7 research outputs found
Calculation of the Flux of Atmospheric Neutrinos
Atmospheric neutrino-fluxes are calculated over the wide energy range from 30
MeV to 3,000 GeV for the study of neutrino-physics using the data from
underground neutrino-detectors. The atmospheric muon-flux at high altitude and
at sea level is studied to calibrate the neutrino-fluxes at low energies and
high energies respectively. The agreement of our calculation with observations
is satisfactory. The uncertainty of atmospheric neutrino-fluxes is also
studied.Comment: 51 page
The uses of colour vision: behavioural and physiological distinctiveness of colour stimuli
Colour and greyscale (black and white) pictures look different to us, but it is not clear whether the difference in appearance is a consequence of the way our visual system uses colour signals or a by-product of our experience. In principle, colour images are qualitatively different from greyscale images because they make it possible to use different processing strategies. Colour signals provide important cues for segmenting the image into areas that represent different objects and for linking together areas that represent the same object. If this property of colour signals is exploited in visual processing we would expect colour stimuli to look different, as a class, from greyscale stimuli. We would also expect that adding colour signals to greyscale signals should change the way that those signals are processed. We have investigated these questions in behavioural and in physiological experiments. We find that male marmosets (all of which are dichromats) rapidly learn to distinguish between colour and greyscale copies of the same images. The discrimination transfers to new image pairs, to new colours and to image pairs in which the colour and greyscale images are spatially different. We find that, in a proportion of neurons recorded in the marmoset visual cortex, colour-shifts in opposite directions produce similar enhancements of the response to a luminance stimulus. We conclude that colour is, both behaviourally and physiologically, a distinctive property of images