4,779 research outputs found
Handwritten Music Recognition for Mensural notation with convolutional recurrent neural networks
[EN] Optical Music Recognition is the technology that allows computers to read music notation, which is also referred to as Handwritten Music Recognition when it is applied over handwritten notation. This technology aims at efficiently transcribing written music into a representation that can be further processed by a computer. This is of special interest to transcribe the large amount of music written in early notations, such as the Mensural notation, since they represent largely unexplored heritage for the musicological community. Traditional approaches to this problem are based on complex strategies with many explicit rules that only work for one particular type of manuscript. Machine learning approaches offer the promise of generalizable solutions, based on learning from just labelled examples. However, previous research has not achieved sufficiently acceptable results for handwritten Mensural notation. In this work we propose the use of deep neural networks, namely convolutional recurrent neural networks, which have proved effective in other similar domains such as handwritten text recognition. Our experimental results achieve, for the first time, recognition results that can be considered effective for transcribing handwritten Mensural notation, decreasing the symbol-level error rate of previous approaches from 25.7% to 7.0%. (C) 2019 Elsevier B.V. All rights reserved.First author thanks the support from the Spanish Ministry "HISPAMUS" project (TIN2017-86576-R), partially funded by the EU. The other authors were supported by the European Union's H2020 grant "Recognition and Enrichment of Archival Documents" (Ref. 674943), by the BBVA Foundacion through the 2017-2018 and 2018-2019 Digital Humanities research grants "Carabela" and "HistWeather - Dos Siglos de Datos Cilmaticos", and by EU JPICH project "HOME - History Of Medieval Europe"(Spanish PEICTI Ref. PCI2018-093122).Calvo-Zaragoza, J.; Toselli, AH.; Vidal, E. (2019). Handwritten Music Recognition for Mensural notation with convolutional recurrent neural networks. Pattern Recognition Letters. 128:115-121. https://doi.org/10.1016/j.patrec.2019.08.021S11512112
End-to-End Neural Optical Music Recognition of Monophonic Scores
[EN] Optical Music Recognition is a field of research that investigates how to computationally decode music notation from images. Despite the efforts made so far, there are hardly any complete solutions to the problem. In this work, we study the use of neural networks that work in an end-to-end manner. This is achieved by using a neural model that combines the capabilities of convolutional neural networks, which work on the input image, and recurrent neural networks, which deal with the sequential nature of the problem. Thanks to the use of the the so-called Connectionist Temporal Classification loss function, these models can be directly trained from input images accompanied by their corresponding transcripts into music symbol sequences. We also present the Printed Images of Music Staves (PrIMuS) dataset, containing more than 80,000 monodic single-staff real scores in common western notation, that is used to train and evaluate the neural approach. In our experiments, it is demonstrated that this formulation can be carried out successfully. Additionally, we study several considerations about the codification of the output musical sequences, the convergence and scalability of the neural models, as well as the ability of this approach to locate symbols in the input score.This work was supported by the Social Sciences and Humanities Research Council of Canada, and the Spanish Ministerio de Economia y Competitividad through Project HISPAMUS Ref. No. TIN2017-86576-R (supported by UE FEDER funds).Calvo-Zaragoza, J.; Rizo, D. (2018). End-to-End Neural Optical Music Recognition of Monophonic Scores. Applied Sciences. 8(4). https://doi.org/10.3390/app8040606S8
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The Recurrent Temporal Discriminative Restricted Boltzmann Machines
Classification of sequence data is the topic of interest for dynamic Bayesian models and Recurrent Neural Networks (RNNs). While the former can explicitly model the temporal dependencies between class variables, the latter have a capability of learning representations. Several attempts have been made to improve performance by combining these two approaches or increasing the processing capability of the hidden units in RNNs. This often results in complex models with a large number of learning parameters. In this paper, a compact model is proposed which offers both representation learning and temporal inference of class variables by rolling Restricted Boltzmann Machines (RBMs) and class variables over time. We address the key issue of intractability in this variant of RBMs by optimising a conditional distribution, instead of a joint distribution. Experiments reported in the paper on melody modelling and optical character recognition show that the proposed model can outperform the state-of-the-art. Also, the experimental results on optical character recognition, part-of-speech tagging and text chunking demonstrate that our model is comparable to recurrent neural networks with complex memory gates while requiring far fewer parameters
Transcribing Content from Structural Images with Spotlight Mechanism
Transcribing content from structural images, e.g., writing notes from music
scores, is a challenging task as not only the content objects should be
recognized, but the internal structure should also be preserved. Existing image
recognition methods mainly work on images with simple content (e.g., text lines
with characters), but are not capable to identify ones with more complex
content (e.g., structured symbols), which often follow a fine-grained grammar.
To this end, in this paper, we propose a hierarchical Spotlight Transcribing
Network (STN) framework followed by a two-stage "where-to-what" solution.
Specifically, we first decide "where-to-look" through a novel spotlight
mechanism to focus on different areas of the original image following its
structure. Then, we decide "what-to-write" by developing a GRU based network
with the spotlight areas for transcribing the content accordingly. Moreover, we
propose two implementations on the basis of STN, i.e., STNM and STNR, where the
spotlight movement follows the Markov property and Recurrent modeling,
respectively. We also design a reinforcement method to refine the framework by
self-improving the spotlight mechanism. We conduct extensive experiments on
many structural image datasets, where the results clearly demonstrate the
effectiveness of STN framework.Comment: Accepted by KDD2018 Research Track. In proceedings of the 24th ACM
SIGKDD International Conference on Knowledge Discovery and Data Mining
(KDD'18
Optical Music Recognition with Convolutional Sequence-to-Sequence Models
Optical Music Recognition (OMR) is an important technology within Music
Information Retrieval. Deep learning models show promising results on OMR
tasks, but symbol-level annotated data sets of sufficient size to train such
models are not available and difficult to develop. We present a deep learning
architecture called a Convolutional Sequence-to-Sequence model to both move
towards an end-to-end trainable OMR pipeline, and apply a learning process that
trains on full sentences of sheet music instead of individually labeled
symbols. The model is trained and evaluated on a human generated data set, with
various image augmentations based on real-world scenarios. This data set is the
first publicly available set in OMR research with sufficient size to train and
evaluate deep learning models. With the introduced augmentations a pitch
recognition accuracy of 81% and a duration accuracy of 94% is achieved,
resulting in a note level accuracy of 80%. Finally, the model is compared to
commercially available methods, showing a large improvements over these
applications.Comment: ISMIR 201
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Sequence Classification Restricted Boltzmann Machines With Gated Units
For the classification of sequential data, dynamic Bayesian networks and recurrent neural networks (RNNs) are the preferred models. While the former can explicitly model the temporal dependences between the variables, and the latter have the capability of learning representations. The recurrent temporal restricted Boltzmann machine (RTRBM) is a model that combines these two features. However, learning and inference in RTRBMs can be difficult because of the exponential nature of its gradient computations when maximizing log likelihoods. In this article, first, we address this intractability by optimizing a conditional rather than a joint probability distribution when performing sequence classification. This results in the ``sequence classification restricted Boltzmann machine'' (SCRBM). Second, we introduce gated SCRBMs (gSCRBMs), which use an information processing gate, as an integration of SCRBMs with long short-term memory (LSTM) models. In the experiments reported in this article, we evaluate the proposed models on optical character recognition, chunking, and multiresident activity recognition in smart homes. The experimental results show that gSCRBMs achieve the performance comparable to that of the state of the art in all three tasks. gSCRBMs require far fewer parameters in comparison with other recurrent networks with memory gates, in particular, LSTMs and gated recurrent units (GRUs)
Visual to Sound: Generating Natural Sound for Videos in the Wild
As two of the five traditional human senses (sight, hearing, taste, smell,
and touch), vision and sound are basic sources through which humans understand
the world. Often correlated during natural events, these two modalities combine
to jointly affect human perception. In this paper, we pose the task of
generating sound given visual input. Such capabilities could help enable
applications in virtual reality (generating sound for virtual scenes
automatically) or provide additional accessibility to images or videos for
people with visual impairments. As a first step in this direction, we apply
learning-based methods to generate raw waveform samples given input video
frames. We evaluate our models on a dataset of videos containing a variety of
sounds (such as ambient sounds and sounds from people/animals). Our experiments
show that the generated sounds are fairly realistic and have good temporal
synchronization with the visual inputs.Comment: Project page:
http://bvision11.cs.unc.edu/bigpen/yipin/visual2sound_webpage/visual2sound.htm
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