56 research outputs found

    «El paisaje» en el curriculum de Educación Primaria, dentro del área del conocimiento del medio natural, social y cultural

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    [ES] La lectura y análisis del paisaje a lo largo de la enseñanza primaria permite a los alumnos alcanzar progresivamente la comprensión significativa de las relaciones entre los diversos elementos del medio físico y el medio humano. El paisaje muestra a los ojos de los alumnos, de forma directa y concreta, la diversidad de relaciones sincrónicas y diacrónicas entre los elementos naturales y humanos que lo configuran. También puede ayudar a descubrir los problemas que pueden aparecer en la interpretación del medio, para así promover nuevas actitudes de los alumnos hacia el entorno.[EN] The reading and analysis of the landscape throughout primary education allow the students progressively to reach the significant understanding of the relations between the diverse elements of the means physicist and the means human. The landscape shows the eyes of the students, direct form and specific, the diversity of synchronous and diachronic relations between the natural and human elements that form it. Also it can help to discover the problems that can appear in the interpretation of means, thus to promote new attitudes of the students towards the environment

    El paisaje en la formación inicial de maestros: un estudio de caso con métodos mixtos

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    Landscape knowledge is essential to understand the space arround us and to interpret the possible evolution based on the analysis of the configuring elements. Therefore, it is necessary to provide teachers in training with the necessary skills to incorporate content adequately and efficiently on landscape and to incorporate landscape as an instrument in the teaching-learning process of the Social Sciences. The development of this work focuses on the analysis of the knowledge and perceptions that teachers in training have about landscape. To this end, using a mixed methodology, a questionnaire has been designed and developed which includes the collection of quantitative data (items presented on a Likert scale) and qualitative data (responses to questions on three contrasting images of landscapes). The quantitative results indicate that the subjects have theoretical knowledge about landscape. The contrast with the qualitative results indicates that theoretical knowledge is reduced when students have to justify their answers. It could indicate that they have knowledge about the landscape but lack the skills to incorporate it into a description.Los conocimientos paisajísticos son fundamentales para poder comprender el espacio que nos rodea e interpretar la posible evolución a partir del análisis de los elementos que lo configuran. Por ello, es necesario dotar a los docentes en formación de las habilidades necesarias para incorporar adecuadamente y de forma eficiente los contenidos sobre el paisaje e incorporar al proceso de enseñanza-aprendizaje de las Ciencias Sociales el paisaje como instrumento. El desarrollo de este trabajo se centra en el análisis de los conocimientos y percepciones que tienen los maestros en formación sobre el paisaje. Para ello, a partir de una metodología de tipo mixto se ha diseñado y desarrollado un cuestionario que cuenta con la recogida de datos de tipo cuantitativo (ítems presentados en escala Likert) y con datos de tipo cualitativo (respuestas a unas cuestiones sobre tres imágenes de paisajes contrastados). Los resultados nos indican que según los datos cuantitativos existe un amplio número de sujetos de la muestra con conocimientos teóricos sobre el paisaje, número que se ve muy reducido tras el análisis de los datos cualitativos. Por ello, se podría indicar que disponen de conocimientos sobre el paisaje pero que les faltan las habilidades para incorporarlos a una descripción

    José Tamayo y el TEU de Granada

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    José Tamayo, director de escena y productor teatral, fue una figura indiscutible de la escena española de la segunda mitad del siglo XX. Contribuyó a la modernización del teatro español, pero la mayor parte de las características que definirían posteriormente sus puestas en escena se encontraban ya en sus inicios como director de la compañía universitaria de su ciudad, Granada, como el uso de la iluminación, la música, un cuidado vestuario y escenografías realizadas por reconocidos artistas. Fue director del TEU de Granada desde 1944 a 1946, fecha en que la compañía de teatro Lope de Vega se hizo profesional. Durante los años en que José Tamayo dirigió este TEU, el grupo alcanzó una gran calidad artística y se situó entre las primeras compañías de Teatro Español Universitario del país.José Tamayo, stage manager and theatrical producer was an undisputed figure of the Spanish scene during the second half of the XX Century. He contributed to the renewal of Spanish theater. But most of the characteristics that lately would define his work could be found on his beginnings as a director of the university company of his native city, Granada, like the use of the illumination, the music, and amazing wardrove and scenographies made by wellknown artists. He was the director of the Granada TEU since 1944 to 1946, when the theater company Lope de Vega became professional. During the years José Tamayo directed that TEU, it reached a high artistic quality and it positioned itself on the top list of Spanish Academic Theater companies of the country

    Theta oscillations show impaired interference detection in older adults during selective memory retrieval

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    Seemingly effortless tasks, such as recognizing faces and retrieving names, become harder as we age. Such difficulties may be due to the competition generated in memory by irrelevant information that comes to mind when trying to recall a specific face or name. It is unknown, however, whether agerelated struggles in retrieving these representations stem from an inability to detect competition in the first place, or from being unable to suppress competing information once interference is detected. To investigate this, we used the retrieval practice paradigm, shown to elicit memory interference, while recording electrophysiological activity in young and older adults. In two experiments, young participants showed Retrieval-Induced Forgetting (RIF), reflecting the suppression of competing information, whereas older adults did not. Neurally, mid-frontal theta power (~4–8 Hz) during the first retrieval cycle, a proxy for interference detection, increased in young compared to older adults, indicating older adults were less capable of detecting interference. Moreover, while theta power was reduced across practice cycles in younger adults, a measure of interference resolution, older adults did not show such a reduction. Thus, in contrast with younger adults, the lack of an early interference detection signal rendered older adults unable to recruit memory selection mechanisms, eliminating RIF.This research was supported by the doctoral research grants AP2009-2215 to C.S.F. and BES-2013-066842 to M.J.M.; by grants PSI2012-33625; PSI2015-65502-C2-1-P from the Spanish Ministry of Economy and Competiveness, and by the Economic Council of the Andalusian Government P08-HUM-03600-Feder and P12-CTS-2369-Feder to T.B. S.H. is supported by grants from the European Research Council (grant agreement Nº647954), the Economic and Social Research Council (ESRC grant agreement NºES/R010072/1), and the Wolfson Society and Royal Society
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