1,392 research outputs found

    Sound Source Separation

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    This is the author's accepted pre-print of the article, first published as G. Evangelista, S. Marchand, M. D. Plumbley and E. Vincent. Sound source separation. In U. ZĂślzer (ed.), DAFX: Digital Audio Effects, 2nd edition, Chapter 14, pp. 551-588. John Wiley & Sons, March 2011. ISBN 9781119991298. DOI: 10.1002/9781119991298.ch14file: Proof:e\EvangelistaMarchandPlumbleyV11-sound.pdf:PDF owner: markp timestamp: 2011.04.26file: Proof:e\EvangelistaMarchandPlumbleyV11-sound.pdf:PDF owner: markp timestamp: 2011.04.2

    A computational framework for sound segregation in music signals

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    Tese de doutoramento. Engenharia ElectrotĂŠcnica e de Computadores. Faculdade de Engenharia. Universidade do Porto. 200

    The Bolocam Galactic Plane Survey: II. Catalog of The Image Data

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    We present a catalog of 8358 sources extracted from images produced by the Bolocam Galactic Plane Survey (BGPS). The BGPS is a survey of the millimeter dust continuum emission from the northern Galactic plane. The catalog sources are extracted using a custom algorithm, Bolocat, which was designed specifically to identify and characterize objects in the large-area maps generated from the Bolocam instrument. The catalog products are designed to facilitate follow-up observations of these relatively unstudied objects. The catalog is 98% complete from 0.4 Jy to 60 Jy over all object sizes for which the survey is sensitive ( \u3c 3\u27.5). We find that the sources extracted can best be described as molecular clumps-large dense regions in molecular clouds linked to cluster formation. We find that the flux density distribution of sources follows a power law with dN/dS alpha S(-2.4+/-0.1) and that the mean Galactic latitude for sources is significantly below the midplane: \u3c b \u3e = (-0 degrees.095 +/- 0 degrees.001)

    Detection and handling of overlapping speech for speaker diarization

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    For the last several years, speaker diarization has been attracting substantial research attention as one of the spoken language technologies applied for the improvement, or enrichment, of recording transcriptions. Recordings of meetings, compared to other domains, exhibit an increased complexity due to the spontaneity of speech, reverberation effects, and also due to the presence of overlapping speech. Overlapping speech refers to situations when two or more speakers are speaking simultaneously. In meeting data, a substantial portion of errors of the conventional speaker diarization systems can be ascribed to speaker overlaps, since usually only one speaker label is assigned per segment. Furthermore, simultaneous speech included in training data can eventually lead to corrupt single-speaker models and thus to a worse segmentation. This thesis concerns the detection of overlapping speech segments and its further application for the improvement of speaker diarization performance. We propose the use of three spatial cross-correlationbased parameters for overlap detection on distant microphone channel data. Spatial features from different microphone pairs are fused by means of principal component analysis, linear discriminant analysis, or by a multi-layer perceptron. In addition, we also investigate the possibility of employing longterm prosodic information. The most suitable subset from a set of candidate prosodic features is determined in two steps. Firstly, a ranking according to mRMR criterion is obtained, and then, a standard hill-climbing wrapper approach is applied in order to determine the optimal number of features. The novel spatial as well as prosodic parameters are used in combination with spectral-based features suggested previously in the literature. In experiments conducted on AMI meeting data, we show that the newly proposed features do contribute to the detection of overlapping speech, especially on data originating from a single recording site. In speaker diarization, for segments including detected speaker overlap, a second speaker label is picked, and such segments are also discarded from the model training. The proposed overlap labeling technique is integrated in Viterbi decoding, a part of the diarization algorithm. During the system development it was discovered that it is favorable to do an independent optimization of overlap exclusion and labeling with respect to the overlap detection system. We report improvements over the baseline diarization system on both single- and multi-site AMI data. Preliminary experiments with NIST RT data show DER improvement on the RT Âż09 meeting recordings as well. The addition of beamforming and TDOA feature stream into the baseline diarization system, which was aimed at improving the clustering process, results in a bit higher effectiveness of the overlap labeling algorithm. A more detailed analysis on the overlap exclusion behavior reveals big improvement contrasts between individual meeting recordings as well as between various settings of the overlap detection operation point. However, a high performance variability across different recordings is also typical of the baseline diarization system, without any overlap handling

    Music Genre Classification Systems - A Computational Approach

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    Speech Recognition

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    Chapters in the first part of the book cover all the essential speech processing techniques for building robust, automatic speech recognition systems: the representation for speech signals and the methods for speech-features extraction, acoustic and language modeling, efficient algorithms for searching the hypothesis space, and multimodal approaches to speech recognition. The last part of the book is devoted to other speech processing applications that can use the information from automatic speech recognition for speaker identification and tracking, for prosody modeling in emotion-detection systems and in other speech processing applications that are able to operate in real-world environments, like mobile communication services and smart homes

    Towards the automated analysis of simple polyphonic music : a knowledge-based approach

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    PhDMusic understanding is a process closely related to the knowledge and experience of the listener. The amount of knowledge required is relative to the complexity of the task in hand. This dissertation is concerned with the problem of automatically decomposing musical signals into a score-like representation. It proposes that, as with humans, an automatic system requires knowledge about the signal and its expected behaviour to correctly analyse music. The proposed system uses the blackboard architecture to combine the use of knowledge with data provided by the bottom-up processing of the signal's information. Methods are proposed for the estimation of pitches, onset times and durations of notes in simple polyphonic music. A method for onset detection is presented. It provides an alternative to conventional energy-based algorithms by using phase information. Statistical analysis is used to create a detection function that evaluates the expected behaviour of the signal regarding onsets. Two methods for multi-pitch estimation are introduced. The first concentrates on the grouping of harmonic information in the frequency-domain. Its performance and limitations emphasise the case for the use of high-level knowledge. This knowledge, in the form of the individual waveforms of a single instrument, is used in the second proposed approach. The method is based on a time-domain linear additive model and it presents an alternative to common frequency-domain approaches. Results are presented and discussed for all methods, showing that, if reliably generated, the use of knowledge can significantly improve the quality of the analysis.Joint Information Systems Committee (JISC) in the UK National Science Foundation (N.S.F.) in the United states. Fundacion Gran Mariscal Ayacucho in Venezuela

    Proceedings of the ECCS 2005 satellite workshop: embracing complexity in design - Paris 17 November 2005

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    Embracing complexity in design is one of the critical issues and challenges of the 21st century. As the realization grows that design activities and artefacts display properties associated with complex adaptive systems, so grows the need to use complexity concepts and methods to understand these properties and inform the design of better artifacts. It is a great challenge because complexity science represents an epistemological and methodological swift that promises a holistic approach in the understanding and operational support of design. But design is also a major contributor in complexity research. Design science is concerned with problems that are fundamental in the sciences in general and complexity sciences in particular. For instance, design has been perceived and studied as a ubiquitous activity inherent in every human activity, as the art of generating hypotheses, as a type of experiment, or as a creative co-evolutionary process. Design science and its established approaches and practices can be a great source for advancement and innovation in complexity science. These proceedings are the result of a workshop organized as part of the activities of a UK government AHRB/EPSRC funded research cluster called Embracing Complexity in Design (www.complexityanddesign.net) and the European Conference in Complex Systems (complexsystems.lri.fr). Embracing complexity in design is one of the critical issues and challenges of the 21st century. As the realization grows that design activities and artefacts display properties associated with complex adaptive systems, so grows the need to use complexity concepts and methods to understand these properties and inform the design of better artifacts. It is a great challenge because complexity science represents an epistemological and methodological swift that promises a holistic approach in the understanding and operational support of design. But design is also a major contributor in complexity research. Design science is concerned with problems that are fundamental in the sciences in general and complexity sciences in particular. For instance, design has been perceived and studied as a ubiquitous activity inherent in every human activity, as the art of generating hypotheses, as a type of experiment, or as a creative co-evolutionary process. Design science and its established approaches and practices can be a great source for advancement and innovation in complexity science. These proceedings are the result of a workshop organized as part of the activities of a UK government AHRB/EPSRC funded research cluster called Embracing Complexity in Design (www.complexityanddesign.net) and the European Conference in Complex Systems (complexsystems.lri.fr)
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