14 research outputs found

    VertNet: A New Model for Biodiversity Data Sharing

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    User Experiences of a Digital Intervention to Support Total-Skin-Self-Examination by Melanoma Survivors : Nested Qualitative Evaluation Embedded in a Randomized Controlled Trial

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    Acknowledgments This study was supported by a grant from the Cancer Research UK Population Research Committee project award (C10673/A21685). The views and opinions expressed herein are those of the authors and do not necessarily reflect those of Cancer Research UK. The funder (through their peer review and funding board review process) approved the study proposal, but had no role in the collection, analysis, interpretation of data, or writing of the report. The authors gratefully acknowledge the time and commitment of the participants who provided their time to be interviewed in the study. They also acknowledge the contribution of Billy Brant, Dermatology Nurse Practitioner, National Health System Grampian, to the day-to-day running of the study, for taking part in the interview, and for commenting on the draft manuscript. The authors acknowledge the support of Andrea Fraser of the ASICA trial team from the Centre of Healthcare Randomized Trials at the University of Aberdeen. They also acknowledge Hazel Riley, who transcribed the interviews for analysis.Peer reviewedPublisher PD

    Quotations on Contextual Art

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    Swidzinski reformulates his Contextual Art theory of the ’70s from the perspective of the ’80s, and situates it within the history of ideas. Responding to Conceptual Art and its failure to address the rapid changes of modernity, Swidzinski defines art as a social act which changes reality perpetually, destroying old meanings and constructing new ones. In a transcript from a 1976 conference in Toronto, Canadian and international artists and others debate Swidzinski’s theory and discuss the questions then facing artists, such as how they should make a living, engage with a wider audience, or be more politically effective
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