currently difficult in the clinic