The Grizzly, September 28, 1979

College Considers Censoring Newspaper • Committee Discusses Campus Problems • Baltz Mellows Union With Jenny • Fago, Pilgrim Receive Lindback • USGA Notes • Booters Fall Victim To Lafayette, Scranton • Zetans, Skins Undefeated In Flag Football • Weather, Injuries Hamper Gridders • V-Ball Starts Slow • Bear Pack Starts Stronghttps://digitalcommons.ursinus.edu/grizzlynews/1021/thumbnail.jp

The Grizzly, February 15, 1980

J-Board Hears USGA Controversy • Victory Over Swarthmore: Men\u27s Basketball Captures Title • Reber Spends Semester In England • USGA Notes • Letters to the Editor • Basketball Downs K-town • MAC Championships • Lacrosse Looking Good • Spider Wrestler Line-up • The FUNdamentals of Freestyle Skiinghttps://digitalcommons.ursinus.edu/grizzlynews/1033/thumbnail.jp

The Grizzly, October 19, 1979

Ursinus - Tohoku Make Exchange • Campus Life Committee • Faculty Makes Recommendations About College Curriculum • Women\u27s Financial Workshop Offered • Letters to the Editor • Ursinus News In Brief: Student teachers assigned; Generous alumni gifts; Alternate weekend • 1979 Homecoming Candidates • The Who - An Interesting Saga • The Long Run - Always Sincere • ProTheatre To Open • Knack Review • Music News: Disco, Tom Petty • C.S. Lewis Forum • Super Sundae • USGA Notes • Fearless Friday Forecast • Young Artists Series Resume • Life In Your Nasal Passage: Frat War Is Hell!!! • Sports Profile: Jim Birchmeier • Harriers Undefeated • Danworth Graduate Fellowships Open • Booters Lose In O.T. • Volleyball Team Aims For .500 Season Record • Gridders Downed In Closing Seconds • Hockey\u27s 3 & 4 Win In Squeakerhttps://digitalcommons.ursinus.edu/grizzlynews/1024/thumbnail.jp

{\eta} and {\eta}' mesons from Nf=2+1+1 twisted mass lattice QCD

We determine mass and mixing angles of eta and eta' states using Nf=2+1+1 Wilson twisted mass lattice QCD. We describe how those flavour singlet states need to be treated in this lattice formulation. Results are presented for three values of the lattice spacing, a=0.061 fm, a=0.078 fm and a=0.086 fm, with light quark masses corresponding to values of the charged pion mass in a range of 230 to 500 MeV and fixed bare strange and charm quark mass values. We obtain 557(15)(45) MeV for the eta mass (first error statistical, second systematic) and 44(5) degrees for the mixing angle in the quark flavour basis, corresponding to -10(5) degrees in the octet-singlet basis.Comment: 28 pages, 9 figures, version to appear in JHEP, extended discussion of autocorrelation times and comparison to results available in the literature, added a comment for FS-effects and clarified the description of our blocking procedur

The Grizzly, February 22, 1980

Freshmen Survey Results Explored • Songfest Boycott Considered • Career Planning Close-up • Eilts Selected As Graduation Speaker • USGA Notes • Baltz Returns to Union Coffeehouse • 1979 Music Awards • Captain Ray of Light\u27s Pseudo-Science • 1980 Spring Fraternity Pledge Classes • Stapp Enthralls Audience • 1980-81 Roster of Classes • W\u27s Basketball Downs Drexel • Ursinus To Host Grandmaster • Swimming MACs Start Tomorrow • Intramural Hoop Playoffs Open • Albright Downs Hoopsters, 103-82 • Wrestlers Post 6-9-1 Final Tally • Pitt Edges Gymnasts By Onehttps://digitalcommons.ursinus.edu/grizzlynews/1034/thumbnail.jp

The Grizzly, October 5, 1979

Senior Fired From Snack Shop • Parking Regulations Explained • Bio Club Explores Pine Barrens • Craft Discusses Plans • Letters to the Editor: Faculty responds to censoring article • ERA Hits Dishroom • Dave Rebuck: A Close-up • The Best Of The Seventies • Music News • Joe Jackson - Moon Marten and The Ravens • Talking Heads - Fear Of Music • Fans Catch Fever At Bee Gees Concert • USGA Notes • Renovation Underway • Richter Accepts Advance Ursinus Donation • Bears\u27 Booters On Again • Fearless Friday Forecast • Victory Sparks Women\u27s Volleyball • Hard Work Pays Off For V & JV Hockey • Hockey\u27s Third Team Has Inconsistent Starthttps://digitalcommons.ursinus.edu/grizzlynews/1022/thumbnail.jp

Properties of flavour-singlet pseudoscalar mesons from lattice QCD

We report on the status of the determination of properties of flavour-singlet pseudoscalar mesons using Wilson twisted mass lattice QCD at maximal twist. As part of project C7, a large number of phenomenologically relevant quantities could be extracted from first principle, from η and η′ masses to decay widths of pseudoscalar mesons to two photons

The Crab House on Oyster Creek: Folkloristic Response to Vernacular Landscape and its Environmental Moorings

The Andersen crab house on Oyster Creek is located on a waterway that is part of the wider estuarine environment consisting of New Jersey’s Great Bay and the Mullica River. It is a building type that has long served oystermen, clammers, crabbers, finfishers, and waterfowlers along New Jersey’s Atlantic Ocean and Delaware Bay coastlines. Having survived for almost ninety years, the building’s siting allows Phil Andersen to effectively tend the adjacent crabbing grounds and prepare the catch for market. The building, along with his boat and harvesting gear organizes the contours of his working landscape, tools that do not simply define the occupation’s environmental fit, but, as an assemblage, continually advance Andersen’s acquisition of traditional ecological knowledge. While its stark presence on the salt marsh punctuates its environmental fit and role as the axis of Andersen’s occupational map, its enduring function as a working landscape resonates widely throughout the community. The work and social life of the building speak to its capacity to be broadly affiliative, its features, use, and siting laden with aesthetic and performative depth that make it a touchstone of environmental experience and sense of place. These attributes—specifically their role in curating memory and affirming a community’s environmental moorings—show how the Andersen crab house, and similar buildings that preceded it, have engendered folkloristic response for over one hundred and fifty years.La Maison du crabe Andersen, sur Oyster Creek (le « ruisseau aux Huîtres ») est située sur une voie d’eau faisant partie du large environnement estuarien qui s’étend de Great Bay à la rivière Mullica, au New Jersey. Ce type de bâtiment a longtemps servi aux pêcheurs d’huîtres, de palourdes, de crabes, de poisson et aux chasseurs de gibier d’eau sur les rives de l’océan Atlantique et de la baie Delaware. Cette maison, vieille de près de quatre-vingt-dix ans, est idéalement située pour que Phil Andersen puisse chercher des crabes dans les marais adjacents et préparer ses prises pour le marché. Ce bâtiment, de pair avec son bateau et son attirail de pêche, organise les contours de son paysage de travail ; ces outils ne définissent pas seulement l’adaptation de ce métier à l’environnement mais, en tant qu’assemblage, font continuellement progresser l’acquisition par Andersen d’un savoir écologique traditionnel. Bien que sa présence austère dans les marais salants signale son adaptation environnementale et son rôle d’aiguille de la boussole occupationnelle d’Andersen, le fait que sa fonction de paysage de travail perdure résonne fortement à travers la communauté. Le travail et la vie sociale qui se déroulent dans ce bâtiment évoquent sa capacité de s’attirer de nombreux affiliés, ses caractéristiques, son usage et sa situation ayant tous une qualité de profondeur esthétique et performative qui en font une pierre angulaire de l’expérience de l’environnement et du sens du lieu. Ces attributs – et en particulier leur rôle dans l’apaisement de la mémoire et l’affirmation des ancrages environnementaux de la communauté – montrent comment la maison du crabe Andersen, et les autres bâtiments similaires qui l’ont précédée, ont provoqué une réaction de folklorisation pendantplus de cent cinquante ans

The Crab House on Oyster Creek: Folkloristic Response to Vernacular Landscape and its Environmental Moorings

The Andersen crab house on Oyster Creek is located on a waterway that is part of the wider estuarine environment consisting of New Jersey’s Great Bay and the Mullica River. It is a building type that has long served oystermen, clammers, crabbers, finfishers, and waterfowlers along New Jersey’s Atlantic Ocean and Delaware Bay coastlines. Having survived for almost ninety years, the building’s siting allows Phil Andersen to effectively tend the adjacent crabbing grounds and prepare the catch for market. The building, along with his boat and harvesting gear organizes the contours of his working landscape, tools that do not simply define the occupation’s environmental fit, but, as an assemblage, continually advance Andersen’s acquisition of traditional ecological knowledge. While its stark presence on the salt marsh punctuates its environmental fit and role as the axis of Andersen’s occupational map, its enduring function as a working landscape resonates widely throughout the community. The work and social life of the building speak to its capacity to be broadly affiliative, its features, use, and siting laden with aesthetic and performative depth that make it a touchstone of environmental experience and sense of place. These attributes—specifically their role in curating memory and affirming a community’s environmental moorings—show how the Andersen crab house, and similar buildings that preceded it, have engendered folkloristic response for over one hundred and fifty years.La Maison du crabe Andersen, sur Oyster Creek (le « ruisseau aux Huîtres ») est située sur une voie d’eau faisant partie du large environnement estuarien qui s’étend de Great Bay à la rivière Mullica, au New Jersey. Ce type de bâtiment a longtemps servi aux pêcheurs d’huîtres, de palourdes, de crabes, de poisson et aux chasseurs de gibier d’eau sur les rives de l’océan Atlantique et de la baie Delaware. Cette maison, vieille de près de quatre-vingt-dix ans, est idéalement située pour que Phil Andersen puisse chercher des crabes dans les marais adjacents et préparer ses prises pour le marché. Ce bâtiment, de pair avec son bateau et son attirail de pêche, organise les contours de son paysage de travail ; ces outils ne définissent pas seulement l’adaptation de ce métier à l’environnement mais, en tant qu’assemblage, font continuellement progresser l’acquisition par Andersen d’un savoir écologique traditionnel. Bien que sa présence austère dans les marais salants signale son adaptation environnementale et son rôle d’aiguille de la boussole occupationnelle d’Andersen, le fait que sa fonction de paysage de travail perdure résonne fortement à travers la communauté. Le travail et la vie sociale qui se déroulent dans ce bâtiment évoquent sa capacité de s’attirer de nombreux affiliés, ses caractéristiques, son usage et sa situation ayant tous une qualité de profondeur esthétique et performative qui en font une pierre angulaire de l’expérience de l’environnement et du sens du lieu. Ces attributs – et en particulier leur rôle dans l’apaisement de la mémoire et l’affirmation des ancrages environnementaux de la communauté – montrent comment la maison du crabe Andersen, et les autres bâtiments similaires qui l’ont précédée, ont provoqué une réaction de folklorisation pendantplus de cent cinquante ans. &nbsp

The first and best sort : Quakerism, brick artisanry, and the vernacular aesthetics of eighteenth-century West New Jersey pattern brickwork architecture

Eigtheenth-century West New Jersey\u27s brick building tradition was a profound expression of the region\u27s social and cultural context. This architectural scheme was highlighted by the construction of pattern brickwork houses principally by West New Jersey\u27s native born Quaker elites. These specific sectarian associations infused this area\u27s brick artisanry with distinctive regional meaning. The pattern brickwork aesthetic punctuated the economic power of West New Jersey\u27s Weighty Friends, and underscored their influence within the larger Quaker community. By visually linking brick meetinghouses and brick dwelling houses, these individuals, and their extended families, architecturally expressed the exercise of Quaker tribalism in West New Jersey\u27s local, monthly, and quarterly meetings. The importance of this architectural strategy, and the contractual privilege that accompanied it, enhanced the social standing of bricklaying and brickmaking. While brick building was one of many consolidative measures taken by the Society of Friends in the eighteenth century, this architectural scheme also fulfilled a significant outward-looking function. The brick meetinghouse/brick dwelling house nexus was a territorial response to eighteenth-century West New Jersey\u27s increasingly diverse ethnic and religious population. Facing social and demographic pressure, West New Jersey\u27s Quakers asserted the feeling that was engendered in their long time proprietary landholding strength--the foundation of their original settlement in the region--through the construction of brick meetinghouses and pattern brickwork dwellings. The expressive quality of these buildings delineated the contours of West New Jersey\u27s Quaker culture and, in landscape terms, substantiated Quakerism\u27s effect on the region\u27s larger cultural process