‘Dwelling at Peace’: Europeanization and the marketing of Alpine tourism in post-war Britain

The Alps were a prominent feature in post-war British consumer culture and one of the key tourist destinations in the years leading up to the 1975 European Communities membership referendum. Through an analysis of holiday company Thomas Cook’s promotional materials, this article demonstrates how the Alps were represented as a region free from conflict, in which different groups lived in harmony and which offered a healthy, community-based way of life. These images not only offered a sense of an alternative to perceived deficiencies in post-war British society but also offered a sense of the possibilities of being at home in Europe

Feminism, Cultural Studies and Popular Culture

This paper explores the movement of feminism into academic life in general and the study of popular culture in particular. Assumptioms about the effects of popular culture on women had been a commonsense of second-wave feminism; however, by the mid-1970’s, questions about how gendered identities were culturally produced and reproduced became the topic of much more in-depth feminist research and discussion. This essay examines two main ways in which feminist research into popular culture entered academic life: first, it examines the “images of women” debate, and second, it examines the Cultural Studies tradition and the feminist cultural analysis

Making sense of urban food festivals: cultural regeneration, disorder and hospitable cities

This article examines urban food festivals, and in doing so it carries out a case study of Nottingham’s Food and Drink Festival (NFDF). It contends that such festivals need to be understood in relation to local contexts, such as the reputation for alcohol-related disorder associated with Nottingham’s night-time economy. Rather than being used to attract tourism, NFDF was primarily directed at existing residents of Nottingham, where it sought to produce particular kinds of guests who would be able to invest in the city’s wider regeneration. Here, the article draws on recent academic work on hospitality in demonstrating how NFDF attempted to rebrand the city centre as a more hospitable place. It concludes by showing how visitors to NFDF exhibited a sense of generosity and pride, and argues that the meaning of urban food festivals cannot therefore simply be reduced to the logic of neoliberal governance

Narrative Personae and Visual Signs: Reading Leonard’s intimate photo-memoir. a/b: Auto/Biography Studies.

In this paper, I look at Joanne Leonard’s Being in Pictures and engage in a critical dialogue with an assemblage of visual and textual narratives that comprise her intimate photo memoir. In doing this I draw on Hannah Arendt’s take on narratives as tangible traces of uniqueness and plurality, political traits par excellence in the cultural histories of the human condition. Being aware of my role as a reader/viewer/interpreter of a woman artist’s auto/biographical narratives, I move beyond dilemmas of representation or questions of unveiling “the real Leonard”. The artist is instead configured as a narrative persona, whose narratives respond to three interrelated themes of inquiry, namely the visualization of spatial technologies, vulnerability and the gendering of memory. Key words: gendered memories, narrative persona, spatial technologies, photo memoir, vulnerabilit

Consumo e gênero: uma revisão da produção historiográfica recente sobre a América Latina no século XX

A partir de una revisión de la producción historiográfica reciente que estudia el siglo XX, este artículo muestra la relevancia del género para la construcción de una historia del consumo en América Latina. Con este objetivo, se enfoca el análisis en tres líneas de investigación que, desde una aproximación interseccional, aportan nuevas miradas y preguntas: la primera destaca la dimensión política del consumo, centrándose en la relación entre género y clase; la segunda aborda consumo y trabajo doméstico, señalando el vínculo entre género y nación; y la tercera analiza cultura material y corporalidades, destacando la articulación entre género y edad.Starting from a recent historiographical production’s revision studying the 20th Century, this article depicts the relevance of gender for the history of consumption-building in Latin America. Bearing that in mind, the analysis is geared to three researching lines, contributing with new perspectives and questions, as from an inter sectorial approach: the first one highlights the political dimension of consumption based upon the interaction between gender and class; the second addresses consumption and domestic work, displaying a link between gender and nation, and the third one analyses material culture and corporality emphasizing upon the articulation between gender and age.A partir de uma revisão da produção historiográfica recente que estuda o século XX, este artigo mostra a relevância do gênero para a construção de uma história do consumo na América Latina. Com esse objetivo, a análise está focada em três linhas de pesquisa que, sob uma aproximação interseccional, contribuem com novos olhares e perguntas: a primeira destaca a dimensão política do consumo e foca-se na relação gênero e classe; a segunda aborda consumo e trabalho doméstico, e sinaliza o vínculo entre gênero e nação; a terceira analisa cultura material e corporalidade, e destaca a articulação entre gênero e idade.Fil: Pérez, Inés. Universidad Nacional de Mar del Plata. Facultad de Humanidades. Departamento de Sociologia; Argentina. Universidad Nacional de Mar del Plata. Facultad de Humanidades. Departamento de Historia. Centro de Estudios Históricos; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Mar del Plata; Argentin

Feminism, Cultural Studies and Popular Culture

This paper explores the movement of feminism into academic life in general and the study of popular culture in particular. Assumptioms about the effects of popular culture on women had been a commonsense of second-wave feminism; however, by the mid-1970’s, questions about how gendered identities were culturally produced and reproduced became the topic of much more in-depth feminist research and discussion. This essay examines two main ways in which feminist research into popular culture entered academic life: first, it examines the “images of women” debate, and second, it examines the Cultural Studies tradition and the feminist cultural analysis