Death - Cultural, philosophical and religious aspects

About death, grief, mourning, life after death and immortality. Why should we die like humans to survive as a species. "No one wants to die. Even people who want to go to heaven don't want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life's change agent. It clears out the old to make way for the new." (Steve Jobs) CONTENTS: Death - Philosophy of death - Religions - - Animism - - Atheism - - Buddhism - - Christianity - - Hinduism - - Islam - - Jainism - - Jehovah's Witnesses - - Judaism - - Latter-day Saints - - Spiritism - Symbolism - Personification of Death - - Notable personifications - - In mythologies - - - Hindu mythology - - - In Japan - - - Slavic paganism - - - Lithuanian paganism - - In the three monotheistic religions - - - Judaism - - - Christianity - - - In Mexico - - - Islam - Axiochos - - The characters of dialogue - - Dialogue - - Prologue - - Arguments - - Citations - Paradise - - Greco-Roman mythology - - Mesopotamian mythology and influences - - According to Judaism - - According to Christianity - - - According to Catholicism - - - According to Protestantism - - - According to the Church of Jesus Christ of Latter-day Saints - - According to Islam - - According to Hinduism - - According to modern spiritualities - - - According to the esoteric - Hell - - Mesopotamian origins - - According to Christianity - - - Names appearing in the biblical texts - - - Medieval artistic representations - - - Concepts according to Christian movements - - According to Judaism - - According to Islam - - According to Buddhism - - According to Hinduism - - According to modern esotericism - - - According to Aïvanhov - - - According to Allan Kardec - - Philosophy - - - Jewish Kabbalah - - - Sartre - - - Popular wisdom Funerals - The funeral ritual: a rite of passage - Prehistory - Ancient death customs - - The family bereavement - - Mummification - - Sarcophagi - - Funerals - - Ancient Greece - - Ancient Rome - - Celts, Germans and Scandinavians - Religious funeral rites - - Buddhism - - Judaism - Christianity - - Protestantism - - Islam - Funeral rites by continent - - In Africa - - In Europe - The contemporary era - Mourning (Grief) - - Steps - - - Death of a close - - Loss events without mourning value (white factors) - - Duration and manifestations - - Risks - - Colors - Graveyards (Cemeteries) - - First cemeteries - - Cemeteries today - Funerary art - Dolmens - - Types of dolmens - - Function - - Location - Passage graves - Cenotaphs - - Famous cenotaphs - Lanterns of the Dead Afterlife - History - Questions about death and immortality - Testimonials - - Spiritualistic experiences - - Popular literature on the afterlife - - "Memories" and reminiscences - - Early studies of the science of the 19th century and early 20th century - Types of scenarios - Some religious and philosophical concepts - - Afterlife in Buddhism - - Afterlife in Christianity - - According to Hinduism - - According to Islam - - According to Judaism - - According to Mormonism - - According to the ancient philosophies - - According to Spiritism - - According to Native American traditions - - According to Vedism - - According to Esotericism - In science - Near-death experiences - - Clinical death - - NDE frequency - - Effects of depth of NDE on survival - - Near-death experiences and shared-death experience - - - The first contemporary testimonials - - - Experience according to Moody - - - The concept of "shared death" - - - The NDE scales - - The study of Pim van Lommel - - Spiritual and patient point of view - - - Survivalists studies - - - The religious understanding of the phenomenon - - Scientific views - - - Physiological explanation - - - Psychological explanation - Reincarnation - - Religions - - - In Hinduism - - - In Jainism - - - In Buddhism - - - In Judaism - - - In Christianity - - - In Islam - - In contemporary times - - - Esotericism - - - Works of the psychiatrist Ian Stevenson - - - Radical increase in life expectancy and artificial reincarnation - - Criticism - - - Arthur Schopenhauer - - - Ramana Maharshi - - - Rene Guenon - - - Ananda Kentish Coomaraswamy - Metempsychosis - - Theories - - Ideas - Maschalismos Immortality - Immortality of the soul and religious traditions - - Buddhism - - Christianity - - Islam - - Mormonism - Contemporary perception of the immortality of the body - - Observation in the animal kingdom - - Perspectives for mankind - Immortality in science - - Alexis Carrel - - Jean Rostand - - Hayflick limit - - Étienne-Émile Baulieu and DHEA - - Aubrey de Grey - - Professor Skulachev - - Regenerative medicine - - Professor Christopher Jaeger - Eternal Return - - According to the Mesopotamians - - According to Heraclitus and the Stoics - Fountain of Youth - - History of myth and relatives myths - - - In Roman mythology, Germanic, Celtic and Irish - - - In the Middle-East - - - In Spain - - - In the Bible - - The fountain in art and literature - - Painting - - - Literature and cinema - - Persistent of the myth until today - Senescence - - Why do we age? - - Gene regulation - - Cellular senescence Undead - Ghoul - Lich - Mummy - Skeleton - Vampire - Zombie - Other legendary creatures - Creatures specific to a particular universe - Spiritism - - Point out - - Origins of spiritism - - - The traditions through the ages - - - Advent of Christianity in Europe - - - The survival of necromancy - - - The precursors - - - Relations of spiritualism to science - Mediumship - - History - - Skeptical point of view - - Favorable doctor's viewpoint - Ghosts - - Appearance - - Belief in ghosts - - Origin - - - Duality and return dead - - - Ancient roots - - Typology - - - Poltergeists - - - Revenants - - - Ghosts - - - Banshees - - - Apparitions of crisis - - - Phantasms of the living - - - Vision of his own double - - - Ghost armies - - - Ghosts of animals - - - Means of transport - - Science perspective - - - Hallucinations - - - Sleep paralysis - - - Induced ghosts - - - Aches and infrasounds - - - Magnetic fields - Vampires - - Characteristics - - - Vampire transformation - - - Identification - - - Faculties - - Protection against the vampires - - - Precautions at death and burial - - - Apotropaic objects and places - - Destruction of vampires - Zombie - - The concept - - Africa and voodoo - - - West Africa - - - South Africa - - - In Haiti (and the Caribbean) - - - Scientific research - - The "revenants" in the Western imaginary Death in art - Memento mori - - History - - - Antiquity - - - Christianity - - - Mexican syncretism - - Performing arts - - - In painting - - - In literature - - - In movies - - - In video games - - - In Japanese animation - - - In music - The iconography of Weighing of souls (Particular judgment) - - Origin - - Written sources - - Weighing in Romanesque art - - Weighing in Gothic art - - Weighing in the late Middle Ages: to a new iconography - - Weighing of souls or actions? - Poems - - Charlotte Brontë, “On the Death of Anne Brontë” - - Edgar Allan Poe, “Annabel Lee” - - Edna St. Vincent Millay, “And you as well must die” - - Emily Dickinson, “Because I could not stop for Death” - - Emily Dickinson, “If I Should Die” - - Lord Byron, “Epitaph to a Dog” - - Pablo Neruda, “Only Death” - - Stephen Crane, “God Lay Dead in Heaven” - - W. B. Yeats, “He Wishes His Beloved Were Dead” - - Rainer Maria Rilke, “Death” - Paintings - - The Three Dead Kings - - The Death of Nelson - - Beata Beatrix - Sculptures - - The Kiss of Death - - Background - - Imagery - - Angel of Grief - - Fallen Astronaut - Quotes References About the author - Nicolae Sfetcu - - By the same author - - Contact Publishing House - MultiMedia Publishin

No Man’s Land: A Herstory of Lesbian Intentional Communities in Southern Oregon as a Manifestation of the Pastoral Dream

Submitted to the Undergraduate Library Research Award scholarship competition: 2012-2013. 24 pagesAlthough not well known, Oregon’s intentional communities date back over one hundred and fifty years. Oregon communalism reached its peak in the 1970s when there was a huge growth in lesbian intentional communities in Southern Oregon. These communities developed out of the back-to-the-land movement and the women’s movement. However, besides thinking about communalism and women’s liberation, the women were also harkening back to a long-held component of American cultural mythology: the pastoral ideal. Pastoral idealism, or the idea that a simple, egalitarian, and spiritually pure life is possible in the countryside, has been a driving force in American writing and cultural movements. Although the members of intentional communities attempted to isolate themselves from patriarchal American culture, their writings demonstrate continued engagement with pastoral idealism. In doing so, these women inextricably linked themselves to American culture and must be seen as part of America’s history of idealism, communalism and activism

Visions & Fissures

My work references both Early Renaissance paintings and digital technology through highly-saturated and detailed hybrids of painting styles. The religious narratives combined with digital symbols and artifacts of digital processes suggest the spiritual undercurrents surrounding digital technology in its potential for enlightenment, transcendence, and evoking a sense of the infinite. To further clarify the reasoning behind this connection, I discuss three themes. Firstly, the function of illusion in Early Renaissance and in digital space, secondly, the mythology and promise associated with digital space and lastly, the fact that we currently occupy two spaces simultaneously as computer users, and aligning that with Early Renaissance dualism. My work points to the persistence of our desire to be transported by visual means and explores ways the spiritual realm has been represented in the past and today. The resulting paintings evoke a divine encounter, reflecting on both the religious subject matter referenced in Renaissance sources and the mystical aura projected by new technologies

MYTH AND FOLKLORE EMBODIMENT IN THE FEMALE PROTAGONISTS OF CONTEMPORARY FICTIONS: A READING OF THE SHIVA TRILOGY AND BULBBUL

The collective consciousness of a community is tremendously shaped by myths and folktales passed on from generation to generation. With the publication of Joseph Campbell's book The Hero with a Thousand Faces, the idea of the hero and his journey took a giant leap, allowing the commoner's life narratives to be equated with the mythical journey. This study analyzes how mythology is demythified and symbolically represented in two of India's famous narratives, a novel series Shiva Trilogy by Amish Tripathi and an “over-the-top” (OTT) film Bulbbul by Anvita Dutt. The objects of this research are Indian mythological narratives about Goddess Shakti and her various manifestations — Durga, Kali, Sati, and Parvati — whose respective nature and purpose differ vastly from one another. Through the qualitative research method, the paper shows that the reader/viewer has well-received the interweaving of myth with contemporary fiction. It has given way to a change in diegesis, from the predominantly male-hero-focused outline to a female-driven narrative. The myth-bound heroines thus represent the power to break the shackles of patriarchy and normative culture, allowing an area for women to radicalize themselves through bold actions. Kesadaran kolektif suatu komunitas sangat bergantung pada mitos dan cerita rakyat yang diturunkan dari generasi ke generasi. Dengan diterbitkannya  The Hero with a Thousand Faces karya Joseph Campbell, gagasan tentang pahlawan dan perjalanannya memungkinkan narasi kehidupan orang biasa untuk disejajarkan dengan perjalanan mitos. Studi ini bertujuan untuk menganalisis bagaimana mitologi didemistifikasi dan secara simbolis direpresentasikan dalam dua narasi terkenal India, yakni serial novel Shiva Trilogy karya Amish Tripathi dan film “over-the-top” (OTT) Bulbbul karya Anvita Dutt.  Objek penelitian ini adalah narasi mitologi India tentang Dewi Shakti dan berbagai manifestasinya — Durga, Kali, Sati, dan Parvati — yang sifat dan tujuannya masing-masing sangat berbeda satu sama lain.  Melalui metode penelitian kualitatif, ditemukan; 1) pembaca/pemirsa telah menerima dengan baik jalinan mitos dengan fiksi kontemporer; 2) memberi jalan pada perubahan diegesis, dari garis besar yang berfokus pada pahlawan pria menjadi narasi yang digerakkan oleh wanita; 3) para tokoh wanita yang terikat mitos, mematahkan belenggu patriarki dan budaya normatif, memungkinkan area bagi perempuan untuk meradikalisasi diri mereka sendiri melalui tindakan yang berani

A Disarmed World: Problems in Imaging the Future

One of the major handicaps to scholars, activists and would-be policy makers associated with the post-World War II peace research and peace action movements has been the inability to construct coherent and believable images of a post military industrial United States society. Even at the height of the economics of disarmament studies in the I960s\u27 the most that economists could demonstrate was that disarmament could take place without severe economic dislocations, and that resources released from arms could be used for improving the global standard of living. The new peace research movement was also producing books in the sixties showing that it was possible to replace a technology of warmaking with a technology of peacemaking, but what the new society would look like, no one could spell out.y A week-long seminar on Images of a Disarmed World held in Denmark in the summer of 19633 generated a great deal of analysis by the socialist and nonsocialist economists participating, but not one word about what the future would look like. This was typical of such seminars in that decade

Returning again. Resurrection narratives and afterlife aesthetics in contemporary television drama

This article examines the return of the dead to life in two television drama series of the last decade, Les Revenants (The Returned; 2012–15, Canal) and Glitch (2015–19, ABC Studios). The returning dead do not figure as classic undead figures, as ghosts or zombies, instead returning to life exactly as they were at the point of death and in search of a renewed purpose and an ultimate destiny. This, the article suggests, can constitute a form of latter-day resurrection. The article shows how both series present established religion as incapable of recognizing the return of the dead, while science and the secular state are also never wholly able to explain and manage these apparent miracles. The return of this seemingly religious trope to an ostensibly secular world and the mutual jostling and overlapping of theological, scientific, and aesthetic discourses, as they seek to represent and explain the mystery, not only constitutes a postsecular theme but also occasions the search, at times inherent to artistic form, at times explicit and self-reflexive, for an appropriately postsecular televisual aesthetics

Utopias West: Or the Trouble with Perfection

Book Review Essay. FUTURE WEST: Utopia and Apocalypse in Frontier Science Fiction. By William H. Katerberg. PERIMETERS OF DEMOCRACY: Inverse Utopias and the Wartime Social Landscape of the American West. By Heather Fryer

Bridging Transpersonal Ecosophical Concerns with the Hero’s Journey and Superheroes Through Comicbook Lore: Implications for Personal and Cultural Transformation

This paper explores how mythical figures and comicbook superheroes can 1) inspire personal growth, social and planetary change, and 2) explicate aspects of the deep ecology movement and transpersonal ecosophy that invite further academic inquiry while at the same time 3) speak to concerns that ignite the interests of popular culture and personal mythology. Likewise the ecopsychological significance of modern fictional characters in comicbooks, graphic novels, and films will be examined. It is divided into two parts. Part 1 provides a theoretical examination of how definitions of the terms myth and hero and hero’s journey are framed, and their implications for understanding personal and transpersonal growth. Part 2 provides portraits of individual characters from comicbook lore, their evaluation, and their significance toward raising collective archetypal awareness of the psyche’s relationship with Earth—an ecopsychological framework. In addition the paper offers practical examples of how this understanding of comicbook lore can be used for cultivating a new quality of life on a planetary scale

The significance of myth for curriculum development

This dissertation explores the question of whether myth represents a kind of knowledge and a way of knowing useful to children at particular stages of development. The question is approached through an examination of theories about the potential significance of myth as an element in and shaper of modern consciousness. Myth as a way of interpreting reality is contrasted with the scientific rationalism of our age and is defined as a way of assigning meaning through narratives and symbols that create a unified concept of nature and human life. The study found that the importance of myth in the learning process is different at different stages of development. At all stages, attention to myth in education supports the values of imagination, meaning, and community; but in childhood the main contribution is to developing the imagination and in adolescence, to establishing meaning

What reflections of Eden do we find in a garden?: An analysis of illusionary constructs that seek to establish identity with the \u27ideal\u27 garden

Gardens are retreats that offer sanctuary from the tensions of modern life, Spiritual needs have stirred the Western psyche the most to embellish myths that account for the inconsistency of life. The original myth of the Garden of Eden has represented the ideal paradigm between imperfect nature and human nature, accounting for human frailty and anxious yearnings for a utopian perspective. In attempt to improve human nature, throughout time humans have aspired to transform or improve the natural environment, thus making every garden an image. As an art form, that draws on the past as it looks to the future, a garden is a visual statement of the relationship between humans, their cultural values and their natural environment. In order to locate a sense of place and establish identity with nation, \u27high culture\u27 gardens employ symbolic features that represent the needs of society whether social, political or spiritual. However, nature intersects with culture to conceptualize new meanings for promoting invention and sustaining tradition through local and imported agendas. The results are often illusionary worlds that attempt to satisfy determined dominant ideologies, but often produce contradictory forms. Hence, created illusions are mediated on culture and not on natural conditions, therefore, generating tensions that challenge the concept of nature. While the processes of society change with time, the life processes within nature remain the same. It is these life processes that can be an indispensable world of metaphors that can reconcile the individual with nature, rather than the embellished stories of myths and dominant ideologies within society