Improving the quality of the personalized electronic program guide

As Digital TV subscribers are offered more and more channels, it is becoming increasingly difficult for them to locate the right programme information at the right time. The personalized Electronic Programme Guide (pEPG) is one solution to this problem; it leverages artificial intelligence and user profiling techniques to learn about the viewing preferences of individual users in order to compile personalized viewing guides that fit their individual preferences. Very often the limited availability of profiling information is a key limiting factor in such personalized recommender systems. For example, it is well known that collaborative filtering approaches suffer significantly from the sparsity problem, which exists because the expected item-overlap between profiles is usually very low. In this article we address the sparsity problem in the Digital TV domain. We propose the use of data mining techniques as a way of supplementing meagre ratings-based profile knowledge with additional item-similarity knowledge that can be automatically discovered by mining user profiles. We argue that this new similarity knowledge can significantly enhance the performance of a recommender system in even the sparsest of profile spaces. Moreover, we provide an extensive evaluation of our approach using two large-scale, state-of-the-art online systems—PTVPlus, a personalized TV listings portal and Físchlár, an online digital video library system

Towards Responsible Media Recommendation

Reading or viewing recommendations are a common feature on modern media sites. What is shown to consumers as recommendations is nowadays often automatically determined by AI algorithms, typically with the goal of helping consumers discover relevant content more easily. However, the highlighting or filtering of information that comes with such recommendations may lead to undesired effects on consumers or even society, for example, when an algorithm leads to the creation of filter bubbles or amplifies the spread of misinformation. These well-documented phenomena create a need for improved mechanisms for responsible media recommendation, which avoid such negative effects of recommender systems. In this research note, we review the threats and challenges that may result from the use of automated media recommendation technology, and we outline possible steps to mitigate such undesired societal effects in the future.publishedVersio

Characterizing Popularity Dynamics of User-generated Videos: A Category-based Study of YouTube

Understanding the growth pattern of content popularity has become a subject of immense interest to Internet service providers, content makers and on-line advertisers. This understanding is also important for the sustainable development of content distribution systems. As an approach to comprehend the characteristics of this growth pattern, a significant amount of research has been done in analyzing the popularity growth patterns of YouTube videos. Unfortunately, no work has been done that intensively investigates the popularity patterns of YouTube videos based on video object category. In this thesis, an in-depth analysis of the popularity pattern of YouTube videos is performed, considering the categories of videos. Metadata and request patterns were collected by employing category-specific YouTube crawlers. The request patterns were observed for a period of five months. Results confirm that the time varying popularity of di fferent YouTube categories are conspicuously diff erent, in spite of having sets of categories with very similar viewing patterns. In particular, News and Sports exhibit similar growth curves, as do Music and Film. While for some categories views at early ages can be used to predict future popularity, for some others predicting future popularity is a challenging task and require more sophisticated techniques, e.g., time-series clustering. The outcomes of these analyses are instrumental towards designing a reliable workload generator, which can be further used to evaluate diff erent caching policies for YouTube and similar sites. In this thesis, workload generators for four of the YouTube categories are developed. Performance of these workload generators suggest that a complete category-specific workload generator can be developed using time-series clustering. Patterns of users' interaction with YouTube videos are also analyzed from a dataset collected in a local network. This shows the possible ways of improving the performance of Peer-to-Peer video distribution technique along with a new video recommendation method

Why people skip music? On predicting music skips using deep reinforcement learning

Music recommender systems are an integral part of our daily life. Recent research has seen a significant effort around black-box recommender based approaches such as Deep Reinforcement Learning (DRL). These advances have led, together with the increasing concerns around users' data collection and privacy, to a strong interest in building responsible recommender systems. A key element of a successful music recommender system is modelling how users interact with streamed content. By first understanding these interactions, insights can be drawn to enable the construction of more transparent and responsible systems. An example of these interactions is skipping behaviour, a signal that can measure users’ satisfaction, dissatisfaction, or lack of interest. In this paper, we study the utility of users' historical data for the task of sequentially predicting users' skipping behaviour. To this end, we adapt DRL for this classification task, followed by a post-hoc explainability (SHAP) and ablation analysis of the input state representation. Experimental results from a real-world music streaming dataset (Spotify) demonstrate the effectiveness of our approach in this task by outperforming state-of-the-art models. A comprehensive analysis of our approach and of users’ historical data reveals a temporal data leakage problem in the dataset. Our findings indicate that, overall, users' behaviour features are the most discriminative in how our proposed DRL model predicts music skips. Content and contextual features have a lesser effect. This suggests that a limited amount of user data should be collected and leveraged to predict skipping behaviour

Why people skip music? On predicting music skips using deep reinforcement learning

Music recommender systems are an integral part of our daily life. Recent research has seen a significant effort around black-box recommender based approaches such as Deep Reinforcement Learning (DRL). These advances have led, together with the increasing concerns around users' data collection and privacy, to a strong interest in building responsible recommender systems. A key element of a successful music recommender system is modelling how users interact with streamed content. By first understanding these interactions, insights can be drawn to enable the construction of more transparent and responsible systems. An example of these interactions is skipping behaviour, a signal that can measure users' satisfaction, dissatisfaction, or lack of interest. In this paper, we study the utility of users' historical data for the task of sequentially predicting users' skipping behaviour. To this end, we adapt DRL for this classification task, followed by a post-hoc explainability (SHAP) and ablation analysis of the input state representation. Experimental results from a real-world music streaming dataset (Spotify) demonstrate the effectiveness of our approach in this task by outperforming state-of-the-art models. A comprehensive analysis of our approach and of users' historical data reveals a temporal data leakage problem in the dataset. Our findings indicate that, overall, users' behaviour features are the most discriminative in how our proposed DRL model predicts music skips. Content and contextual features have a lesser effect. This suggests that a limited amount of user data should be collected and leveraged to predict skipping behaviour

The Importance of Bioacoustics for Dolphin Welfare: Soundscape Characterization with Implications for Management

Sound is the primary sensory modality for dolphins, yet policies mitigating anthropogenic sound exposure are limited in wild populations and even fewer noise policies or guidelines have been developed for governing dolphin welfare under human care. Concerns have been raised that dolphins under human care live in facilities that are too noisy, or are too acoustically sterile. However, these claims have not been evaluated to characterize facility soundscapes, and further, how they compare to wild soundscapes. The soundscape of a wild dolphin habitat off the coast of Quintana, Roo, Mexico was characterized based on Passive Acoustic Monitoring (PAM) recordings over one year. Snapping shrimp were persistent and broadband, following a diel pattern. Fish sound production was pulsed and prominent in low frequencies (100 ─ 1000 Hz), and abiotic surface wave action contributed to noise in higher frequencies (15 ─ 28 kHz). Boat motors were the main anthropogenic sound source. While sporadic, boat motors were responsible for large spikes in the noise, sometimes exceeding the ambient noise (in the absence of a boat) by 20 dB root-mean-squared sound pressure level, and potentially higher at closer distances. Boat motor sounds can potentially mask cues and communication sounds of dolphins. The soundscapes of four acoustically distinct outdoor dolphin facilities in Quintana Roo, Mexico were also characterized based on PAM, and findings compared with one another and with the measurements from the wild dolphin habitat. Recordings were made for at least 24 hours to encompass the range of daily activities. The four facilities differed in non-dolphin species present (biological sounds), bathymetry complexity, and method of water circulation. It was hypothesized that the greater the biological and physical differences of a pool from the ocean habitat, the greater the acoustic differences would be from the natural environment. Spectral analysis and audio playback revealed that the site most biologically and physically distinct from the ocean habitat also differed greatly from the other sites acoustically, with the most common and high amplitude sound being pump noise versus biological sounds at the other sites. Overall the dolphin facilities were neither clearly noisier nor more sterile than the wild site, but rather differed in particular characteristics. The findings are encouraging for dolphin welfare for several reasons. Sound levels measured were unlikely to cause threshold shifts in hearing. At three of four facilities, prominent biological sounds in the wild site ─ snapping shrimp and fish sounds ─ were present, meaning that the dolphins at these facilities are experiencing biotic features of the soundscape they would experience in the wild. Additionally, the main anthropogenic sounds experienced at the facilities (construction and cleaning sounds) did not reach the levels of the anthropogenic sounds experienced at the wild site (boat motor sounds), and the highest noise levels for anthropogenic sounds fall outside the dolphins\u27 most sensitive range of hearing. However, there are anthropogenic contributors to the soundscape that are of particular interest and possible concern that should be investigated further, particularly pump noise and periodic or intermittent construction noise. These factors need to be considered on a facility-by-facility basis and appropriate mitigation procedures incorporated in animal handling to mitigate potential responses to planned or anticipated sound producing events, e.g. animal relocation or buffering sound producing activities. The central role of bioacoustics for dolphins means that PAM is a basic life support requirement along with water and food testing. Periodic noise is of highest concern, and PAM is needed to inform mitigation of noise from periodic sources. Priority actions are more widespread and long-term standardized monitoring, further research on habituation, preference, coupling and pool acoustics, implementation of acoustics training, standardization of measurements, and improved information access

The Advocate, February 14, 1973

https://scholarship.law.gwu.edu/the_advocate_1973/1001/thumbnail.jp

Acoustic sequences in non-human animals: a tutorial review and prospectus.

Animal acoustic communication often takes the form of complex sequences, made up of multiple distinct acoustic units. Apart from the well-known example of birdsong, other animals such as insects, amphibians, and mammals (including bats, rodents, primates, and cetaceans) also generate complex acoustic sequences. Occasionally, such as with birdsong, the adaptive role of these sequences seems clear (e.g. mate attraction and territorial defence). More often however, researchers have only begun to characterise - let alone understand - the significance and meaning of acoustic sequences. Hypotheses abound, but there is little agreement as to how sequences should be defined and analysed. Our review aims to outline suitable methods for testing these hypotheses, and to describe the major limitations to our current and near-future knowledge on questions of acoustic sequences. This review and prospectus is the result of a collaborative effort between 43 scientists from the fields of animal behaviour, ecology and evolution, signal processing, machine learning, quantitative linguistics, and information theory, who gathered for a 2013 workshop entitled, 'Analysing vocal sequences in animals'. Our goal is to present not just a review of the state of the art, but to propose a methodological framework that summarises what we suggest are the best practices for research in this field, across taxa and across disciplines. We also provide a tutorial-style introduction to some of the most promising algorithmic approaches for analysing sequences. We divide our review into three sections: identifying the distinct units of an acoustic sequence, describing the different ways that information can be contained within a sequence, and analysing the structure of that sequence. Each of these sections is further subdivided to address the key questions and approaches in that area. We propose a uniform, systematic, and comprehensive approach to studying sequences, with the goal of clarifying research terms used in different fields, and facilitating collaboration and comparative studies. Allowing greater interdisciplinary collaboration will facilitate the investigation of many important questions in the evolution of communication and sociality.This review was developed at an investigative workshop, “Analyzing Animal Vocal Communication Sequences” that took place on October 21–23 2013 in Knoxville, Tennessee, sponsored by the National Institute for Mathematical and Biological Synthesis (NIMBioS). NIMBioS is an Institute sponsored by the National Science Foundation, the U.S. Department of Homeland Security, and the U.S. Department of Agriculture through NSF Awards #EF-0832858 and #DBI-1300426, with additional support from The University of Tennessee, Knoxville. In addition to the authors, Vincent Janik participated in the workshop. D.T.B.’s research is currently supported by NSF DEB-1119660. M.A.B.’s research is currently supported by NSF IOS-0842759 and NIH R01DC009582. M.A.R.’s research is supported by ONR N0001411IP20086 and NOPP (ONR/BOEM) N00014-11-1-0697. S.L.DeR.’s research is supported by the U.S. Office of Naval Research. R.F.-i-C.’s research was supported by the grant BASMATI (TIN2011-27479-C04-03) from the Spanish Ministry of Science and Innovation. E.C.G.’s research is currently supported by a National Research Council postdoctoral fellowship. E.E.V.’s research is supported by CONACYT, Mexico, award number I010/214/2012.This is the accepted manuscript. The final version is available at http://dx.doi.org/10.1111/brv.1216

1984 - 1986 Bulletin

Bulletin of LOMA LINDA UNIVERSITYGraduate School 1984-86 Volume 75, Number 11, August 22, 1984https://scholarsrepository.llu.edu/gs_bulletin/1007/thumbnail.jp