Dynamic Re-calibration of Perceived Size in Fovea and Periphery through Predictable Size Changes

Valsecchi and Gegenfurtner show that appearance of size is constantly calibrated on the basis of trans-saccadic prediction error. This leads to a stable appearance of the world, although the cortical representation of visual input differs dramatically between fovea and periphery

Attention is allocated closely ahead of the target during smooth pursuit eye movements: Evidence from EEG frequency tagging

It is under debate whether attention during smooth pursuit is centered right on the pursuit target or allocated preferentially ahead of it. Attentional deployment was previously probed using a secondary task, which might have altered attention allocation and led to inconsistent findings. We measured frequency-tagged steady-state visual evoked potentials (SSVEP) to measure attention allocation in the absence of any secondary probing task. The observers pursued a moving dot while stimuli flickering at different frequencies were presented at various locations ahead or behind the pursuit target. We observed a significant increase in EEG power at the flicker frequency of the stimulus in front of the pursuit target, compared to the frequency of the stimulus behind. When testing many different locations, we found that the enhancement was detectable up to about 1.5° ahead during pursuit, but vanished by 3.5°. In a control condition using attentional cueing during fixation, we did observe an enhanced EEG response to stimuli at this eccentricity, indicating that the focus of attention during pursuit is narrower than allowed for by the resolution of the attentional system. In a third experiment, we ruled out the possibility that the SSVEP enhancement was a byproduct of the catch-up saccades occurring during pursuit. Overall, we showed that attention is on average allocated ahead of the pursuit target during smooth pursuit. EEG frequency tagging seems to be a powerful technique that allows for the investigation of attention/perception implicitly when an overt task would be confounding

Perception of saturation in natural objects

The distribution of colors across a surface depends on the interaction between its surface properties, its shape, and the lighting environment. Shading, chroma, and lightness are positively correlated: points on the object that have high luminance also have high chroma. Saturation, typically defined as the ratio of chroma to lightness, is therefore relatively constant across an object. Here we explored to what extent this relationship affects perceived saturation of an object. Using images of hyperspectral fruit and rendered matte objects, we manipulated the lightness–chroma correlation (positive or negative) and asked observers which of two objects appeared more saturated. Despite the negative-correlation stimulus having greater mean and maximum chroma, lightness, and saturation than the positive, observers overwhelmingly chose the positive as more saturated. This suggests that simple colorimetric statistics do not accurately represent perceived saturation of objects—observers likely base their judgments on interpretations about the cause of the color distribution

Categorical color constancy for real surfaces

In everyday experience, perceived colors of objects remain approximately constant under changes in illumination. This constancy is helpful for identifying objects across viewing conditions. Studies on color constancy often employ monitor simulations of illumination and reflectance changes. Real scenes, however, have features that might be important for color constancy but that are in general not captured by monitor displays. Here, we investigate categorical color constancy employing real surfaces and real illuminants in a rich viewing context. Observers sorted 450 Munsell samples into the 11 basic color categories under a daylight and four filtered daylight illuminants. We additionally manipulated illuminant cues from the local surround. Color constancy as quantified both with a classification consistency index and a standard color constancy index was high in both cue conditions. Observers generally classified colors with the same precision across different illuminants as across repetitions for the daylight illuminant. Moreover, the pattern of classification consistency in terms of stimulus hue, value, and chroma was similar when comparing different observers for the daylight illuminant and when comparing individual observers across different illuminants. We conclude that color categorization is robust under illuminant changes as well as across observers, thus potentially serving both object identification and communication

Context effects on the perception of saturation of fruit colors in still-life paintings.

Still-life painters, especially of the so-called Golden Age (17th century) in the Netherlands, are famous for their masterful techniques of rendering reality. Their amazing abilities to depict different material properties of fruits and flowers are stunning. But how important are these careful arrangements of different objects for the perception of an individual item? Is the perceived color saturation of a single fruit influenced by its surrounding context? We selected fruits in still-life paintings as stimuli to investigate whether and how perceived saturations of fruits were affected by their original contexts. In our study, we focused especially on effects of five context properties: complementary colors, chromatic and luminance contrast, object overlap, and surround variance. Six fruit varieties depicted in high-quality digital reproductions of 48 classic and eight varieties in 64 more recent, modern still-life paintings were selected. In a single trial, eight images of fruits of the same variety appeared on a neutral gray background; half were single fruit cutouts, and the other half were the same fruits embedded in their circular contexts. Fifteen participants ranked all eight images according to perceived color saturations of the fruits. Saturation ratings showed a high agreement of 77%. Surrounding contexts led to an increase in perceived saturation of central fruits. This effect was mainly driven by object overlap, the presence of the central fruit type also in the context, and surround variance. Chroma contrast between fruits and contexts decreased saturation significantly. No significant context effects were found for complementary colors or luminance contrast. Our results show that in paintings, many of the cues that are usually experimentally isolated occur in interesting combinations and lead to an increase in perceived saturation that makes fruit objects more appealing and convincing

Color constancy mechanisms in virtual reality environments.

Prior research has demonstrated high levels of color constancy in real-world scenarios featuring single light sources, extensive fields of view, and prolonged adaptation periods. However, exploring the specific cues humans rely on becomes challenging, if not unfeasible, with actual objects and lighting conditions. To circumvent these obstacles, we employed virtual reality technology to craft immersive, realistic settings that can be manipulated in real time. We designed forest and office scenes illuminated by five colors. Participants selected a test object most resembling a previously shown achromatic reference. To study color constancy mechanisms, we modified scenes to neutralize three contributors: local surround (placing a uniform-colored leaf under test objects), maximum flux (keeping the brightest object constant), and spatial mean (maintaining a neutral average light reflectance), employing two methods for the latter: changing object reflectances or introducing new elements. We found that color constancy was high in conditions with all cues present, aligning with past research. However, removing individual cues led to varied impacts on constancy. Local surrounds significantly reduced performance, especially under green illumination, showing strong interaction between greenish light and rose-colored contexts. In contrast, the maximum flux mechanism barely affected performance, challenging assumptions used in white balancing algorithms. The spatial mean experiment showed disparate effects: Adding objects slightly impacted performance, while changing reflectances nearly eliminated constancy, suggesting human color constancy relies more on scene interpretation than pixel-based calculations

Colors Of Graphite On Silicon Dioxide

Monoatomic layers of graphite can be electrically contacted and used as building blocks for new promising devices. These experiment are today possible thanks to the fact that very thin graphite can be identified on a dielectric substrate using a simple optical microscope. We investigate the mechanism behind the strong visibility of graphite and we discuss the importance of the substrate and of the microcope objective used for the imaging.Comment: 4 pages, 4 figures, abstract reviewed&accepted for presentation at EP2DS-1