Computer-aided exploration of architectural design spaces: a digital sketchbook

Het ontwerpproces van architecten vormt vaak geen lineair pad van ontwerpopgave tot eindresultaat, maar wordt veeleer gekenmerkt door exploratie of het doorzoeken van meerdere alternatieven in een (conceptuele) ontwerpruimte. Dit proces wordt in de praktijk vaak ondersteund door manueel schetsen, waarbij de ontwerpers schetsboek kan gelezen worden als een reeks exploraties. Dit soort interactie met de ontwerpruimte wordt in veel mindere mate ondersteund door hedendaagse computerondersteunde ontwerpsystemen. De metafoor van een digitaal schetsboek, waarbij menselijke exploratie wordt versterkt door de (reken)kracht van een computer, is het centrale onderzoeksthema van dit proefschrift. Hoewel het opzet van een ontwerpruimte op het eerste gezicht schatplichtig lijkt aan het onderzoeksveld van de artificiële intelligentie (AI), wordt het ontwerpen hier ruimer geïnterpreteerd dan het oplossen van problemen. Als onderzoeksmethodologie worden vormengrammatica’s ingezet, die enerzijds nauw aanleunen bij de AI en een formeel raamwerk bieden voor de exploratie van ontwerpruimtes, maar tegelijkertijd ook weerstand bieden tegen de AI en een vorm van visueel denken en ambiguïteit toelaten. De twee bijhorende onderzoeksvragen zijn hoe deze vormengrammatica’s digitaal kunnen worden gerepresenteerd, en op welke manier de ontwerper-computer interactie kan gebeuren. De resultaten van deze twee onderzoeksvragen vormen de basis van een nieuw hulpmiddel voor architecten: het digitaal schetsboek

Interactive Technologies for the Public Sphere Toward a Theory of Critical Creative Technology

Digital media cultural practices continue to address the social, cultural and aesthetic contexts of the global information economy, perhaps better called ecology, by inventing new methods and genres that encourage interactive engagement, collaboration, exploration and learning. The theoretical framework for creative critical technology evolved from the confluence of the arts, human computer interaction, and critical theories of technology. Molding this nascent theoretical framework from these seemingly disparate disciplines was a reflexive process where the influence of each component on each other spiraled into the theory and practice as illustrated through the Constructed Narratives project. Research that evolves from an arts perspective encourages experimental processes of making as a method for defining research principles. The traditional reductionist approach to research requires that all confounding variables are eliminated or silenced using methods of statistics. However, that noise in the data, those confounding variables provide the rich context, media, and processes by which creative practices thrive. As research in the arts gains recognition for its contributions of new knowledge, the traditional reductive practice in search of general principles will be respectfully joined by methodologies for defining living principles that celebrate and build from the confounding variables, the data noise. The movement to develop research methodologies from the noisy edges of human interaction have been explored in the research and practices of ludic design and ambiguity (Gaver, 2003); affective gap (Sengers et al., 2005b; 2006); embodied interaction (Dourish, 2001); the felt life (McCarthy & Wright, 2004); and reflective HCI (Dourish, et al., 2004). The theory of critical creative technology examines the relationships between critical theories of technology, society and aesthetics, information technologies and contemporary practices in interaction design and creative digital media. The theory of critical creative technology is aligned with theories and practices in social navigation (Dourish, 1999) and community-based interactive systems (Stathis, 1999) in the development of smart appliances and network systems that support people in engaging in social activities, promoting communication and enhancing the potential for learning in a community-based environment. The theory of critical creative technology amends these community-based and collaborative design theories by emphasizing methods to facilitate face-to-face dialogical interaction when the exchange of ideas, observations, dreams, concerns, and celebrations may be silenced by societal norms about how to engage others in public spaces. The Constructed Narratives project is an experiment in the design of a critical creative technology that emphasizes the collaborative construction of new knowledge about one's lived world through computer-supported collaborative play (CSCP). To construct is to creatively invent one's world by engaging in creative decision-making, problem solving and acts of negotiation. The metaphor of construction is used to demonstrate how a simple artefact - a building block - can provide an interactive platform to support discourse between collaborating participants. The technical goal for this project was the development of a software and hardware platform for the design of critical creative technology applications that can process a dynamic flow of logistical and profile data from multiple users to be used in applications that facilitate dialogue between people in a real-time playful interactive experience

Automated manipulation of musical grammars to support episodic interactive experiences

Music is used to enhance the experience of participants and visitors in a range of settings including theatre, film, video games, installations and theme parks. These experiences may be interactive, contrastingly episodic and with variable duration. Hence, the musical accompaniment needs to be dynamic and to transition between contrasting music passages. In these contexts, computer generation of music may be necessary for practical reasons including distribution and cost. Automated and dynamic composition algorithms exist but are not well-suited to a highly interactive episodic context owing to transition-related problems including discontinuity, abruptness, extended repetitiveness and lack of musical granularity and musical form. Addressing these problems requires algorithms capable of reacting to participant behaviour and episodic change in order to generate formic music that is continuous and coherent during transitions. This thesis presents the Form-Aware Transitioning and Recovering Algorithm (FATRA) for realtime, adaptive, form-aware music generation to provide continuous musical accompaniment in episodic context. FATRA combines stochastic grammar adaptation and grammar merging in real time. The Form-Aware Transition Engine (FATE) implementation of FATRA estimates the time-occurrence of upcoming narrative transitions and generates a harmonic sequence as narrative accompaniment with a focus on coherent, form-aware music transitioning between music passages of contrasting character. Using FATE, FATRA has been evaluated in three perceptual user studies: An audioaugmented real museum experience, a computer-simulated museum experience and a music-focused online study detached from narrative. Music transitions of FATRA were benchmarked against common approaches of the video game industry, i.e. crossfading and direct transitions. The participants were overall content with the music of FATE during their experience. Transitions of FATE were significantly favoured against the crossfading benchmark and competitive against the direct transitions benchmark, without statistical significance for the latter comparison. In addition, technical evaluation demonstrated capabilities of FATRA including form generation, repetitiveness avoidance and style/form recovery in case of falsely predicted narrative transitions. Technical results along with perceptual preference and competitiveness against the benchmark approaches are deemed as positive and the structural advantages of FATRA, including form-aware transitioning, carry considerable potential for future research

Creative Discovery in Architectural Design Processes: An empirical study of procedural and contextual components

This research aims to collect empirical evidence on the nature of design by investigating the question: What role do procedural activities (where each design step reflects a unit in a linear process) and contextual activities (an action based on the situation, environment and affordances) play in the generation of creative insights, critical moves, and the formation of design concepts in the reasoning process? The thesis shows how these activities can be identified through the structure of a linkograph, for better understanding the conditions under which creativity and innovation take place. Adopting a mixed methodology, a deductive approach evaluates the existing models that aim to capture the series of design events, while an inductive approach collects data and ethnographic observations for an empirical study of architectural design experiments based on structured and unstructured briefs. A joint approach of quantitative and qualitative analyses is developed to detect the role of evolving actions and structural units of reasoning, particularly the occurrence of creative insights (‘eureka’ and ‘aha!’ moments) in the formation of concepts by judging the gradual transformation of mental imagery and external representations in the sketching process. The findings of this research are: (1) For any design process procedural components are subsets in solving the design problem for synchronic concept development or implementation of the predefined conceptual idea, whereas contextual components relate to a comprehensive view to solve the design problem through concept synthesis of back- and forelinking between the diachronic stages of the design process. (2) This study introduces a new method of looking at evolving design moves and critical actions by considering the time of emergence in the structure of the reasoning process. Directed linkography compares two different situations: the first is synchronous, looking at relations back to preceding events, and the second is diachronic, looking at the design state after completion. Accordingly, creative insights can be categorised into those emerging in incremental reasoning to reframe the solution, and sudden mental insights emerging in non-incremental reasoning to restructure the design problem and reformulate the entire design configuration. (3) Two architectural designing styles are identified: some architects define the design concept early, set goals and persevere in framing and reframing this until the end, whereas others initiate the concept by designing independent conceptual elements and then proceed to form syntheses for the design configuration. Sudden mental insights are most likely to emerge from the unexpected combination of synthesis, particularly in the latter style. In its contribution to design research and creative cognition this dissertation paves the way for a better understanding of the role of reflective practices in design creativity and cognitive processes and presents new insights into what it means to think and design as an architect

Multiword expression processing: A survey

Multiword expressions (MWEs) are a class of linguistic forms spanning conventional word boundaries that are both idiosyncratic and pervasive across different languages. The structure of linguistic processing that depends on the clear distinction between words and phrases has to be re-thought to accommodate MWEs. The issue of MWE handling is crucial for NLP applications, where it raises a number of challenges. The emergence of solutions in the absence of guiding principles motivates this survey, whose aim is not only to provide a focused review of MWE processing, but also to clarify the nature of interactions between MWE processing and downstream applications. We propose a conceptual framework within which challenges and research contributions can be positioned. It offers a shared understanding of what is meant by "MWE processing," distinguishing the subtasks of MWE discovery and identification. It also elucidates the interactions between MWE processing and two use cases: Parsing and machine translation. Many of the approaches in the literature can be differentiated according to how MWE processing is timed with respect to underlying use cases. We discuss how such orchestration choices affect the scope of MWE-aware systems. For each of the two MWE processing subtasks and for each of the two use cases, we conclude on open issues and research perspectives

Representation and Processing of Composition, Variation and Approximation in Language Resources and Tools

In my habilitation dissertation, meant to validate my capacity of and maturity for directingresearch activities, I present a panorama of several topics in computational linguistics, linguisticsand computer science.Over the past decade, I was notably concerned with the phenomena of compositionalityand variability of linguistic objects. I illustrate the advantages of a compositional approachto the language in the domain of emotion detection and I explain how some linguistic objects,most prominently multi-word expressions, defy the compositionality principles. I demonstratethat the complex properties of MWEs, notably variability, are partially regular and partiallyidiosyncratic. This fact places the MWEs on the frontiers between different levels of linguisticprocessing, such as lexicon and syntax.I show the highly heterogeneous nature of MWEs by citing their two existing taxonomies.After an extensive state-of-the art study of MWE description and processing, I summarizeMultiflex, a formalism and a tool for lexical high-quality morphosyntactic description of MWUs.It uses a graph-based approach in which the inflection of a MWU is expressed in function ofthe morphology of its components, and of morphosyntactic transformation patterns. Due tounification the inflection paradigms are represented compactly. Orthographic, inflectional andsyntactic variants are treated within the same framework. The proposal is multilingual: it hasbeen tested on six European languages of three different origins (Germanic, Romance and Slavic),I believe that many others can also be successfully covered. Multiflex proves interoperable. Itadapts to different morphological language models, token boundary definitions, and underlyingmodules for the morphology of single words. It has been applied to the creation and enrichmentof linguistic resources, as well as to morphosyntactic analysis and generation. It can be integratedinto other NLP applications requiring the conflation of different surface realizations of the sameconcept.Another chapter of my activity concerns named entities, most of which are particular types ofMWEs. Their rich semantic load turned them into a hot topic in the NLP community, which isdocumented in my state-of-the art survey. I present the main assumptions, processes and resultsissued from large annotation tasks at two levels (for named entities and for coreference), parts ofthe National Corpus of Polish construction. I have also contributed to the development of bothrule-based and probabilistic named entity recognition tools, and to an automated enrichment ofProlexbase, a large multilingual database of proper names, from open sources.With respect to multi-word expressions, named entities and coreference mentions, I pay aspecial attention to nested structures. This problem sheds new light on the treatment of complexlinguistic units in NLP. When these units start being modeled as trees (or, more generally, asacyclic graphs) rather than as flat sequences of tokens, long-distance dependencies, discontinu-ities, overlapping and other frequent linguistic properties become easier to represent. This callsfor more complex processing methods which control larger contexts than what usually happensin sequential processing. Thus, both named entity recognition and coreference resolution comesvery close to parsing, and named entities or mentions with their nested structures are analogous3to multi-word expressions with embedded complements.My parallel activity concerns finite-state methods for natural language and XML processing.My main contribution in this field, co-authored with 2 colleagues, is the first full-fledged methodfor tree-to-language correction, and more precisely for correcting XML documents with respectto a DTD. We have also produced interesting results in incremental finite-state algorithmics,particularly relevant to data evolution contexts such as dynamic vocabularies or user updates.Multilingualism is the leitmotif of my research. I have applied my methods to several naturallanguages, most importantly to Polish, Serbian, English and French. I have been among theinitiators of a highly multilingual European scientific network dedicated to parsing and multi-word expressions. I have used multilingual linguistic data in experimental studies. I believethat it is particularly worthwhile to design NLP solutions taking declension-rich (e.g. Slavic)languages into account, since this leads to more universal solutions, at least as far as nominalconstructions (MWUs, NEs, mentions) are concerned. For instance, when Multiflex had beendeveloped with Polish in mind it could be applied as such to French, English, Serbian and Greek.Also, a French-Serbian collaboration led to substantial modifications in morphological modelingin Prolexbase in its early development stages. This allowed for its later application to Polishwith very few adaptations of the existing model. Other researchers also stress the advantages ofNLP studies on highly inflected languages since their morphology encodes much more syntacticinformation than is the case e.g. in English.In this dissertation I am also supposed to demonstrate my ability of playing an active rolein shaping the scientific landscape, on a local, national and international scale. I describemy: (i) various scientific collaborations and supervision activities, (ii) roles in over 10 regional,national and international projects, (iii) responsibilities in collective bodies such as program andorganizing committees of conferences and workshops, PhD juries, and the National UniversityCouncil (CNU), (iv) activity as an evaluator and a reviewer of European collaborative projects.The issues addressed in this dissertation open interesting scientific perspectives, in whicha special impact is put on links among various domains and communities. These perspectivesinclude: (i) integrating fine-grained language data into the linked open data, (ii) deep parsingof multi-word expressions, (iii) modeling multi-word expression identification in a treebank as atree-to-language correction problem, and (iv) a taxonomy and an experimental benchmark fortree-to-language correction approaches

A Functional Taxonomy of Music Generation Systems

Digital advances have transformed the face of automatic music generation since its beginnings at the dawn of computing. Despite the many breakthroughs, issues such as the musical tasks targeted by different machines and the degree to which they succeed remain open questions. We present a functional taxonomy for music generation systems with reference to existing systems. The taxonomy organizes systems according to the purposes for which they were designed. It also reveals the inter-relatedness amongst the systems. This design-centered approach contrasts with predominant methods-based surveys and facilitates the identification of grand challenges to set the stage for new breakthroughs.Comment: survey, music generation, taxonomy, functional survey, survey, automatic composition, algorithmic compositio

Supporting design exploration

The aim of this research was to investigate strategies for the support of design exploration, in particular, how computer based technology could contribute to this activity during the early phase of design. The research comprised of the design and development of three software prototypes, the later versions of which enabled discussions with design professionals concerning the underpinning approach of the work. Three case studies of design practice were undertaken. These focused on the interdependencies between freehand drawing, physical modelling and CAD. Based on the research it was concluded that computer based support for exploration during the early phase of design was viable and that the generation of alternative solutions played a key role in the process. Furthermore, the approach offered by shape grammars provided a generative mechanism that was both grounded in the discipline of design and amenable to representation in a computer based system. Finally, it was concluded that the introduction of a 'controlled irregularity' into the resulting design alternatives increased their likelihood of encouraging design exploration

Knowledge-enhanced neural grammar Induction

Natural language is usually presented as a word sequence, but the inherent structure of language is not necessarily sequential. Automatic grammar induction for natural language is a long-standing research topic in the field of computational linguistics and still remains an open problem today. From the perspective of cognitive science, the goal of a grammar induction system is to mimic children: learning a grammar that can generalize to infinitely many utterances by only consuming finite data. With regard to computational linguistics, an automatic grammar induction system could be beneficial for a wide variety of natural language processing (NLP) applications: providing syntactic analysis explicitly for a pipeline or a joint learning system; injecting structural bias implicitly into an end-to-end model. Typically, approaches to grammar induction only have access to raw text. Due to the huge search space of trees as well as data sparsity and ambiguity issues, grammar induction is a difficult problem. Thanks to the rapid development of neural networks and their capacity of over-parameterization and continuous representation learning, neural models have been recently introduced to grammar induction. Given its large capacity, introducing external knowledge into a neural system is an effective approach in practice, especially for an unsupervised problem. This thesis explores how to incorporate external knowledge into neural grammar induction models. We develop several approaches to combine different types of knowledge with neural grammar induction models on two grammar formalisms — constituency and dependency grammar. We first investigate how to inject symbolic knowledge, universal linguistic rules, into unsupervised dependency parsing. In contrast to previous state-of-the-art models that utilize time-consuming global inference, we propose a neural transition-based parser using variational inference. Our parser is able to employ rich features and supports inference in linear time for both training and testing. The core component in our parser is posterior regularization, where the posterior distribution of the dependency trees is constrained by the universal linguistic rules. The resulting parser outperforms previous unsupervised transition-based dependency parsers and achieves performance comparable to global inference-based models. Our parser also substantially increases parsing speed over global inference-based models. Recently, tree structures have been considered as latent variables that are learned through downstream NLP tasks, such as language modeling and natural language inference. More specifically, auxiliary syntax-aware components are embedded into the neural networks and are trained end-to-end on the downstream tasks. However, such latent tree models either struggle to produce linguistically plausible tree structures, or require an external biased parser to obtain good parsing performance. In the second part of this thesis, we focus on constituency structure and propose to use imitation learning to couple two heterogeneous latent tree models: we transfer the knowledge learned from a continuous latent tree model trained using language modeling to a discrete one, and further fine-tune the discrete model using a natural language inference objective. Through this two-stage training scheme, the discrete latent tree model achieves stateof-the-art unsupervised parsing performance. The transformer is a newly proposed neural model for NLP. Transformer-based pre-trained language models (PLMs) like BERT have achieved remarkable success on various NLP tasks by training on an enormous corpus using word prediction tasks. Recent studies show that PLMs can learn considerable syntactical knowledge in a syntaxagnostic manner. In the third part of this thesis, we leverage PLMs as a source of external knowledge. We propose a parameter-free approach to select syntax-sensitive self-attention heads from PLMs and perform chart-based unsupervised constituency parsing. In contrast to previous approaches, our head-selection approach only relies on raw text without any annotated development data. Experimental results on both English and eight other languages show that our approach achieves competitive performance