Affordances and limitations of algorithmic criticism

Humanities scholars currently have access to unprecedented quantities of machine-readable texts, and, at the same time, the tools and the methods with which we can analyse and visualise these texts are becoming more and more sophisticated. As has been shown in numerous studies, many of the new technical possibilities that emerge from fields such as text mining and natural language processing can have useful applications within literary research. Computational methods can help literary scholars to discover interesting trends and correlations within massive text collections, and they can enable a thoroughly systematic examination of the stylistic properties of literary works. While such computer-assisted forms of reading have proven invaluable for research in the field of literary history, relatively few studies have applied these technologies to expand or to transform the ways in which we can interpret literary texts. Based on a comparative analysis of digital scholarship and traditional scholarship, this thesis critically examines the possibilities and the limitations of a computer-based literary criticism. It argues that quantitative analyses of data about literary techniques can often reveal surprising qualities of works of literature, which can, in turn, lead to new interpretative readings

WRITING AND LITERARY ACTIVITY IN THE VERNACULAR IN ANGLO-SAXON ENGLAND

У статті розглянуто процес виникнення і функціонування різних форм текстової фіксації на англійських територіальних діалектах давнього періоду розвитку англійської мови як наслідок розвитку суспільних функцій мови та розширення сфер функціонування її писемної форми в період формування англосаксонського суспільства. В історичній перспективі простежено становлення основних текстових категорій і видів текстів давньоанглійської писемності на основі функціональної класифікації писемних пам’яток давнього періоду. Описано формування англійської писемної традиції в соціолінгвістичному контексті та зазначено основні рукописні тексти-джерела деяких давньоанглійських писемних пам’яток

A computer assisted analysis of literary text: from feature analysis to judgements of literary merit

A thesis submitted to the University of Bedfordshire in ful lment of the requirements for the degree of Doctor of PhilosophyUsing some of the tools developed mainly for authorship authentication, this study develops a toolbox of techniques towards enabling computers to detect aesthetic qualities in literature. The literature review suggests that the style markers that indicate a particular author may be adapted to show literary style that constitutes a "good" book. An initial experiment was carried out to see to what extent the computer can identify specific literary features both before and after undergoing a "corruption" of text by translating and re-translating the texts. Preliminary results were encouraging, with up to 90 per cent of the literary features being identifi ed, suggesting that literary characteristics are robust and quanti fiable. An investigation is carried out into current and historic literary criticism to determine how the texts can be classified as "good literature". Focus groups, interviews and surveys are used to pinpoint the elements of literariness as experienced by human readers that identify a text as "good". Initially identified by human experts, these elements are confirmed by the reading public. Using Classics as a genre, 100 mainly fiction texts are taken from the Gutenberg Project and ranked according to download counts from the Gutenberg website, an indicator of literary merit (Ashok et al., 2013). The texts are equally divided into five grades: four according to the download rankings and one of non- fiction texts. From these, factor analysis and mean averages determine the metrics that determine the literary quality. The metrics are qualified by a model named CoBAALT (computer-based aesthetic analysis of literary texts). CoBAALT assesses texts by Jane Austen and D. H. Lawrence and determines the degree to which they conform to the metrics for literary quality; the results demonstrate conformity with peer reviewed literary criticism

A preliminary investigation into the use of fixed formulaic sequences as a marker of authorship

This research unites the theory of formulaic language—prefabricated sequences of words believed to be stored as holistic units—and the practice of forensic authorship attribution with a view to developing a new marker of authorship. It stands to reason that since formulaic sequences are holistically processed as single lexical items, they are likely to elude a writer’s attempts to disguise their style. Furthermore, evidence suggests that individuals have different stores of formulaic sequences. Therefore, research into differences in formulaic language usage may assist in the development of new tools for authorship attribution. In order to test this assertion, a reference list containing 13,412 formulaic sequences was compiled from multiple online sources. This was then used to identify formulaic sequences in a 20 author corpus containing 100 personal narratives. After exploring the types of formulaic sequences used by authors, statistical tests were used to determine whether the count of formulaic words was sufficient to establish variation between authors and to attribute a Questioned Text to its autho

Rhyme and Rhyming in verbal Art, Language, and Song

This collection of thirteen chapters answers new questions about rhyme, with views from folklore, ethnopoetics, the history of literature, literary criticism and music criticism, psychology and linguistics. The book examines rhyme as practiced or as understood in English, Old English and Old Norse, German, Swedish, Norwegian, Finnish and Karelian, Estonian, Medieval Latin, Arabic, and the Central Australian language Kaytetye. Some authors examine written poetry, including modernist poetry, and others focus on various kinds of sung poetry, including rap, which now has a pioneering role in taking rhyme into new traditions. Some authors consider the relation of rhyme to other types of form, notably alliteration. An introductory chapter discusses approaches to rhyme, and ends with a list of languages whose literatures or song traditions are known to have rhyme.Peer reviewe

Rhyme and Rhyming in Verbal Art, Language, and Song

This collection of thirteen chapters answers new questions about rhyme, with views from folklore, ethnopoetics, the history of literature, literary criticism and music criticism, psychology and linguistics. The book examines rhyme as practiced or as understood in English, Old English and Old Norse, German, Swedish, Norwegian, Finnish and Karelian, Estonian, Medieval Latin, Arabic, and the Central Australian language Kaytetye. Some authors examine written poetry, including modernist poetry, and others focus on various kinds of sung poetry, including rap, which now has a pioneering role in taking rhyme into new traditions. Some authors consider the relation of rhyme to other types of form, notably alliteration. An introductory chapter discusses approaches to rhyme, and ends with a list of languages whose literatures or song traditions are known to have rhyme

Must We All Have a Vast, Flowing Qi ? Revisiting Mengzi 2A2

The concept of a &ldquo;vast, flowing qi&rdquo; is often discussed as one of the core elements constituting Mengzi&rsquo;s argument for the innate goodness of human nature. This paper discusses the problem of coherence of early Chinese texts and, reading Mengzi chapter 2A2 as a coherent literary composition, concludes that a &ldquo;vast, flowing qi&rdquo; is not a quality of humans in general but one that serves to distinguish Mengzi as a supreme exemplar of the Ru tradition.</p

Rhyme and Rhyming in Verbal Art, Language, and Song

This collection of thirteen chapters answers new questions about rhyme, with views from folklore, ethnopoetics, the history of literature, literary criticism and music criticism, psychology and linguistics. The book examines rhyme as practiced or as understood in English, Old English and Old Norse, German, Swedish, Norwegian, Finnish and Karelian, Estonian, Medieval Latin, Arabic, and the Central Australian language Kaytetye. Some authors examine written poetry, including modernist poetry, and others focus on various kinds of sung poetry, including rap, which now has a pioneering role in taking rhyme into new traditions. Some authors consider the relation of rhyme to other types of form, notably alliteration. An introductory chapter discusses approaches to rhyme, and ends with a list of languages whose literatures or song traditions are known to have rhyme

PARECHESIS IN THE UNDISPUTED PAULINE EPISTLES DEFINITION, IDENTIFICATION, AND DISCOVERY

Throughout the undisputed Pauline epistles (UPE), the author employs ancient rhetorical figures of soundplay. In particular, this dissertation focuses on a stylistic device known since Homer and named, a century or so after Paul, “parechesis.” Parechesis is sophisticated alliteration and refers to similar sounding words of different lexical roots that lie in some collocation. The device is so pervasive in Paul as to be deemed a defining characteristic of Pauline style