Proton-Nucleus Collisions at the LHC: Scientific Opportunities and Requirements

Proton-nucleus (p+A) collisions have long been recognized as a crucial component of the physics programme with nuclear beams at high energies, in particular for their reference role to interpret and understand nucleus-nucleus data as well as for their potential to elucidate the partonic structure of matter at low parton fractional momenta (small-x). Here, we summarize the main motivations that make a proton-nucleus run a decisive ingredient for a successful heavy-ion programme at the Large Hadron Collider (LHC) and we present unique scientific opportunities arising from these collisions. We also review the status of ongoing discussions about operation plans for the p+A mode at the LHC.Comment: 33 pages, 15 Figure

Heavy-flavor production and medium properties in high-energy nuclear collisions --What next?

Open and hidden heavy-flavor physics in high-energy nuclear collisions are entering a new and exciting stage towards reaching a clearer understanding of the new experimental results with the possibility to link them directly to the advancement in lattice Quantum Chromo-Dynamics (QCD). Recent results from experiments and theoretical developments regarding open and hidden heavy-flavor dynamics have been debated at the Lorentz Workshop Tomography of the Quark-Gluon Plasma with Heavy Quarks, which was held in October 2016 in Leiden, The Netherlands. In this contribution, we summarize identified common understandings and developed strategies for the upcoming five years, which aim at achieving a profound knowledge of the dynamical properties of the quark-gluon plasma

Point View in Bird and Flower Painting

在中国传统绘画中，点景是极其重要的一种表达方式。石涛所研究的绘画问题中，情感、理性、力量都是不可缺少的，如何恰当地运用这三者，却有可能导致完全不同的创作结果。而点景正是这三者的集合点，不仅要用心灵去感受自然对象的内在精神，不能因为对象的限制而使感受层次也受到限制，把眼睛之受升华为心理之受。在绘画作品中合理地运用点景能使画家的情感与物象更加融合，画家自身的主观感受在画面上得到充分的体现，以一种小的特殊表现符号流露出画家作品里表达的象征倾向和审美概念，对画面的构图及意境有着画龙点睛的作用。本文以花鸟画点景为研究对象，重点介绍了点景的表现与意义；进一步阐述了点景在传统花鸟画构成中的作用，着重论述其在...The “point view” is extremely important as a means of expression in the traditional Chinese painting. Emotion, rationality and power are essential in the Shi Tao studied painting, and how to properly use them may lead to the creation of a completely different result. For the reason that “point view” is a collection of these three points, shouldn’t we only use the soul to feel the inner spirit of n...学位：文学硕士院系专业：艺术教育学院美术系_美术学学号：1862007115166