Adding expressiveness to unit selection speech synthesis and to numerical voice production

La parla és una de les formes de comunicació més naturals i directes entre éssers humans, ja que codifica un missatge i també claus paralingüístiques sobre l’estat emocional del locutor, el to o la seva intenció, esdevenint així fonamental en la consecució d’una interacció humà-màquina (HCI) més natural. En aquest context, la generació de parla expressiva pel canal de sortida d’HCI és un element clau en el desenvolupament de tecnologies assistencials o assistents personals entre altres aplicacions. La parla sintètica pot ser generada a partir de parla enregistrada utilitzant mètodes basats en corpus com la selecció d’unitats (US), que poden aconseguir resultats d’alta qualitat però d’expressivitat restringida a la pròpia del corpus. A fi de millorar la qualitat de la sortida de la síntesi, la tendència actual és construir bases de dades de veu cada cop més grans, seguint especialment l’aproximació de síntesi anomenada End-to-End basada en tècniques d’aprenentatge profund. Tanmateix, enregistrar corpus ad-hoc per cada estil expressiu desitjat pot ser extremadament costós o fins i tot inviable si el locutor no és capaç de realitzar adequadament els estils requerits per a una aplicació donada (ex: cant en el domini de la narració de contes). Alternativament, nous mètodes basats en la física de la producció de veu s’han desenvolupat a la darrera dècada gràcies a l’increment en la potència computacional. Per exemple, vocals o diftongs poden ser obtinguts utilitzant el mètode d’elements finits (FEM) per simular la propagació d’ones acústiques a través d’una geometria 3D realista del tracte vocal obtinguda a partir de ressonàncies magnètiques (MRI). Tanmateix, atès que els principals esforços en aquests mètodes de producció numèrica de veu s’han focalitzat en la millora del modelat del procés de generació de veu, fins ara s’ha prestat poca atenció a la seva expressivitat. A més, la col·lecció de dades per aquestes simulacions és molt costosa, a més de requerir un llarg postprocessament manual com el necessari per extreure geometries 3D del tracte vocal a partir de MRI. L’objectiu de la tesi és afegir expressivitat en un sistema que genera veu neutra, sense haver d’adquirir dades expressives del locutor original. Per un costat, s’afegeixen capacitats expressives a un sistema de conversió de text a parla basat en selecció d’unitats (US-TTS) dotat d’un corpus de veu neutra, per adreçar necessitats específiques i concretes en l’àmbit de la narració de contes, com són la veu cantada o situacions de suspens. A tal efecte, la veu és parametritzada utilitzant un model harmònic i transformada a l’estil expressiu desitjat d’acord amb un sistema expert. Es presenta una primera aproximació, centrada en la síntesi de suspens creixent per a la narració de contes, i es demostra la seva viabilitat pel que fa a naturalitat i qualitat de narració de contes. També s’afegeixen capacitats de cant al sistema US-TTS mitjançant la integració de mòduls de transformació de parla a veu cantada en el pipeline del TTS, i la incorporació d’un mòdul de generació de prosòdia expressiva que permet al mòdul de US seleccionar unitats més properes a la prosòdia cantada obtinguda a partir de la partitura d’entrada. Això resulta en un framework de síntesi de conversió de text a parla i veu cantada basat en selecció d’unitats (US-TTS&S) que pot generar veu parlada i cantada a partir d'un petit corpus de veu neutra (~2.6h). D’acord amb els resultats objectius, l’estratègia de US guiada per la partitura permet reduir els factors de modificació de pitch requerits per produir veu cantada a partir de les unitats de veu parlada seleccionades, però en canvi té una efectivitat limitada amb els factors de modificació de les durades degut a la curta durada de les vocals parlades neutres. Els resultats dels tests perceptius mostren que tot i òbviament obtenir una naturalitat inferior a la oferta per un sintetitzador professional de veu cantada, el framework pot adreçar necessitats puntuals de veu cantada per a la síntesis de narració de contes amb una qualitat raonable. La incorporació d’expressivitat s’investiga també en la simulació numèrica 3D de vocals basada en FEM mitjançant modificacions de les senyals d’excitació glotal utilitzant una aproximació font-filtre de producció de veu. Aquestes senyals es generen utilitzant un model Liljencrants-Fant (LF) controlat amb el paràmetre de forma del pols Rd, que permet explorar el continu de fonació lax-tens a més del rang de freqüències fonamentals, F0, de la veu parlada. S’analitza la contribució de la font glotal als modes d’alt ordre en la síntesis FEM de les vocals cardinals [a], [i] i [u] mitjançant la comparació dels valors d’energia d’alta freqüència (HFE) obtinguts amb geometries realistes i simplificades del tracte vocal. Les simulacions indiquen que els modes d’alt ordre es preveuen perceptivament rellevants d’acord amb valors de referència de la literatura, particularment per a fonacions tenses i/o F0s altes. En canvi, per a vocals amb una fonació laxa i/o F0s baixes els nivells d’HFE poden resultar inaudibles, especialment si no hi ha soroll d’aspiració en la font glotal. Després d’aquest estudi preliminar, s’han analitzat les característiques d’excitació de vocals alegres i agressives d’un corpus paral·lel de veu en castellà amb l’objectiu d’incorporar aquests estils expressius de veu tensa en la simulació numèrica de veu. Per a tal efecte, s’ha usat el vocoder GlottDNN per analitzar variacions d’F0 i pendent espectral relacionades amb l’excitació glotal en vocals [a]. Aquestes variacions es mapegen mitjançant la comparació amb vocals sintètiques en valors d’F0 i Rd per simular vocals que s’assemblin als estils alegre i agressiu. Els resultats mostren que és necessari incrementar l’F0 i disminuir l’Rd respecte la veu neutra, amb variacions majors per a alegre que per agressiu, especialment per a vocals accentuades. Els resultats aconseguits en les investigacions realitzades validen la possibilitat d’afegir expressivitat a la síntesi basada en corpus US-TTS i a la simulació numèrica de veu basada en FEM. Tanmateix, encara hi ha marge de millora. Per exemple, l’estratègia aplicada a la producció numèrica de veu es podria millorar estudiant i desenvolupant mètodes de filtratge invers així com incorporant modificacions del tracte vocal, mentre que el framework US-TTS&S es podria beneficiar dels avenços en tècniques de transformació de veu incloent transformacions de la qualitat de veu, aprofitant l’experiència adquirida en la simulació numèrica de vocals expressives.El habla es una de las formas de comunicación más naturales y directas entre seres humanos, ya que codifica un mensaje y también claves paralingüísticas sobre el estado emocional del locutor, el tono o su intención, convirtiéndose así en fundamental en la consecución de una interacción humano-máquina (HCI) más natural. En este contexto, la generación de habla expresiva para el canal de salida de HCI es un elemento clave en el desarrollo de tecnologías asistenciales o asistentes personales entre otras aplicaciones. El habla sintética puede ser generada a partir de habla gravada utilizando métodos basados en corpus como la selección de unidades (US), que pueden conseguir resultados de alta calidad, pero de expresividad restringida a la propia del corpus. A fin de mejorar la calidad de la salida de la síntesis, la tendencia actual es construir bases de datos de voz cada vez más grandes, siguiendo especialmente la aproximación de síntesis llamada End-to-End basada en técnicas de aprendizaje profundo. Sin embargo, gravar corpus ad-hoc para cada estilo expresivo deseado puede ser extremadamente costoso o incluso inviable si el locutor no es capaz de realizar adecuadamente los estilos requeridos para una aplicación dada (ej: canto en el dominio de la narración de cuentos). Alternativamente, nuevos métodos basados en la física de la producción de voz se han desarrollado en la última década gracias al incremento en la potencia computacional. Por ejemplo, vocales o diptongos pueden ser obtenidos utilizando el método de elementos finitos (FEM) para simular la propagación de ondas acústicas a través de una geometría 3D realista del tracto vocal obtenida a partir de resonancias magnéticas (MRI). Sin embargo, dado que los principales esfuerzos en estos métodos de producción numérica de voz se han focalizado en la mejora del modelado del proceso de generación de voz, hasta ahora se ha prestado poca atención a su expresividad. Además, la colección de datos para estas simulaciones es muy costosa, además de requerir un largo postproceso manual como el necesario para extraer geometrías 3D del tracto vocal a partir de MRI. El objetivo de la tesis es añadir expresividad en un sistema que genera voz neutra, sin tener que adquirir datos expresivos del locutor original. Per un lado, se añaden capacidades expresivas a un sistema de conversión de texto a habla basado en selección de unidades (US-TTS) dotado de un corpus de voz neutra, para abordar necesidades específicas y concretas en el ámbito de la narración de cuentos, como son la voz cantada o situaciones de suspense. Para ello, la voz se parametriza utilizando un modelo harmónico y se transforma al estilo expresivo deseado de acuerdo con un sistema experto. Se presenta una primera aproximación, centrada en la síntesis de suspense creciente para la narración de cuentos, y se demuestra su viabilidad en cuanto a naturalidad y calidad de narración de cuentos. También se añaden capacidades de canto al sistema US-TTS mediante la integración de módulos de transformación de habla a voz cantada en el pipeline del TTS, y la incorporación de un módulo de generación de prosodia expresiva que permite al módulo de US seleccionar unidades más cercanas a la prosodia cantada obtenida a partir de la partitura de entrada. Esto resulta en un framework de síntesis de conversión de texto a habla y voz cantada basado en selección de unidades (US-TTS&S) que puede generar voz hablada y cantada a partir del mismo pequeño corpus de voz neutra (~2.6h). De acuerdo con los resultados objetivos, la estrategia de US guiada por la partitura permite reducir los factores de modificación de pitch requeridos para producir voz cantada a partir de las unidades de voz hablada seleccionadas, pero en cambio tiene una efectividad limitada con los factores de modificación de duraciones debido a la corta duración de las vocales habladas neutras. Los resultados de las pruebas perceptivas muestran que, a pesar de obtener una naturalidad obviamente inferior a la ofrecida por un sintetizador profesional de voz cantada, el framework puede abordar necesidades puntuales de voz cantada para la síntesis de narración de cuentos con una calidad razonable. La incorporación de expresividad se investiga también en la simulación numérica 3D de vocales basada en FEM mediante modificaciones en las señales de excitación glotal utilizando una aproximación fuente-filtro de producción de voz. Estas señales se generan utilizando un modelo Liljencrants-Fant (LF) controlado con el parámetro de forma del pulso Rd, que permite explorar el continuo de fonación laxo-tenso además del rango de frecuencias fundamentales, F0, de la voz hablada. Se analiza la contribución de la fuente glotal a los modos de alto orden en la síntesis FEM de las vocales cardinales [a], [i] y [u] mediante la comparación de los valores de energía de alta frecuencia (HFE) obtenidos con geometrías realistas y simplificadas del tracto vocal. Las simulaciones indican que los modos de alto orden se prevén perceptivamente relevantes de acuerdo con valores de referencia de la literatura, particularmente para fonaciones tensas y/o F0s altas. En cambio, para vocales con una fonación laxa y/o F0s bajas los niveles de HFE pueden resultar inaudibles, especialmente si no hay ruido de aspiración en la fuente glotal. Después de este estudio preliminar, se han analizado las características de excitación de vocales alegres y agresivas de un corpus paralelo de voz en castellano con el objetivo de incorporar estos estilos expresivos de voz tensa en la simulación numérica de voz. Para ello, se ha usado el vocoder GlottDNN para analizar variaciones de F0 y pendiente espectral relacionadas con la excitación glotal en vocales [a]. Estas variaciones se mapean mediante la comparación con vocales sintéticas en valores de F0 y Rd para simular vocales que se asemejen a los estilos alegre y agresivo. Los resultados muestran que es necesario incrementar la F0 y disminuir la Rd respecto la voz neutra, con variaciones mayores para alegre que para agresivo, especialmente para vocales acentuadas. Los resultados conseguidos en las investigaciones realizadas validan la posibilidad de añadir expresividad a la síntesis basada en corpus US-TTS y a la simulación numérica de voz basada en FEM. Sin embargo, hay margen de mejora. Por ejemplo, la estrategia aplicada a la producción numérica de voz se podría mejorar estudiando y desarrollando métodos de filtrado inverso, así como incorporando modificaciones del tracto vocal, mientras que el framework US-TTS&S desarrollado se podría beneficiar de los avances en técnicas de transformación de voz incluyendo transformaciones de la calidad de la voz, aprovechando la experiencia adquirida en la simulación numérica de vocales expresivas.Speech is one of the most natural and direct forms of communication between human beings, as it codifies both a message and paralinguistic cues about the emotional state of the speaker, its mood, or its intention, thus becoming instrumental in pursuing a more natural Human Computer Interaction (HCI). In this context, the generation of expressive speech for the HCI output channel is a key element in the development of assistive technologies or personal assistants among other applications. Synthetic speech can be generated from recorded speech using corpus-based methods such as Unit-Selection (US), which can achieve high quality results but whose expressiveness is restricted to that available in the speech corpus. In order to improve the quality of the synthesis output, the current trend is to build ever larger speech databases, especially following the so-called End-to-End synthesis approach based on deep learning techniques. However, recording ad-hoc corpora for each and every desired expressive style can be extremely costly, or even unfeasible if the speaker is unable to properly perform the styles required for a given application (e.g., singing in the storytelling domain). Alternatively, new methods based on the physics of voice production have been developed in the last decade thanks to the increase in computing power. For instance, vowels or diphthongs can be obtained using the Finite Element Method (FEM) to simulate the propagation of acoustic waves through a 3D realistic vocal tract geometry obtained from Magnetic Resonance Imaging (MRI). However, since the main efforts in these numerical voice production methods have been focused on improving the modelling of the voice generation process, little attention has been paid to its expressiveness up to now. Furthermore, the collection of data for such simulations is very costly, besides requiring manual time-consuming postprocessing like that needed to extract 3D vocal tract geometries from MRI. The aim of the thesis is to add expressiveness into a system that generates neutral voice, without having to acquire expressive data from the original speaker. One the one hand, expressive capabilities are added to a Unit-Selection Text-to-Speech (US-TTS) system fed with a neutral speech corpus, to address specific and timely needs in the storytelling domain, such as for singing or in suspenseful situations. To this end, speech is parameterised using a harmonic-based model and subsequently transformed to the target expressive style according to an expert system. A first approach dealing with the synthesis of storytelling increasing suspense shows the viability of the proposal in terms of naturalness and storytelling quality. Singing capabilities are also added to the US-TTS system through the integration of Speech-to-Singing (STS) transformation modules into the TTS pipeline, and by incorporating an expressive prosody generation module that allows the US to select units closer to the target singing prosody obtained from the input score. This results in a Unit Selection based Text-to-Speech-and-Singing (US-TTS&S) synthesis framework that can generate both speech and singing from the same neutral speech small corpus (~2.6 h). According to the objective results, the score-driven US strategy can reduce the pitch scaling factors required to produce singing from the selected spoken units, but its effectiveness is limited regarding the time-scale requirements due to the short duration of the spoken vowels. Results from the perceptual tests show that although the obtained naturalness is obviously far from that given by a professional singing synthesiser, the framework can address eventual singing needs for synthetic storytelling with a reasonable quality. The incorporation of expressiveness is also investigated in the 3D FEM-based numerical simulation of vowels through modifications of the glottal flow signals following a source-filter approach of voice production. These signals are generated using a Liljencrants-Fant (LF) model controlled with the glottal shape parameter Rd, which allows exploring the tense-lax continuum of phonation besides the spoken vocal range of fundamental frequency values, F0. The contribution of the glottal source to higher order modes in the FEM synthesis of cardinal vowels [a], [i] and [u] is analysed through the comparison of the High Frequency Energy (HFE) values obtained with realistic and simplified 3D geometries of the vocal tract. The simulations indicate that higher order modes are expected to be perceptually relevant according to reference values stated in the literature, particularly for tense phonations and/or high F0s. Conversely, vowels with a lax phonation and/or low F0s can result in inaudible HFE levels, especially if aspiration noise is not present in the glottal source. After this preliminary study, the excitation characteristics of happy and aggressive vowels from a Spanish parallel speech corpus are analysed with the aim of incorporating this tense voice expressive styles into the numerical production of voice. To that effect, the GlottDNN vocoder is used to analyse F0 and spectral tilt variations associated with the glottal excitation on vowels [a]. These variations are mapped through the comparison with synthetic vowels into F0 and Rd values to simulate vowels resembling happy and aggressive styles. Results show that it is necessary to increase F0 and decrease Rd with respect to neutral speech, with larger variations for happy than aggressive style, especially for the stressed [a] vowels. The results achieved in the conducted investigations validate the possibility of adding expressiveness to both corpus-based US-TTS synthesis and FEM-based numerical simulation of voice. Nevertheless, there is still room for improvement. For instance, the strategy applied to the numerical voice production could be improved by studying and developing inverse filtering approaches as well as incorporating modifications of the vocal tract, whereas the developed US-TTS&S framework could benefit from advances in voice transformation techniques including voice quality modifications, taking advantage of the experience gained in the numerical simulation of expressive vowels

SYNTHESIZING DYSARTHRIC SPEECH USING MULTI-SPEAKER TTS FOR DSYARTHRIC SPEECH RECOGNITION

Dysarthria is a motor speech disorder often characterized by reduced speech intelligibility through slow, uncoordinated control of speech production muscles. Automatic Speech recognition (ASR) systems may help dysarthric talkers communicate more effectively. However, robust dysarthria-specific ASR requires a significant amount of training speech is required, which is not readily available for dysarthric talkers. In this dissertation, we investigate dysarthric speech augmentation and synthesis methods. To better understand differences in prosodic and acoustic characteristics of dysarthric spontaneous speech at varying severity levels, a comparative study between typical and dysarthric speech was conducted. These characteristics are important components for dysarthric speech modeling, synthesis, and augmentation. For augmentation, prosodic transformation and time-feature masking have been proposed. For dysarthric speech synthesis, this dissertation has introduced a modified neural multi-talker TTS by adding a dysarthria severity level coefficient and a pause insertion model to synthesize dysarthric speech for varying severity levels. In addition, we have extended this work by using a label propagation technique to create more meaningful control variables such as a continuous Respiration, Laryngeal and Tongue (RLT) parameter, even for datasets that only provide discrete dysarthria severity level information. This approach increases the controllability of the system, so we are able to generate more dysarthric speech with a broader range. To evaluate their effectiveness for synthesis of training data, dysarthria-specific speech recognition was used. Results show that a DNN-HMM model trained on additional synthetic dysarthric speech achieves WER improvement of 12.2% compared to the baseline, and that the addition of the severity level and pause insertion controls decrease WER by 6.5%, showing the effectiveness of adding these parameters. Overall results on the TORGO database demonstrate that using dysarthric synthetic speech to increase the amount of dysarthric-patterned speech for training has a significant impact on the dysarthric ASR systems

Vivos Voco: A survey of recent research on voice transformation at IRCAM

cote interne IRCAM: Lanchantin11cInternational audienceIRCAM has a long experience in analysis, synthesis and transformation of voice. Natural voice transformations are of great interest for many applications and can be combine with text-to-speech system, leading to a powerful creation tool. We present research conducted at IRCAM on voice transformations for the last few years. Transformations can be achieved in a global way by modifying pitch, spectral envelope, durations etc. While it sacrifices the possibility to attain a specific target voice, the approach allows the production of new voices of a high degree of naturalness with different gender and age, modified vocal quality, or another speech style. These transformations can be applied in realtime using ircamTools TRAX. Transformation can also be done in a more specific way in order to transform a voice towards the voice of a target speaker. Finally, we present some recent research on the transformation of expressivity

Conveying expressivity and vocal effort transformation in synthetic speech with Harmonic plus Noise Models

Aquesta tesi s'ha dut a terme dins del Grup en de Tecnologies Mèdia (GTM) de l'Escola d'Enginyeria i Arquitectura la Salle. El grup te una llarga trajectòria dins del cap de la síntesi de veu i fins i tot disposa d'un sistema propi de síntesi per concatenació d'unitats (US-TTS) que permet sintetitzar diferents estils expressius usant múltiples corpus. De forma que per a realitzar una síntesi agressiva, el sistema usa el corpus de l'estil agressiu, i per a realitzar una síntesi sensual, usa el corpus de l'estil corresponent. Aquesta tesi pretén proposar modificacions del esquema del US-TTS que permetin millorar la flexibilitat del sistema per sintetitzar múltiples expressivitats usant només un únic corpus d'estil neutre. L'enfoc seguit en aquesta tesi es basa en l'ús de tècniques de processament digital del senyal (DSP) per aplicar modificacions de senyal a la veu sintetitzada per tal que aquesta expressi l'estil de parla desitjat. Per tal de dur a terme aquestes modificacions de senyal s'han usat els models harmònic més soroll per la seva flexibilitat a l'hora de realitzar modificacions de senyal. La qualitat de la veu (VoQ) juga un paper important en els diferents estils expressius. És per això que es va estudiar la síntesi de diferents emocions mitjançant la modificació de paràmetres de VoQ de baix nivell. D'aquest estudi es van identificar un conjunt de limitacions que van donar lloc als objectius d'aquesta tesi, entre ells el trobar un paràmetre amb gran impacte sobre els estils expressius. Per aquest fet l'esforç vocal (VE) es va escollir per el seu paper important en la parla expressiva. Primer es va estudiar la possibilitat de transferir l'VE entre dues realitzacions amb diferent VE de la mateixa paraula basant-se en la tècnica de predicció lineal adaptativa del filtre de pre-èmfasi (APLP). La proposta va permetre transferir l'VE correctament però presentava limitacions per a poder generar nivells intermitjos d'VE. Amb la finalitat de millorar la flexibilitat i control de l'VE expressat a la veu sintetitzada, es va proposar un nou model d'VE basat en polinomis lineals. Aquesta proposta va permetre transferir l'VE entre dues paraules qualsevols i sintetitzar nous nivells d'VE diferents dels disponibles al corpus. Aquesta flexibilitat esta alineada amb l'objectiu general d'aquesta tesi, permetre als sistemes US-TTS sintetitzar diferents estils expressius a partir d'un únic corpus d'estil neutre. La proposta realitzada també inclou un paràmetre que permet controlar fàcilment el nivell d'VE sintetitzat. Això obre moltes possibilitats per controlar fàcilment el procés de síntesi tal i com es va fer al projecte CreaVeu usant interfícies gràfiques simples i intuïtives, també realitzat dins del grup GTM. Aquesta memòria conclou presentant el treball realitzat en aquesta tesi i amb una proposta de modificació de l'esquema d'un sistema US-TTS per incloure els blocs de DSP desenvolupats en aquesta tesi que permetin al sistema sintetitzar múltiple nivells d'VE a partir d'un corpus d'estil neutre. Això obre moltes possibilitats per generar interfícies d'usuari que permetin controlar fàcilment el procés de síntesi, tal i com es va fer al projecte CreaVeu, també realitzat dins del grup GTM. Aquesta memòria conclou presentant el treball realitzat en aquesta tesi i amb una proposta de modificació de l'esquema del sistema US-TTS per incloure els blocs de DSP desenvolupats en aquesta tesi que permetin al sistema sintetitzar múltiple nivells d'VE a partir d'un corpus d'estil neutre.Esta tesis se llevó a cabo en el Grup en Tecnologies Mèdia de la Escuela de Ingeniería y Arquitectura la Salle. El grupo lleva una larga trayectoria dentro del campo de la síntesis de voz y cuenta con su propio sistema de síntesis por concatenación de unidades (US-TTS). El sistema permite sintetizar múltiples estilos expresivos mediante el uso de corpus específicos para cada estilo expresivo. De este modo, para realizar una síntesis agresiva, el sistema usa el corpus de este estilo, y para un estilo sensual, usa otro corpus específico para ese estilo. La presente tesis aborda el problema con un enfoque distinto proponiendo cambios en el esquema del sistema con el fin de mejorar la flexibilidad para sintetizar múltiples estilos expresivos a partir de un único corpus de estilo de habla neutro. El planteamiento seguido en esta tesis esta basado en el uso de técnicas de procesamiento de señales (DSP) para llevar a cabo modificaciones del señal de voz para que este exprese el estilo de habla deseado. Para llevar acabo las modificaciones de la señal de voz se han usado los modelos harmónico más ruido (HNM) por su flexibilidad para efectuar modificaciones de señales. La cualidad de la voz (VoQ) juega un papel importante en diferentes estilos expresivos. Por ello se exploró la síntesis expresiva basada en modificaciones de parámetros de bajo nivel de la VoQ. Durante este estudio se detectaron diferentes problemas que dieron pié a los objetivos planteados en esta tesis, entre ellos el encontrar un único parámetro con fuerte influencia en la expresividad. El parámetro seleccionado fue el esfuerzo vocal (VE) por su importante papel a la hora de expresar diferentes emociones. Las primeras pruebas se realizaron con el fin de transferir el VE entre dos realizaciones con diferente grado de VE de la misma palabra usando una metodología basada en un proceso filtrado de pre-émfasis adaptativo con coeficientes de predicción lineales (APLP). Esta primera aproximación logró transferir el nivel de VE entre dos realizaciones de la misma palabra, sin embargo el proceso presentaba limitaciones para generar niveles de esfuerzo vocal intermedios. A fin de mejorar la flexibilidad y el control del sistema para expresar diferentes niveles de VE, se planteó un nuevo modelo de VE basado en polinomios lineales. Este modelo permitió transferir el VE entre dos palabras diferentes e incluso generar nuevos niveles no presentes en el corpus usado para la síntesis. Esta flexibilidad está alineada con el objetivo general de esta tesis de permitir a un sistema US-TTS expresar múltiples estilos de habla expresivos a partir de un único corpus de estilo neutro. Además, la metodología propuesta incorpora un parámetro que permite de forma sencilla controlar el nivel de VE expresado en la voz sintetizada. Esto abre la posibilidad de controlar fácilmente el proceso de síntesis tal y como se hizo en el proyecto CreaVeu usando interfaces simples e intuitivas, también realizado dentro del grupo GTM. Esta memoria concluye con una revisión del trabajo realizado en esta tesis y con una propuesta de modificación de un esquema de US-TTS para expresar diferentes niveles de VE a partir de un único corpus neutro.This thesis was conducted in the Grup en Tecnologies M`edia (GTM) from Escola d’Enginyeria i Arquitectura la Salle. The group has a long trajectory in the speech synthesis field and has developed their own Unit-Selection Text-To-Speech (US-TTS) which is able to convey multiple expressive styles using multiple expressive corpora, one for each expressive style. Thus, in order to convey aggressive speech, the US-TTS uses an aggressive corpus, whereas for a sensual speech style, the system uses a sensual corpus. Unlike that approach, this dissertation aims to present a new schema for enhancing the flexibility of the US-TTS system for performing multiple expressive styles using a single neutral corpus. The approach followed in this dissertation is based on applying Digital Signal Processing (DSP) techniques for carrying out speech modifications in order to synthesize the desired expressive style. For conducting the speech modifications the Harmonics plus Noise Model (HNM) was chosen for its flexibility in conducting signal modifications. Voice Quality (VoQ) has been proven to play an important role in different expressive styles. Thus, low-level VoQ acoustic parameters were explored for conveying multiple emotions. This raised several problems setting new objectives for the rest of the thesis, among them finding a single parameter with strong impact on the expressive style conveyed. Vocal Effort (VE) was selected for conducting expressive speech style modifications due to its salient role in expressive speech. The first approach working with VE was based on transferring VE between two parallel utterances based on the Adaptive Pre-emphasis Linear Prediction (APLP) technique. This approach allowed transferring VE but the model presented certain restrictions regarding its flexibility for generating new intermediate VE levels. Aiming to improve the flexibility and control of the conveyed VE, a new approach using polynomial model for modelling VE was presented. This model not only allowed transferring VE levels between two different utterances, but also allowed to generate other VE levels than those present in the speech corpus. This is aligned with the general goal of this thesis, allowing US-TTS systems to convey multiple expressive styles with a single neutral corpus. Moreover, the proposed methodology introduces a parameter for controlling the degree of VE in the synthesized speech signal. This opens new possibilities for controlling the synthesis process such as the one in the CreaVeu project using a simple and intuitive graphical interfaces, also conducted in the GTM group. The dissertation concludes with a review of the conducted work and a proposal for schema modifications within a US-TTS system for introducing the VE modification blocks designed in this dissertation

SMaTTS: standard malay text to speech system

This paper presents a rule-based text- to- speech (TTS) Synthesis System for Standard Malay, namely SMaTTS. The proposed system using sinusoidal method and some pre- recorded wave files in generating speech for the system. The use of phone database significantly decreases the amount of computer memory space used, thus making the system very light and embeddable. The overall system was comprised of two phases the Natural Language Processing (NLP) that consisted of the high-level processing of text analysis, phonetic analysis, text normalization and morphophonemic module. The module was designed specially for SM to overcome few problems in defining the rules for SM orthography system before it can be passed to the DSP module. The second phase is the Digital Signal Processing (DSP) which operated on the low-level process of the speech waveform generation. A developed an intelligible and adequately natural sounding formant-based speech synthesis system with a light and user-friendly Graphical User Interface (GUI) is introduced. A Standard Malay Language (SM) phoneme set and an inclusive set of phone database have been constructed carefully for this phone-based speech synthesizer. By applying the generative phonology, a comprehensive letter-to-sound (LTS) rules and a pronunciation lexicon have been invented for SMaTTS. As for the evaluation tests, a set of Diagnostic Rhyme Test (DRT) word list was compiled and several experiments have been performed to evaluate the quality of the synthesized speech by analyzing the Mean Opinion Score (MOS) obtained. The overall performance of the system as well as the room for improvements was thoroughly discussed

Fast Speech in Unit Selection Speech Synthesis

Moers-Prinz D. Fast Speech in Unit Selection Speech Synthesis. Bielefeld: Universität Bielefeld; 2020.Speech synthesis is part of the everyday life of many people with severe visual disabilities. For those who are reliant on assistive speech technology the possibility to choose a fast speaking rate is reported to be essential. But also expressive speech synthesis and other spoken language interfaces may require an integration of fast speech. Architectures like formant or diphone synthesis are able to produce synthetic speech at fast speech rates, but the generated speech does not sound very natural. Unit selection synthesis systems, however, are capable of delivering more natural output. Nevertheless, fast speech has not been adequately implemented into such systems to date. Thus, the goal of the work presented here was to determine an optimal strategy for modeling fast speech in unit selection speech synthesis to provide potential users with a more natural sounding alternative for fast speech output

An exploration of the rhythm of Malay

In recent years there has been a surge of interest in speech rhythm. However we still lack a clear understanding of the nature of rhythm and rhythmic differences across languages. Various metrics have been proposed as means for measuring rhythm on the phonetic level and making typological comparisons between languages (Ramus et al, 1999; Grabe & Low, 2002; Dellwo, 2006) but the debate is ongoing on the extent to which these metrics capture the rhythmic basis of speech (Arvaniti, 2009; Fletcher, in press). Furthermore, cross linguistic studies of rhythm have covered a relatively small number of languages and research on previously unclassified languages is necessary to fully develop the typology of rhythm. This study examines the rhythmic features of Malay, for which, to date, relatively little work has been carried out on aspects rhythm and timing. The material for the analysis comprised 10 sentences produced by 20 speakers of standard Malay (10 males and 10 females). The recordings were first analysed using rhythm metrics proposed by Ramus et. al (1999) and Grabe & Low (2002). These metrics (∆C, %V, rPVI, nPVI) are based on durational measurements of vocalic and consonantal intervals. The results indicated that Malay clustered with other so-called syllable-timed languages like French and Spanish on the basis of all metrics. However, underlying the overall findings for these metrics there was a large degree of variability in values across speakers and sentences, with some speakers having values in the range typical of stressed-timed languages like English. Further analysis has been carried out in light of Fletcher’s (in press) argument that measurements based on duration do not wholly reflect speech rhythm as there are many other factors that can influence values of consonantal and vocalic intervals, and Arvaniti’s (2009) suggestion that other features of speech should also be considered in description of rhythm to discover what contributes to listeners’ perception of regularity. Spectrographic analysis of the Malay recordings brought to light two parameters that displayed consistency and regularity for all speakers and sentences: the duration of individual vowels and the duration of intervals between intensity minima. This poster presents the results of these investigations and points to connections between the features which seem to be consistently regulated in the timing of Malay connected speech and aspects of Malay phonology. The results are discussed in light of current debate on the descriptions of rhythm

A review of state-of-the-art speech modelling methods for the parameterisation of expressive synthetic speech

This document will review a sample of available voice modelling and transformation techniques, in view of an application in expressive unit-selection based speech synthesis in the framework of the PAVOQUE project. The underlying idea is to introduce some parametric modification capabilities at the level of the synthesis system, in order to compensate for the sparsity and rigidity, in terms of available emotional speaking styles, of the databases used to define speech synthesis voices. For this work, emotion-related parametric modifications will be restricted to the domains of voice quality and prosody, as suggested by several reviews addressing the vocal correlates of emotions (Schröder, 2001; Schröder, 2004; Roehling et al., 2006). The present report will start with a review of some techniques related to voice quality modelling and modification. First, it will explore the techniques related to glottal flow modelling. Then, it will review the domain of cross-speaker voice transformations, in view of a transposition to the domain of cross-emotion voice transformations. This topic will be exposed from the perspective of the parametric spectral modelling of speech and then from the perspective of available spectral transformation techniques. Then, the domain of prosodic parameterisation and modification will be reviewed

CAPT를 위한 발음 변이 분석 및 CycleGAN 기반 피드백 생성

학위논문(박사)--서울대학교 대학원 :인문대학 협동과정 인지과학전공,2020. 2. 정민화.Despite the growing popularity in learning Korean as a foreign language and the rapid development in language learning applications, the existing computer-assisted pronunciation training (CAPT) systems in Korean do not utilize linguistic characteristics of non-native Korean speech. Pronunciation variations in non-native speech are far more diverse than those observed in native speech, which may pose a difficulty in combining such knowledge in an automatic system. Moreover, most of the existing methods rely on feature extraction results from signal processing, prosodic analysis, and natural language processing techniques. Such methods entail limitations since they necessarily depend on finding the right features for the task and the extraction accuracies. This thesis presents a new approach for corrective feedback generation in a CAPT system, in which pronunciation variation patterns and linguistic correlates with accentedness are analyzed and combined with a deep neural network approach, so that feature engineering efforts are minimized while maintaining the linguistically important factors for the corrective feedback generation task. Investigations on non-native Korean speech characteristics in contrast with those of native speakers, and their correlation with accentedness judgement show that both segmental and prosodic variations are important factors in a Korean CAPT system. The present thesis argues that the feedback generation task can be interpreted as a style transfer problem, and proposes to evaluate the idea using generative adversarial network. A corrective feedback generation model is trained on 65,100 read utterances by 217 non-native speakers of 27 mother tongue backgrounds. The features are automatically learnt in an unsupervised way in an auxiliary classifier CycleGAN setting, in which the generator learns to map a foreign accented speech to native speech distributions. In order to inject linguistic knowledge into the network, an auxiliary classifier is trained so that the feedback also identifies the linguistic error types that were defined in the first half of the thesis. The proposed approach generates a corrected version the speech using the learners own voice, outperforming the conventional Pitch-Synchronous Overlap-and-Add method.외국어로서의 한국어 교육에 대한 관심이 고조되어 한국어 학습자의 수가 크게 증가하고 있으며, 음성언어처리 기술을 적용한 컴퓨터 기반 발음 교육(Computer-Assisted Pronunciation Training; CAPT) 어플리케이션에 대한 연구 또한 적극적으로 이루어지고 있다. 그럼에도 불구하고 현존하는 한국어 말하기 교육 시스템은 외국인의 한국어에 대한 언어학적 특징을 충분히 활용하지 않고 있으며, 최신 언어처리 기술 또한 적용되지 않고 있는 실정이다. 가능한 원인으로써는 외국인 발화 한국어 현상에 대한 분석이 충분하게 이루어지지 않았다는 점, 그리고 관련 연구가 있어도 이를 자동화된 시스템에 반영하기에는 고도화된 연구가 필요하다는 점이 있다. 뿐만 아니라 CAPT 기술 전반적으로는 신호처리, 운율 분석, 자연어처리 기법과 같은 특징 추출에 의존하고 있어서 적합한 특징을 찾고 이를 정확하게 추출하는 데에 많은 시간과 노력이 필요한 실정이다. 이는 최신 딥러닝 기반 언어처리 기술을 활용함으로써 이 과정 또한 발전의 여지가 많다는 바를 시사한다. 따라서 본 연구는 먼저 CAPT 시스템 개발에 있어 발음 변이 양상과 언어학적 상관관계를 분석하였다. 외국인 화자들의 낭독체 변이 양상과 한국어 원어민 화자들의 낭독체 변이 양상을 대조하고 주요한 변이를 확인한 후, 상관관계 분석을 통하여 의사소통에 영향을 미치는 중요도를 파악하였다. 그 결과, 종성 삭제와 3중 대립의 혼동, 초분절 관련 오류가 발생할 경우 피드백 생성에 우선적으로 반영하는 것이 필요하다는 것이 확인되었다. 교정된 피드백을 자동으로 생성하는 것은 CAPT 시스템의 중요한 과제 중 하나이다. 본 연구는 이 과제가 발화의 스타일 변화의 문제로 해석이 가능하다고 보았으며, 생성적 적대 신경망 (Cycle-consistent Generative Adversarial Network; CycleGAN) 구조에서 모델링하는 것을 제안하였다. GAN 네트워크의 생성모델은 비원어민 발화의 분포와 원어민 발화 분포의 매핑을 학습하며, Cycle consistency 손실함수를 사용함으로써 발화간 전반적인 구조를 유지함과 동시에 과도한 교정을 방지하였다. 별도의 특징 추출 과정이 없이 필요한 특징들이 CycleGAN 프레임워크에서 무감독 방법으로 스스로 학습되는 방법으로, 언어 확장이 용이한 방법이다. 언어학적 분석에서 드러난 주요한 변이들 간의 우선순위는 Auxiliary Classifier CycleGAN 구조에서 모델링하는 것을 제안하였다. 이 방법은 기존의 CycleGAN에 지식을 접목시켜 피드백 음성을 생성함과 동시에 해당 피드백이 어떤 유형의 오류인지 분류하는 문제를 수행한다. 이는 도메인 지식이 교정 피드백 생성 단계까지 유지되고 통제가 가능하다는 장점이 있다는 데에 그 의의가 있다. 본 연구에서 제안한 방법을 평가하기 위해서 27개의 모국어를 갖는 217명의 유의미 어휘 발화 65,100개로 피드백 자동 생성 모델을 훈련하고, 개선 여부 및 정도에 대한 지각 평가를 수행하였다. 제안된 방법을 사용하였을 때 학습자 본인의 목소리를 유지한 채 교정된 발음으로 변환하는 것이 가능하며, 전통적인 방법인 음높이 동기식 중첩가산 (Pitch-Synchronous Overlap-and-Add) 알고리즘을 사용하는 방법에 비해 상대 개선률 16.67%이 확인되었다.Chapter 1. Introduction 1 1.1. Motivation 1 1.1.1. An Overview of CAPT Systems 3 1.1.2. Survey of existing Korean CAPT Systems 5 1.2. Problem Statement 7 1.3. Thesis Structure 7 Chapter 2. Pronunciation Analysis of Korean Produced by Chinese 9 2.1. Comparison between Korean and Chinese 11 2.1.1. Phonetic and Syllable Structure Comparisons 11 2.1.2. Phonological Comparisons 14 2.2. Related Works 16 2.3. Proposed Analysis Method 19 2.3.1. Corpus 19 2.3.2. Transcribers and Agreement Rates 22 2.4. Salient Pronunciation Variations 22 2.4.1. Segmental Variation Patterns 22 2.4.1.1. Discussions 25 2.4.2. Phonological Variation Patterns 26 2.4.1.2. Discussions 27 2.5. Summary 29 Chapter 3. Correlation Analysis of Pronunciation Variations and Human Evaluation 30 3.1. Related Works 31 3.1.1. Criteria used in L2 Speech 31 3.1.2. Criteria used in L2 Korean Speech 32 3.2. Proposed Human Evaluation Method 36 3.2.1. Reading Prompt Design 36 3.2.2. Evaluation Criteria Design 37 3.2.3. Raters and Agreement Rates 40 3.3. Linguistic Factors Affecting L2 Korean Accentedness 41 3.3.1. Pearsons Correlation Analysis 41 3.3.2. Discussions 42 3.3.3. Implications for Automatic Feedback Generation 44 3.4. Summary 45 Chapter 4. Corrective Feedback Generation for CAPT 46 4.1. Related Works 46 4.1.1. Prosody Transplantation 47 4.1.2. Recent Speech Conversion Methods 49 4.1.3. Evaluation of Corrective Feedback 50 4.2. Proposed Method: Corrective Feedback as a Style Transfer 51 4.2.1. Speech Analysis at Spectral Domain 53 4.2.2. Self-imitative Learning 55 4.2.3. An Analogy: CAPT System and GAN Architecture 57 4.3. Generative Adversarial Networks 59 4.3.1. Conditional GAN 61 4.3.2. CycleGAN 62 4.4. Experiment 63 4.4.1. Corpus 64 4.4.2. Baseline Implementation 65 4.4.3. Adversarial Training Implementation 65 4.4.4. Spectrogram-to-Spectrogram Training 66 4.5. Results and Evaluation 69 4.5.1. Spectrogram Generation Results 69 4.5.2. Perceptual Evaluation 70 4.5.3. Discussions 72 4.6. Summary 74 Chapter 5. Integration of Linguistic Knowledge in an Auxiliary Classifier CycleGAN for Feedback Generation 75 5.1. Linguistic Class Selection 75 5.2. Auxiliary Classifier CycleGAN Design 77 5.3. Experiment and Results 80 5.3.1. Corpus 80 5.3.2. Feature Annotations 81 5.3.3. Experiment Setup 81 5.3.4. Results 82 5.4. Summary 84 Chapter 6. Conclusion 86 6.1. Thesis Results 86 6.2. Thesis Contributions 88 6.3. Recommendations for Future Work 89 Bibliography 91 Appendix 107 Abstract in Korean 117 Acknowledgments 120Docto

Mapping Techniques for Voice Conversion

Speaker identity plays an important role in human communication. In addition to the linguistic content, speech utterances contain acoustic information of the speaker characteristics. This thesis focuses on voice conversion, a technique that aims at changing the voice of one speaker (a source speaker) into the voice of another specific speaker (a target speaker) without changing the linguistic information. The relationship between the source and target speaker characteristics is learned from the training data. Voice conversion can be used in various applications and fields: text-to-speech systems, dubbing, speech-to-speech translation, games, voice restoration, voice pathology, etc. Voice conversion offers many challenges: which features to extract from speech, how to find linguistic correspondences (alignment) between source and target features, which machine learning techniques to use for creating a mapping function between the features of the speakers, and finally, how to make the desired modifications to the speech waveform. The features can be any parameters that describe the speech and the speaker identity, e.g. spectral envelope, excitation, fundamental frequency, and phone durations. The main focus of the thesis is on the design of suitable mapping techniques between frame-level source and target features, but also aspects related to parallel data alignment and prosody conversion are addressed. The perception of the quality and the success of the identity conversion are largely subjective. Conventional statistical techniques are able to produce good similarity between the original and the converted target voices but the quality is usually degraded. The objective of this thesis is to design conversion techniques that enable successful identity conversion while maintaining the original speech quality. Due to the limited amount of data, statistical techniques are usually utilized in extracting the mapping function. The most popular technique is based on a Gaussian mixture model (GMM). However, conventional GMM-based conversion suffers from many problems that result in degraded speech quality. The problems are analyzed in this thesis, and a technique that combines GMM-based conversion with partial least squares regression is introduced to alleviate these problems. Additionally, approaches to solve the time-independent mapping problem associated with many algorithms are proposed. The most significant contribution of the thesis is the proposed novel dynamic kernel partial least squares regression technique that allows creating a non-linear mapping function and improves temporal correlation. The technique is straightforward, efficient and requires very little tuning. It is shown to outperform the state-of-the-art GMM-based technique using both subjective and objective tests over a variety of speaker pairs. In addition, quality is further improved when aperiodicity and binary voicing values are predicted using the same technique. The vast majority of the existing voice conversion algorithms concern the transformation of the spectral envelopes. However, prosodic features, such as fundamental frequency movements and speaking rhythm, also contain important cues of identity. It is shown in the thesis that pure prosody alone can be used, to some extent, to recognize speakers that are familiar to the listeners. Furthermore, a prosody conversion technique is proposed that transforms fundamental frequency contours and durations at syllable level. The technique is shown to improve similarity to the target speaker’s prosody and reduce roboticness compared to a conventional frame-based conversion technique. Recently, the trend has shifted from text-dependent to text-independent use cases meaning that there is no parallel data available. The techniques proposed in the thesis currently assume parallel data, i.e. that the same texts have been spoken by both speakers. However, excluding the prosody conversion algorithm, the proposed techniques require no phonetic information and are applicable for a small amount of training data. Moreover, many text-independent approaches are based on extracting a sort of alignment as a pre-processing step. Thus the techniques proposed in the thesis can be exploited after the alignment process