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MĂșsica y logos en la pervivencia del romanticismo. La concepciĂłn de la mĂșsica en Nietzsche y Wagner.
In this article I seek to show how romantic music, taken to its ultimate consequences, denies logos âthe word- the place it ought to have. I focus the polemic on the two authors who, in my judgment, have most passionately articulated the dilemma: Nietzsche and Wagner