36 research outputs found
Saâdi and Shakespeare: A Comparative Study of Some Common Themes
This paper aims at showing that although the two great world poets Muslih al-Din Saâdi (c.1184-1291) and William Shakespeare (1564-1616) hailed from far different historical eras and cultures and were the product of separate religious and social environments, in their basic ideas and ideals they shared so much in common that they seemed to be coming from the same realm of thoughts. To demonstrate this, we have narrowed down the subject of our study to a thematic comparison of key subjects that these two genius poets shared in common, concentrating on certain general topics that were beloved of both writers, viz. music, co-mpensation theory, love, the dignity of man and the immortality of the soul. In this manner, we hope to demonstrate how both poets acted as universal mirrors reflecting our common human nature and shared similar if not virtually identical ideas regarding basic issues of humanity
La Poética y la Estética en la tradición literaria sufà persa
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A Comparative Study of the Theme of "the Justification of Godâs Providence" in the Outlooks of Saâdi and Alexander Pope
1.     Introduction
There are three distinct concepts discussed in world poetry which are the trinity of creation: God, Man, and the Universe. The mystics, including great poets, as well as classical philosophers and theosophists, have integrated the three concepts into One who is the final unique essence and the source of all Truth, the First Cause and the Last Return. The descriptions presented by Saâdi and Pope to introduce God, clearly reveal their implicated belief in the theory of âthe unity of beingâ, presented first by Parmenides, the Pre-socratic philosopher. This theory is a common heritage of human theosophy and there is no difference here between the east and the west, the Antiquity, the Middle Ages, the Renaissance and the Age of Reason. Saâdi and Pope, well-nourished in the tradition of divine truth and divine unity, regard man and all the universe as created by the unique and Necessary Being who is God, and view the universe as the emanation of that Supreme Being and see all the creatures as singing devotional hymns in a âcosmic prayerâ. This philosophical consciousness of God has extended to cover the theme of âdivine providence and wisdomâ which has been discussed all through history amongst philosophers, theologists, and poets. One can refer to Plato and Aristotle, Aquinas and Augustine, Dante and Milton as exemplars discussing the question in detail. The present paper treats the controversial theme in the works of Saâdi and Alexander Pope, and endeavors to demonstrate the essential affinities and similarities in the ideas of the two poets and to expose their differences.
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2.     Methodology
This study is a descriptive and library-based research. It is carried out in the light of the American school of comparative literature and the dominant approach is taken from the field of comparative literature itself, namely thematic. S. S. Prawer (1925-2012), the eminent author of Comparative Literary Studies: An Introduction (1973) has identified five different overlapping areas for the exploration of themes: a) the representation of natural phenomena manâs reaction to them; or of eternal facts of human existence; or of perennial human problems and patterns of behavior b) recurring motifs, c) recurrent situations, d) the literary representation of types, e) the literary representation of named personages (99-100). The present research falls under the second category and attempts to analyze the poems of the two bards to reveal the similarities as well as the differences between the two thinkers in their justification of Godâs providence.
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3.     Discussion
In the realm of literature, many spiritual poets of the world have been preoccupied with the concept of God and His penetration into the universe. Such poets have not questioned the existence of God and have not accordingly offered any demonstration to prove His existence; they have rather offered hymns in his praise. Saâdiâs Bustan opens with an extensive list of Godâs transcendent and immanent attributes followed by lofty laudations of Him. Similarly, Popeâs transcendental poem, âThe Universal Prayerâ, is perhaps the best example of his devotional expressions on God. It is a sublime encomium of the Almighty as the sole source, first and final cause of creation who is beyond all comprehension.
Besides such majestic praises, the main item of the theological agenda of Saâdi and Pope is, in the words of John Milton, âto justify the ways of God to manâ and to demonstrate how everything is right with the world. The clearest account of Godâs providence and predestination of all that occurs to man has been given in the Quran in Chapter Hadid 57, verses22-23. The first verse confirms the basic idea that God has written down all that is going to happen and the second verse is a consolation for people that they should not grieve on whatever they have failed to achieve, nor should they take vain pride in the bounties bestowed on them. Saâdi, believing in the first idea, uses the second as the basic moral wisdom of why people should submit themselves to the will of God. In Persian culture, the word hekmat is used to refer to some hidden reason which exists behind all events but it is not to be seen by everyone. This is a belief that all occurrences which does not win our favor is somehow a blessing in disguise and has a justification. Saâdi has tried to convince his readers of the divine wisdom in all aspects of life, although they cannot comprehend it. He holds that: âIt is an instance of wisdom if the Creator / Causes a servant to make the general welfare his special dutyâ. Many adversities, hardships, and deprivations that befall man are truly privileges unknown to him. Saâdi has tried to justify Godâs providence as opposed to manâs desires and show the incongruity between Godâs omniscient design and manâs parochial self-love. This idea has been repeatedly confirmed by Saâdi in a number of insightful tales.
In one qasidah which concentrates directly on preaching, Saâdi criticizes those people who find unfair faults with the design of creation and âdeem the painter unskilledâ and clarifies that the unskillfulness comes from their own crooked observation. Accordingly, all the plans of God are rationalized in the light of divine wisdom, all seeming evil is caused by some good reason, and the contrast between good and evil is the result of manâs ill judgement and failure to understand the insight in the providence of God.
In his well-known philosophical poem An Essay on Man, Pope argues that man must accept that in the scale of creation there is a special ârankâ and place assigned for him. He demonstrates that whatever man regards as imperfection and misplacement is truly in the right place when considered in relation to the position of other creatures. This great fact is sufficient to justify all man considers to be inharmonious, for as Pope clarifies: âTis a part we see, and not a wholeâ (line 60). Pope deems that God has âhidden the book of fateâ from all creatures except for the allowed pages which belong to the present time. And as God has concealed the knowledge of man from beasts, similarly, he has covered the eyes of men from the knowledge bestowed to spirits and angels. Otherwise, none could bear the plight he has to suffer on earth. The word âsufferâ is the key to Godâs rule of hiding future events. Pope explains that if the lamb that is being taken to the slaughterhouse would know of its preeminent fate, it would be so frightened that it would flee and it would not engage itself in playing and skipping (lines 80-82). But out of Godâs grace, the lamb remains unaware of its destiny and can enjoy its life to the last moment. Accordingly, Pope advises man to be wiser and not to weigh his raw opinions against Godâs comprehensive design for creation, and avoid calling Godâs works imperfect. For Pope, the source of all wrong judgments of man is pride and vanity. This pride ascends even to heaven and interferes with celestial dwellers, and commands that man should ascend to the level of angels and angels should achieve the status of gods. Pope enlightens man that âThe first Almighty Cause / Acts not by partial, but by genâral lawsâ (line 146). Thus, if man submits himself to such a wise and omniscient providence, he will have no objection to whatever bestowed on him or whatever reserved from him and will see the truth that âWhatever is, is rightâ (line 294).
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4.     Conclusion
The affinities of thoughts and ideas between Saâdi and Alexander Pope originate from the similar religious faith and theological outlooks they have inherited. They have submitted themselves to the main principles and frameworks of their respective Islamic and Christian creeds which recommend the essential belief in Spirituality and the general theological ideals shared by all religions throughout history. That is why the five centuries that divide the two poets and their various social lives have not affected their basic intellectual views. The differences and incongruities, however, are generally derived from their vehicles of expression rather than the tenets and thoughts. Additionally, Saâdi is more like a preacher and story-teller, while Pope is a more like an academic teacher dedicated to logical arguments for convincing his audience. Whereas Saâdiâs ideas are scattered throughout his works, Pope has presented his outlooks in a consistent and systematic way
Modelling transport and fate of heavy metals at the watershed scale: state-of-the-art and future directions
A predictive understanding of the source-specific (e.g., point and diffuse sources) land-to-river heavy metal (HM) loads and HM dynamics in rivers is essential for mitigating river pollution and developing effective river basin management strategies. Developing such strategies requires adequate monitoring and comprehensive models based on a solid scientific understanding of the watershed system. However, a comprehensive review of existing studies on the watershed-scale HM fate and transport modeling is lacking. In this review, we synthesize the recent developments in the current generation of watershed-scale HM models, which cover a wide range of functionalities, capabilities, and spatial and temporal scales (resolutions). Existing models, constructed at various levels of complexity, have their strengths and weaknesses in supporting diverse intended uses. Additionally, current challenges in the application of watershed HM modeling are covered, including the representation of in-stream processes, organic matter/carbon dynamics and mitigation practices, the issues of model calibration and uncertainty analysis, and the balance between model complexity and available data. Finally, we outline future research requirements regarding modeling, strategic monitoring, and their combined use to enhance model capabilities. In particular, we envisage a flexible framework for future watershed-scale HM models with varying degrees of complexity to accommodate the available data and specific applications
Fuzzy segmentation of postmodern tourists.
In postmodern tourism, the experiences of each tourist could not be summarized only through a unique perspective but multiple and disjointed perspectives are necessary. The aim of this paper is to create a nexus between postmodern tourist and fuzzy clustering, and to propose a suitable clustering procedure to segment postmodern tourists. From a methodological perspective, the main contribution of this paper is related to the use of the fuzzy theory from the beginning to the end of the clustering process. Furthermore, the suggested procedure is capable of analysing the uncertainty and vagueness that characterise the experiences and perceptions of postmodern consumers. From a managerial perspective, fuzzy clustering methods offer to practitioners a more realistic multidimensional description of the market not forcing consumers to belong to one cluster. Moreover, the results are easy and comprehensible to read since they are similar to those obtained with more traditional clustering techniques