Shipibo Laughing Songs and the Transformative Faculty: Performing or Becoming the Other (2013)

Shipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorcery (médicos), because it is crucial that the performer owns the faculty of transforming into the animal in question, although in osanti the singers do not transform. Songs involving actual transformation are not meant for laughing: these are magical songs including interaction with and transformation into animals or spirits that possess a more ample radius of perception and action than ‘Real Human’ beings. Osanti songs, with their position between secular and magical songs, allow for an analysis of humour and laughing in the construction of the indigenous ontology, thereby questioning some generalisations made in theories of animism and perspectivism

Uma análise multi-perspectiva de dados videográficos sobre a performance de possessão espiritual no Vodu Dominicano

O artigo trata da possessão espiritual durante celebrações públicas de Vodu no sudoeste da República Dominicana. Por meio da análise de materiais videográficos arquivados no Phonogrammarchiv da Academia Austríaca de Ciências, as características do Vodu Dominicano são descritas a partir de três perspectivas interconectadas, com ênfase especial na representação do divino. Entre essas perspectivas estão o ponto de vista da pesquisadora, uma antropóloga médica, bem como as interpretações de um especialista local na performance desse gênero e as percepções e associações de um musicólogo que trabalha no Phonogrammarchiv da Academia Austríaca de Ciências, preparando a coleção para depósito e eventual acesso ao arquivo pelos clientes. Com base nessas múltiplas perspectivas, o artigo apresenta uma descrição detalhada da possessão espiritual, incluindo uma perspectiva mais ampla que faz referência a questões teóricas de diferentes áreas culturais e disciplinas de pesquisa, e finalmente explora o que constitui uma performance de possessão bem sucedida

Smoking as Communication in Rastafari: Reasonings with 'Professional" Smokers and 'Plant Teachers'

In Rastafari smoking herbs (cannabis) and tobacco is central to spiritual practices, including grounding (the process of initiation into Rastafari) and reasoning (ritual discussions). This paper presents ethnographic research with Rastafari smokers in England. It shows that smoking is considered a ‘professional’ activity that communicates dedication to the movement, aids in learning different dialects, and facilitates experiences of communication with herbs ‘herself’. Through rituals that ‘professional’ smokers engage in herbs becomes a ‘plant teacher’, which Tupper [2008. The Globalization of Ayahuasca: Harm Reduction or Benefit Maximization? International Journal of Drug Policy, 19:300] defines as ‘a natural divinatory mechanism that can provide esoteric knowledge to adepts skilled in negotiating its remarkable effects’. Appreciation of smoking as a form of multispecies communication between ‘professional’ smokers and ‘plant teachers’ recasts the role of agency in anthropological studies of smoking and contributes to our understanding of consciousness and intentionality in both humans and plants

Introducing the Musical Care International Network

UIDB/00472/2020 UIDP/00472/2020In this paper we report on the inaugural meetings of the Musical Care International Network held online in 2022. The term “musical care” is defined by Spiro and Sanfilippo (2022) as “the role of music—music listening as well as music-making—in supporting any aspect of people's developmental or health needs” (pp. 2–3). Musical care takes varied forms in different cultural contexts and involves people from different disciplines and areas of expertise. Therefore, the Musical Care International Network takes an interdisciplinary and international approach and aims to better reflect the disciplinary, geographic, and cultural diversity relevant to musical care. Forty-two delegates participated in 5 inaugural meetings over 2 days, representing 24 countries and numerous disciplines and areas of practice. Based on the meetings, the aims of this paper are to (1) better understand the diverse practices, applications, contexts, and impacts of musical care around the globe and (2) introduce the Musical Care International Network. Transcriptions of the recordings, alongside notes taken by the hosts, were used to summarise the conversations. The discussions developed ideas in three areas: (a) musical care as context-dependent and social, (b) musical care's position within the broader research and practice context, and (c) debates about the impact of and evidence for musical care. We can conclude that musical care refers to context-dependent and social phenomena. The term musical care was seen as useful in talking across boundaries while not minimizing individual disciplinary and professional expertise. The use of the term was seen to help balance the importance and place of multiple disciplines, with a role to play in the development of a collective identity. This collective identity was seen as important in advocacy and in helping to shape policy. The paper closes with proposed future directions for the network and its emerging mission statement.publishersversionpublishe

Ontologías en disputa: Diálogos entre la antropología y la arqueología para la problematización de paisajes regionals

Objetivo/contexto: Hacia finales del siglo XX, el dualismo ontológico con el que antropólogos y arqueólogos nos hemos formado teórica y metodológicamente ha sido cuestionado y puesto en debate. En este contexto, nuestro objetivo es exponer críticamente los trabajos que se están realizando y que contribuyen a problematizar los paisajes enredados de existencias, materialidades, saberes, sentidos o prejuicios pasados y presentes, y con ello a restablecer el diálogo entre la antropología social y la arqueología. Metodología: Exponemos el estado actual de la apertura ontológica en clave latinoamericana. Problematizamos la noción de paisaje como concepto que permite diálogos teórico-metodológicos entre la antropología y la arqueología, así como con otras disciplinas. También presentamos ejes de comunicación y diálogo entre los artículos que forman parte del presente dossier para finalizar con los desafíos por delante en cuanto a traspasar fronteras disciplinarias, temporales y espaciales. Conclusiones: En contextos de históricas relaciones de poder, de profundas crisis socio-ambientales, los principales desafíos de la apertura ontológica serían: 1) generar referentes teóricos permeables a diversas disciplinas y saberes; 2) consolidar metodologías que integren lo etnográfico con lo arqueológico; 3) alentar diálogos constructivos hacia y con otras disciplinas y saberes, y 4) propiciar la comprensión del entramado político actual y la generación de políticas públicas que permitan diversas formas de relacionamiento con el entorno. Originalidad: El restablecimiento de diálogos entre la arqueología y la antropología social desde las aperturas ontológicas tiene el potencial de discutir cómo en determinados contextos se concretan y/o disputan paisajes y modos hegemónicos de habitar en el mundo, así como se problematizan los usos políticos del pasado y las políticas de uso del espacio y el ambiente.Objective/context: Towards the end of the 20th century, the ontological dualism with which anthropologists and archaeologists have trained us theoretically and methodologically has been questioned and debated. In this context, our objective is to critically expose the works that are being carried out and that contribute to problematizing the landscapes entangled with past and present existences, materialities, knowledge, senses or prejudices, and, with it, to re-establish the dialogue between social anthropology and archaeology. Methodology: We expose the current state of the ontological opening in Latin American code. We problematize the notion of landscape as a concept that allows theoretical-methodological dialogues between anthropology and archaeology, as well as with other disciplines. We also present axes of communication and dialogue between the articles that are part of this dossier, to end with the challenges ahead in terms of crossing disciplinary, temporal and spatial borders. Conclusions: In contexts of historical power relations, of deep socio-environmental crises, the main challenges for an ontological opening would be: 1) to generate theoretical referents permeable to various disciplines and fields of knowledge; 2) to consolidate methodologies that integrate the ethnographic with the archaeological; 3) to encourage constructive dialogues towards and with other disciplines and fields of knowledge; and 4) to propitiate the understanding of the current political framework and the generation of public policies that allow for diverse forms of relation with the environment. Originality: The re-establishment of dialogues between archaeology and social anthropology from ontological openings has the potential to discuss how, in certain contexts, landscapes and hegemonic ways of living are concretized and/or disputed, as well as the political uses of the past and the policies of use of space and the environment.Objetivo/contexto: No final do século XX, o dualismo ontológico com o qual antropólogos e arqueólogos se formaram teórica e metodologicamente vem sendo questionado e colocado em debate. Nesse contexto, nosso objetivo é expor criticamente os trabalhos que estão sendo realizados e que contribuem para problematizar as paisagens permeadas de existências, materialidades, saberes, sentidos ou preconceitos passados e presentes, e, com isso, reestabelecer o diálogo entre a antropologia social e a arqueologia. Metodologia: Expomos o estado atual da abertura ontológica no âmbito latino-americano. Problematizamos a noção de paisagem como conceito que permite diálogos teórico-metodológicos entre a antropologia e a arqueologia, assim como outras disciplinas. Também apresentamos eixos de comunicação e diálogo entre os artigos que fazem parte do presente dossiê para finalizar com os desafios que temos adiante sobre ultrapassar fronteiras disciplinares, temporais e espaciais. Conclusões: Em contextos de históricas relações de poder, de profundas crises socioambientais, os principais desafios para uma abertura ontológica seriam: 1) gerar referentes teóricos permeáveis a diversas disciplinas e saberes; 2) consolidar metodologias que integrem o etnográfico com o arqueológico; 3) promover diálogos construtivos com outras disciplinas e saberes; e 4) propiciar a compreensão da estrutura política atual e a geração de políticas públicas que permitam as diversas formas de relacionamentos com o ambiente. Originalidade: O reestabelecimento de diálogos entre a arqueologia e a antropologia social a partir das aberturas ontológicas tem o potencial de discutir como, em determinados contextos, se concretizam e/ou disputam paisagens e modos hegemônicos de habitar, bem como se problematizam os usos políticos do passado e as políticas de uso do espaço e do ambiente.Fil: Saldi, Leticia. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Mendoza. Instituto Argentino de Nivología, Glaciología y Ciencias Ambientales. Provincia de Mendoza. Instituto Argentino de Nivología, Glaciología y Ciencias Ambientales. Universidad Nacional de Cuyo. Instituto Argentino de Nivología, Glaciología y Ciencias Ambientales; ArgentinaFil: Mafferra, Luis Eduardo. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Mendoza. Instituto Argentino de Nivología, Glaciología y Ciencias Ambientales. Provincia de Mendoza. Instituto Argentino de Nivología, Glaciología y Ciencias Ambientales. Universidad Nacional de Cuyo. Instituto Argentino de Nivología, Glaciología y Ciencias Ambientales; ArgentinaFil: Barrientos Salinas, J. Alejandro. Universidad Mayor de San Andrés; Bolivi

About magical singing, sonic perspectives, ambient multinatures, and the conscious experience

The significance of the sonic, especially of vocal music, in the context of animism and perspectivism was hitherto underestimated in anthropological theory. Working on examples of Shipibo-Konibo magical songs from the author’s own ethnomusicological fieldwork recordings, in this paper it is proposed that the first-person experience of médicos (healers or sorcerers) has to be considered most valuable for interpreting structures of relationships between humans and non-humans. This experience surfaces most obviously in singing styles and lyrics of songs performed by médicos in the current state of interaction with non-humans during ritual curing, worshipping, or fighting. Results obtained from this analysis include: 1) The ascription of consciousness and human or humanoid physicality to non-humans is the result of the médico’s perceptions during musically induced or controlled altered states of perception and cognition (ASPC); 2) The transformation into and identification with non-humans involve full conscious experience by the médico and therefore pertain to the highest level of evidentiality in Shipibo discourse which is ontologically determining; 3) Human physicality and competence of perception and action is not universal among all beings but is a matter of grading dependent on magical and practical powers of the respective species; 4) A "sonic perspectivism” allowing for agency in the construction of perspectives, and an "ambient multinaturalism” extending the notion of transformation from body to environment, are introduced by analysing sonic phenomena. Finally, the author proposes to focus more on indigenous praxis than on analysis and comparison of narratives in order to understand indigenous ontologies.Hasta ahora la importancia de lo sónico, especialmente la música vocal, en el contexto del animismo y el perspectivismo ha sido subestimada en la teoría antropológica. Basándose en ejemplos de canciones mágicas de los shipibokonibo extraídas de grabaciones etnomusicológicas propias del trabajo del campo del autor, se propone en este artículo que la experiencia en primera persona de médicos (curanderos o brujos) debe ser considerada de altísimo valor para la interpretación de las estructuras de relaciones entre humanos y no humanos. Esta experiencia surge de manera más evidente en los estilos de canto y las letras de las canciones interpretadas por los médicos en el estado de interacción con los no humanos durante la curación, la adoración o la lucha rituales. Los resultados obtenidos de este análisis incluyen: 1) La adscripción de la conciencia y la materialidad humana o humanoide a los no humanos es resultado de las percepciones del médico durante estados alterados de percepción y cognición controlados o inducidos musicalmente; 2) La transformación en los no humanos y la identificación con los mismos suponen una experiencia de plena conciencia por parte del médico y así pertenecen al más alto nivel de la evidencialidad en el discurso shipibo que es ontológicamente determinante; 3) La materialidad y la competencia de percepción y acción humanas no son universales entre todos los seres sino son el resultado de una clasificación en función de los poderes mágicos y prácticos de las respectivas especies; y 4) A través del análisis de fenómenos sónicos se introducen un "perspectivismo sónico” que permite agencia en la construcción de perspectivas y un "multinaturalismo ambiental” que extiende la noción de transformación del cuerpo al ambiente. Por último, el autor propone centrarse más en la práctica indígena que en el análisis y la comparación de narrativas para entender las ontologías indígenas