Beat precision and perceived danceability in drum grooves

Musicians can place the time-position of events with high precision and according to personal preference, genre and tempo [1]. For instance, the swing ratio is not kept constant, but it is systematically adapted to a global tempo [2]. In contemporary music, drummers can achieve a specific feel by manipulating the timing of rhythms in different ways and placing event onsets earlier or later compared to the time reference [1]. These small adjustments in time are also referred to as micro-timing variations. The aim of this study was to investigate the influence of micro-timing variations in live-played rhythms on the perceived danceability and timing precision. The stimuli were chosen from Câmara et al. [1] where drummers were playing two different patterns with different timing styles (laid-back, pushed, on-beat). Two drummers’ performances were selected based on their reported average systematic timing. These 12 recordings were mixed with the instrumental backing track (bass and guitar) heard by the drummers to form the stimuli. Forty participants (M = 28.23 years, SD = 11.80), 28 males and 12 females, with varying musical background were recruited via social media (Facebook pages, groups and direct messages to chat groups). Participants were sent a link to the online listening test using Google Forms with modifications that presented the stimuli as embedded videos. Each video started with a prompt to wear headphones followed by 4 bars of groove for a total of 11 seconds (with a static image). For each page, the participant was presented with a reference track (on-beat timing) and a “beat” track (laid-back or pushed timing) and asked to rate the perceived danceability from 1 (not danceable at all) to 5 (very danceable). Additionally, listeners were asked to compare the beat with the reference track and indicate whether this was pushed (ahead), laid-back (behind) or on-beat (synced with) the reference in terms of timing. Preliminary results indicate that micro-timing variations affect the perceived danceability. On-beat patterns were rated with the highest danceability, followed by laid-back and pushed styles. The drummer that obtained the highest danceability rating for the laid-back performance is also the one that was mainly recognized as on-beat performer. As expected, identification of timing (ahead, behind or on) proved to be difficult. Using the instrumental backing track as a time reference could possibly have made the task even harder for untrained listeners. Future research could address this by comparing danceability ratings for the grooves mixed with different backing tracks. References [1] G. S. Câmara, K. Nymoen, O. Lartillot, and A. Danielsen, “Timing Is Everything…Or Is It? Effects of Instructed Timing Style, Reference, and Pattern on Drum Kit Sound in Groove-Based Performance,” Music Percept., vol. 38, no. 1, pp. 1–26, Sep. 2020, doi: 10.1525/mp.2020.38.1.1. [2] H. Honing and W. B. de Haas, “Swing Once More: Relating Timing and Tempo in Expert Jazz Drumming,” Music Percept., vol. 25, no. 5, pp. 471–476, Jun. 2008, doi: 10.1525/mp.2008.25.5.471

Multisensory Integration Design in Music for Cochlear Implant Users

Cochlear implant (CI) users experience several challenges when listening to music. However, their hearing abilities are greatly diverse and their musical experiences may significantly vary from each other. In this research, we investigate this diversity in CI users' musical experience, preferences, and practices. We integrate multisensory feedback into their listening experiences to support the perception of specific musical features and elements. Four installations are implemented, each exploring a different sensory modality assisting or supporting CI users' listening experience. We study these installations throughout semi-structured and exploratory workshops with participants. We report the results of our process-oriented assessment of CI users' experience with music. Because the CI community is a minority participant group in music, musical instrument design frameworks and practices vary from those of hearing cultures. We share guidelines for designing multisensory integration that derived from our studies with individual CI users and specifically aimed to enrich their experiences

Real-time Timbre Transfer and Sound Synthesis using DDSP

Neural audio synthesis is an actively researched topic, having yielded a wide range of techniques that leverages machine learning architectures. Google Magenta elaborated a novel approach called Differential Digital Signal Processing (DDSP) that incorporates deep neural networks with preconditioned digital signal processing techniques, reaching state-of-the-art results especially in timbre transfer applications. However, most of these techniques, including the DDSP, are generally not applicable in real-time constraints, making them ineligible in a musical workflow. In this paper, we present a real-time implementation of the DDSP library embedded in a virtual synthesizer as a plug-in that can be used in a Digital Audio Workstation. We focused on timbre transfer from learned representations of real instruments to arbitrary sound inputs as well as controlling these models by MIDI. Furthermore, we developed a GUI for intuitive high-level controls which can be used for post-processing and manipulating the parameters estimated by the neural network. We have conducted a user experience test with seven participants online. The results indicated that our users found the interface appealing, easy to understand, and worth exploring further. At the same time, we have identified issues in the timbre transfer quality, in some components we did not implement, and in installation and distribution of our plugin. The next iteration of our design will address these issues. Our real-time MATLAB and JUCE implementations are available at https://github.com/SMC704/juce-ddsp and https://github.com/SMC704/matlab-ddsp , respectively

Effects of TMS on Different Stages of Motor and Non-Motor Verb Processing in the Primary Motor Cortex

The embodied cognition hypothesis suggests that motor and premotor areas are automatically and necessarily involved in understanding action language, as word conceptual representations are embodied. This transcranial magnetic stimulation (TMS) study explores the role of the left primary motor cortex in action-verb processing. TMS-induced motor-evoked potentials from right-hand muscles were recorded as a measure of M1 activity, while participants were asked either to judge explicitly whether a verb was action-related (semantic task) or to decide on the number of syllables in a verb (syllabic task). TMS was applied in three different experiments at 170, 350 and 500 ms post-stimulus during both tasks to identify when the enhancement of M1 activity occurred during word processing. The delays between stimulus onset and magnetic stimulation were consistent with electrophysiological studies, suggesting that word recognition can be differentiated into early (within 200 ms) and late (within 400 ms) lexical-semantic stages, and post-conceptual stages. Reaction times and accuracy were recorded to measure the extent to which the participants' linguistic performance was affected by the interference of TMS with M1 activity. No enhancement of M1 activity specific for action verbs was found at 170 and 350 ms post-stimulus, when lexical-semantic processes are presumed to occur (Experiments 1–2). When TMS was applied at 500 ms post-stimulus (Experiment 3), processing action verbs, compared with non-action verbs, increased the M1-activity in the semantic task and decreased it in the syllabic task. This effect was specific for hand-action verbs and was not observed for action-verbs related to other body parts. Neither accuracy nor RTs were affected by TMS. These findings suggest that the lexical-semantic processing of action verbs does not automatically activate the M1. This area seems to be rather involved in post-conceptual processing that follows the retrieval of motor representations, its activity being modulated (facilitated or inhibited), in a top-down manner, by the specific demand of the task

A Roadmap for HEP Software and Computing R&D for the 2020s

Particle physics has an ambitious and broad experimental programme for the coming decades. This programme requires large investments in detector hardware, either to build new facilities and experiments, or to upgrade existing ones. Similarly, it requires commensurate investment in the R&D of software to acquire, manage, process, and analyse the shear amounts of data to be recorded. In planning for the HL-LHC in particular, it is critical that all of the collaborating stakeholders agree on the software goals and priorities, and that the efforts complement each other. In this spirit, this white paper describes the R&D activities required to prepare for this software upgrade.Peer reviewe

Conceivability and possibility : some dilemmas for Humeans

This research is published within the Project ‘The Logic of Conceivability’, funded by the European Research Council (ERC CoG), Grant Number 681404.The Humean view that conceivability entails possibility can be criticized via input from cognitive psychology. A mainstream view here has it that there are two candidate codings for mental representations (one of them being, according to some, reducible to the other): the linguistic and the pictorial, the difference between the two consisting in the degree of arbitrariness of the representation relation. If the conceivability of P at issue for Humeans involves the having of a linguistic mental representation, then it is easy to show that we can conceive the impossible, for impossibilities can be represented by meaningful bits of language. If the conceivability of P amounts to the pictorial imaginability of a situation verifying P, then the question is whether the imagination at issue works purely qualitatively, that is, only by phenomenological resemblance with the imagined scenario. If so, the range of situations imaginable in this way is too limited to have a significant role in modal epistemology. If not, imagination will involve some arbitrary labeling component, which turns out to be sufficient for imagining the impossible. And if the relevant imagination is neither linguistic nor pictorial, Humeans will appear to resort to some representational magic, until they come up with a theory of a ‘third code’ for mental representations.Publisher PDFPeer reviewe

Tickle Tuner - Haptic Smartphone Cover for Cochlear Implant Users’ Musical Training

Cochlear implants (CIs) allow hearing impaired individuals to understand speech with remarkable efficiency. On the other hand, they poorly perform in music perception. It may be possible to improve the music experience with the use of other senses such as touch. We present Tickle Tuner, a haptic feedback device suitable for musical training of CI users. The prototype is composed of two high-quality hapticactuators and an external Digital to Analogue Converter (DAC) hosted in a 3D printed enclosure coupled with a smartphone. We describe the design and implementation of the prototype, the analysis of its characteristics and we introduce a test bench for the design of different mappings between sound and vibrations

Tricarbonylchromium complexes of centro-polyindans. Part 2. Synthesis and structure of tricarbonylchromium mono- and bis-complexes of 4b,5,9b,10-tetrahydroindeno[2,1-a]indene

Ceccon A, Gambaro A, Manoli F, et al. Tricarbonylchromium complexes of centro-polyindans. Part 2. Synthesis and structure of tricarbonylchromium mono- and bis-complexes of 4b,5,9b,10-tetrahydroindeno[2,1-a]indene. Journal of the Chemical Society, Perkin Transactions 2, Physical Organic Chemistry. 1992;7(7):1111-1117.The reaction of 4b,5,9b,10-tetrahydro[2,1-a]indene, DIN, with Cr(CO)6 in Bu2O–THF (9:1) affords two mono-complexes with the inorganic unit bonded to the convex or to the concave side of the ligand, respectively. Prolonged reaction times cause the formation of two bis-complexes, bearing the two Cr(CO)3 units bonded both to the convex side of DIN in one case, and to the convex and to the concave side in the other. Steric factors seem important in the kinetic control of the stereochemistry of both the first and the second complexation reaction. Combined X-ray and NMR spectroscopic analyses indicate that coordination with two Cr(CO)3 groups at the convex side of DIN changes the structure of the ligand into a less bent and less favourable structure