PERUBAHAN STRUKTUR AKTIF KE PASIF KALIMAT BAHASA JEPANG

Puspa, Ika AnggraeniWijaya. 2014. “PerubahanStrukturAktifkePasifKalimatBahasaJepang”. Thesis, Departement of Japanese Studies Faculty of Humanities. Diponegoro University. The First Advisor Dra. Sri PujiAstuti, M. Pd. Second Advisor Lina Rosliana , S.S., M. Hum. At this thesis, the author described and analyzed the changing of Japanese active sentence into passive form. This topic was taken because of there are many problems in the changingof active sentences into passive form. In the Japanese language, there are many ways to convey passive form. In addition to using ukemipattern, it may also use the ~temorau, ~tearu, and ~kotoninarupatterns. The usage of these pattern are based on the context of each sentence and the nuance of the meaning. The data in this thesis were collected, analyzed using descriptive method, then the results are presented by using an informal method. By using paraphrase technique and deletion techniques (in some of the data), in the analyzing step, Japanese active sentence was changed into passive form (ukemi, shieki ukemi, ~te morau, ~te aru, or ~koto ni naru). Keywords: aktif, pasif, jidoushi, tadoshi, ukemi, shieki ukemi, ~te morau, ~te aru, and ~koto ni naru

THE ANALYSIS OF MODIFICATION POSITION IN NOUN PHRASE IN THE TRANSLATION OF MASTER OF THE GAME

This research is entitiled The Analysis of Modification Position in Noun Phrase in the Translation of Master of the Game. The material discussed in this research is the modification position of the noun phrase in English into Indonesian. The modification position of the noun phrase in English into Indonesian is a unique case. The uniqueness of the position in the two languages lies in the sequence of words in the noun phrase. There is a rule in forming a noun phrase. The noun phrase is formed by a head and one or some modifications. In English the modification is divided into two groups, determiners and modifiers. The determiner consists of articles, demonstratives, possessives, and indefinite adjectives. The modifier consists of numeratives, descriptive adjectives and other nouns. The modification may lie either at the beginning of the head, which is called pre-head modification,or at the end of the head, which is called post-head modification. The modification can also be formed by phrase such as a prepositional phrase or a participle phrase. The sequence of the modification is disccussed in detail. In Indonesian, the modification is always put at the end of the head except the numeratives lie before the head. The other modification have a function to modify the head. So, most noun phrase in Indonesian refer to the modified-modifiying rule. A change of the modification position would change the meaning of the noun phrase. The translation of a noun phrase may involve the change of the modification position. The pre-head modification of the source language would be the post-modification of the target language, or it would remain the prehead modification. It would happen because of the different grammar of the two languages. Since the grammatical rule of the modification position in English and Indonesian is different, a further and more comprehensive study of the modification should be conducted in the future

UNBALANCED BEHAVIOR OF THE CHARACTER REBECCA IN THE FILM THE ROOMMATE

The Roommate adalah film yang disutradarai oleh Christian E.Christiansen.The Roommate menceritakan tentang seorang mahasiswi bernama Sara Mathew yang memiliki teman sekamar yang obsesif bernama Rebecca. Kedekatan Rebecca dengan Sara semakin erat yang kemudian berubah menjadi sebuah obsesi dan membuat Rebecca melakukan hal-hal yang buruk , bahkan melakukan kekerasan fisik terhadap orang-orang disekitar Sara. Dalam penelitian ini penulis akan mendeskripsikan unsur intrinsik dan ekstrinsik dari film The Roommate. Tujuan dari penilitian ini adalah masalah psikologi yang dialami oleh karakter Rebecca dalam film The Roommate menggunakan Teori Psikoanalisis: Id, Ego, and Superego dari Sigmund Freud. Penulis akan menggunakan pendekatan eksponensial untuk mendeskripsikan unsur intrinsik dan pendekatan psikologi untuk mendeskripsikan unsur ekstrinsik film. Metode yang digunakan untuk mengumpulkan data ada penelitian pustaka. Hasil dari penelitian ini adalah bahwa tiga unsur Id, Ego, dan Superego dalam diri Rebecca berkembang secara tidak seimbang. Ketidakseimbangan organisasi dari Id, Ego, dan Superego menghasilkan perilaku yang tidak seimbang yang mengindikasikan bahwa Rebecca memiliki masalah psikologi

KONTRIBUSI PAJAK DAERAH TERHADAP PENDAPATAN ASLI DAERAH TAHUN 2010 DAN 2011 (Studi Kasus Dinas Pendapatan Daerah Kabupaten Sleman)

Penulisan karya ilmiah ini bertujuan untuk mengetahui: (1) tingkat pencapaian realisasi Pajak Daerah dan realisasi Pendapatan Asli Daerah (PAD) dibandingkan dengan target yang ditetapkan Pemerintah Kabupaten Sleman selama periode tahun 2010 dan 2011. (2) kontribusi Pajak Daerah setiap kecamatan terhadap penerimaan Pajak Daerah di Kabupaten Sleman tahun 2010 dan 2011. (3) kontribusi Pajak Daerah terhadap Pendapatan Asli Daerah (PAD) Kabupaten Sleman selama periode tahun 2010 dan 2011. (4) hambatan yang dihadapi oleh Dinas Pendapatan Daerah Kabupaten Sleman dalam pelaksanaan pemungutan Pajak Daerah. Metode yang digunakan adalah metode deskriptif kuantitatif, yakni penelitian dengan menggunakan data yang dinyatakan dalam bentuk kata, kalimat, dan angka. Data yang digunakan adalah Realisasi Pajak Daerah dan Realisasi Pendapatan Asli Daerah Kabupaten Sleman pada tahun 2011. Teknik pengumpulan data yang digunakan dalam penelitian ini adalah dengan cara wawancara dan dokumentasi. Hasil dari penelitian ini adalah sebagai berikut: (1) tingkat pencapaian realisasi Pajak Daerah Kabupaten Sleman tahun 2010 sebesar 106,11%, dan tahun 2011 sebesar 116,3%, sedangkan tingkat pencapaian realisasi Pendapatan Asli Daerah (PAD) Kabupaten Sleman tahun 2010 sebesar 99,95% dan tahun 2011 sebesar 111,46%. (2) Godean, Minggir, dan Tempel tidak berkontribusi melalui pajak hotel dan hiburan. Moyudan tidak berkontribusi melalui pajak hotel, hiburan dan air tanah. Seyegan tidak berkontribusi melalui pajak hotel, hiburan, reklame, dan parkir. Berbah tidak berkontribusi melalui pajak hotel dan MBLB. Prambanan dan Sleman tidak berkontribusi melalui pajak hotel. Turi tidak berkontribusi melalui pajak parkir dan air tanah. Cangkringan tidak berkontribusi melalui pajak hiburan. (3) kontribusi penerimaan Pajak Daerah terhadap Pendapatan Asli Daerah (PAD) Kabupaten Sleman pada tahun 2010 sebesar 49,321%, dan pada tahun 2011 sebesar 62,833%. (4) hambatan utama yang dihadapi Dinas Pendapatan Daerah Kabupaten Sleman dalam pemungutan pajak daerah yaitu masih banyaknya wajib pajak yang tidak taat membayar pajak. Kata kunci: Pajak Daerah dan Pendapatan Asli Daera

ARTICULATION ERRORS IN PRONUNCING INDONESIAN WORDS CONTAINING CONSONANT CLUSTERS

Tujuan penulisan skripsi ini adalah untuk mengetahui kemampuan anak mengucapkan bunyi–bunyi konsonan rangkap dan menjelaskan bentuk kesalahan artikulasi yang muncul pada pengucapan bunyi konsonan rangkap. Skripsi ini merupakan studi kasus pada tiga orang anak yang berusia antara 4-5 tahun. Penelitian ini menggunakan jenis penelitian deskriptif. Sampel berupa ucapan atau kata yang mengandung klaster /str/,/pr/,/kr/,/sp/,/tr/,/st/,/pl/,/br/,/kl/,/kw/. Dengan demikian pengambilan sampel ini menggunakan purposive sampling. Dalam mengumpulkan data, penulis menggunakan tes artikulasi dengan menggunakan 3 kata untuk masing- masing bunyi konsonan rangkap. Dalam penelitian ini penulis menemukan bahwa kemampuan anak yang berusia 4-5 tahun untuk mengucapkan bunyi konsonan rangkap secara umum masih tergolong rendah. Di antara bunyi konsonan rangkap, /pl/ dan /kl/ adalah konsonan rangkap yang paling mampu diucapkan, sedangkan bunyi konsonan rangkap yang paling sulit diucapkan adalah klaster yang mengandung /r/. Dari empat jenis kesalahan - Substitution, Omission, Distortion dan Addition – Distortion tidak muncul dalam ucapan-ucapan respondent. Kesalahan artikulasi yang paling banyak muncul pada pengucapan konsonan rangkap adalah Omission, sedangkan Substitution hanya muncul beberapa kali. Kesalahan artikulasi yang paling sedikit muncul pada pengucapan konsonan rangkap adalah Addition. Dari penelitian ini terdapat satu jenis variasi kesalahan artikulasi yang tidak disebut dalam teori yaitu Addition- Omission

Fluoride Released From GIC and RMGIC in Saliva and Dentino-Enamel SUbstance

Glass Ionomer Cement (GIC) and Resin Modified Glass Ionomer Cement (RMGIC) are two restorative materials in dentistry that have the capacity of releasing fluoride to saliva, dentino-enamel substance, and the ability to form fluoroapatite crystal. This study aims to compare the amount of fluoride release in saliva and dentino-enamel substance. A total of 48 caries free premolar teeth were prepared to form a cavity with the dimension of 4 x 4 x 2 mm on the buccal surfaces. These teeth were then divided into 3 groups (control, GIC, RMGIC groups). These teeth were then soaked in artificial saliva without fluoride content and were incubated at room temperature (37 0C). Each group was divided again into 4 sub groups, with different periods of soaking (1, 3, 10, and 20 days). The fluoride content of saliva was analyzed using ion chromatography. The fluoroapatite on dentino-enamel substance was analyzed using x-ray diffraction or XRD. While there was a significant difference in fluoride release in saliva and no significant difference in fluoroapatite formation on dentino-enamel substance within 3 groups. Fluoride content in saliva showed a significant difference within the 3 groups. No significant difference was found in the fluoroapatite content on dentino-enamel substance

LATAR BELAKANG DAN KARAKTERISTIK PERKEMBANGAN BAKAT ISTIMEWA MENARI

From so many special talents, one of it is dance. Learn, knowing, and study the background and the characteristics of someone who have a talented dancing is a kind of interesting activity, which has a purpose to identify the characteristics of someone who have a talent to dance with more easily. Directly, this thing can make a faster progress for someone’s special talent, facilitate, and improve it to be more maximal without using the dancer audition, which spends more time. Even though the dance auditions is disabled, this method will not decrease the dancer’s quality in personally (it can still create such amazing achievement) This research use a quantitative approach with life history method. The research's subjects are 2 peoples who have the talented dancing. Interview is the method that is used to collect the needed data. The research's procedures divided into two fases, pre­activity fase and whilst­activity fase. The data analysis itself, divided into three parts, first is data reduction, second is data display, and the last one is conclusion drawing or verification. After all, to check the data validity, the researcher use the triangulate technique, which is source triangulate that is collected from the closest friend of the subjects. From the result of research data, it is concluded that the background and the progress characteristics from both subject is using the discipline method in all their daily activities. Moreover, both subjects’ parents also give a full support, not only in physically side, but also from psychological side to the subjects. Both subjects are coming from the famous art school and well –known dance institution in Solo and Yogyakarta. That is why; both subjects have their own specification in creating a new kind of dancing style, that is Java’s dancing style and new creation dancing, just from looking their surrounding environment. In addition, they can also create the background music for their dance only in a short moment. The progress characteristics of childhood age of both subjects have already fulfilled and connected with art. They have already known and listened the Java’s traditional music instrument and spontaneous they dance by following the played music. On the elementary school age, they have already followed the dance competition and often presented their dancing ability in the art stage performance in their school. On the teen age, both subjects have fulfilled the requirements as the good dancer and they can obtain a deep understanding on the performed dance. The early­age of adult, both subjects could perform all the dancing movement technique and they could also create such spectacular new dancing style. On the mid­age of adult, both subjects’ movement still look flexible and smooth, then, they can still make the dance and background music too

Chinese Indonesians After May 1998 How They Fit in the Big Picture

For Chinese Indonesians, May 1998 is a significant historical marker, twelfth and thirteenth being two concentrated days of riots and atrocities in Jakarta, followed by more, albeit on smaller scales, in Solo, Surabaya, and a number of other cities. Destruction of properties belonging to them, and rapes of their women, occurred. Then Indonesia witnessed the end of Suharto\u27s rule when the president resigned on 21 May 1998. A gradual political turn-around followed; Chinese Indonesians found room to move. The subsequent governments revoked restrictive regulations put in place by the New Order government, and lifted the suppression on cultural expression by Chinese Indonesians. The situation has progressed in conjunction with China\u27s rise in global economic dominance. Does China\u27s increasing International profile and rising global economic dominance help Chinese Indonesians? This article seeks to find some answer to the question as it looks at the development in the big picture; how and to what extent the social perceptions of Chinese Indonesians have evolved among the mainstream population; how they perceive themselves and believe how others perceive them; and how these may influence their lives as Indonesian citizens

~HOUGA II SEBAGAI PEMARKAH MODALITAS TOUI DALAM KALIMAT BAHASA JEPANG 日本語の文における｢～方がいい｣という当為モダリティ

ABSTRACT Savitri, Rizky Anggraeni Dian. 2015. ““~Houga ii Sebagai Pemarkah Modalitas Toui dalam Kalimat Bahasa Jepang”. Thesis, Departement of Japanese Studies Faculty of Humanities. Diponegoro University. The First Advisor Elizabeth IHANR, S.S, M.Hum. Second Advisor Maharani P. Ratna, S.S, M.Hum. In writing this thesis, the writer discussed about ‘~Houga ii as Modalities Toui In Japanese Sentence’. The writer took this theme to examine how the structure and meaning of houga ii. The purpose of this research is to describe the structure and meaning of houga ii in Japanese sentences. The method that used in this research is “agih” method. “Agih” method is data analysis method which is using part of the relevant language as the determination tool. Primary data that is used in this research is Haruki Murakami's novel ‘1Q84’. Besides, the data came from a song and the internet (Japanese web). Houga ii has a basic structure ~yori ~houga ii, which has functions as a comparison between two different things. Houga ii can be used together with adjective, noun, and verb. Verbs that can be used with houga ii is past tense, dictionary form and negative form. Houga ii also has a variation of a question form, those question words are ‘dochira’ and ‘izure’. There is also a variety of forms, that is houga yokatta. Houga ii has the basic meanings 'advice’ or ‘comparison'. In Indonesian, houga ii has meaning 'sebaiknya’ or ‘lebih baik'. Advice meaning can be used to suggest ourselves, interlocutors/listener, or for the general case. Houga ii can also indicate of a regret and dissatisfaction. Keywords : Modalitas, toui, houga ii