International staff and diversity in missions

Contemporary universities have many different tasks. Next to the traditional research and teaching mission, universities are also expected to engage in other activities that create social value. A balance between these different tasks varies across higher education systems, institutions, and individuals. This chapter examines the position of international staff on this landscape of different missions. International mobility is usually associated with research excellence. In this chapter we empirically examine the difference between local and international staff to test this image about international staff. The analysis shows that international staff is indeed significantly more oriented towards research and less on teaching, both in their intrinsic interest and time investment. Difference with respect to ‘third mission’ activities is small. International staff is equally or even more active in activities like patenting or creating spin-off companies. On the other hand, they are underrepresented in activities that are embedded in a local context, such as serving on expert committees or undertaking consultancy work. This triggers a question about an optimal engagement of international staff in the diversity of missions.The politics and administration of institutional chang

Saints and lovers: myths of the avant-garde in Michel Georges-Michel's Les Montparnos

This article examines Michel Georges-Michel’s 1924 novel Les Montparnos as a study of the myths circulating around the Montparnasse avant-garde of the 1920s, and their function in relation to art. Key amongst these myths is the idea of art as a religion, according to which avant-garde artists are conceived as secular saints and martyrs. While this notion of artist as saint is strongly present in early-twentieth-century biographies of Van Gogh, Georges-Michel explicitly relates his fictionalized version of Modigliani’s life not to such recent models but rather to the Renaissance masters, and especially to Raphael, a link which is explained in terms of the post-war ‘retour à l’ordre’ in French artistic culture. The novel’s references to Raphael as archetypal painter-lover are also related to its construction of a myth of the artist as virile and sexually prolific, and to its identification of creative and sexual impulses

The production and consumption activities relating to the celebrity artist

This paper considers the impact of the celebrity artist on the associated production and consumption activities. It also considers the role which entrepreneurial marketing plays in helping to create the celebrity artist aura. The artist Thomas Kinkade is used to illustrate how this occurs in practice. Here, authenticity and nostalgia dimensions are also influential factors. Underpinning these relationships are the roles played out by the media, including communication of celebrity artist identity, and the catalysing of its commodification within the celebrity artist brandscape. An enduring celebrity brand results due to the market creation activities of the celebrity artist. A conceptual model is developed which synthesises the factors behind the production and consumption of the celebrity artist which can stimulate further research. This paper provides innovative insight into the world of the celebrity artist by interrogating the market making and shaping devices behind successful production and consumption practices

O caso da destruição das pinturas murais da sede da Fazenda Rialto, Bananal

This article is about the eighteenth century mural paintings at the headquarters of Fazenda Rialto, in Bananal, which were destroyed in 1996. These constituted one of the most important sets of ambient paintings with secular themes produced in the state of São Paulo during the period corresponding to the first cycle of coffee production. Orally attributed to the painter José Maria Villaronga y Panella, all that remains of these paintings are some photographs and dozens of fragments, impossible to reassemble. Studying the fragments of the paintings of Rialto as primary material documents, the main objective of this article is to identify the artistic, technical, and executive characteristics of three sets of murals attributed to a single painter. A methodology which combines laboratory tests and historical research on artistic techniques was adopted for objectively recognizing the artistic and artisan characteristics of the period and discussing the attribution of exclusive authorship to the work. The analytical systems adopted for this purpose were: examination with ultraviolet and infra-red radiation, optical microscopy, Scanning Electron Microscopy (SEM) and Energy Dispersive Spectrometry (EDS) to analyze its chemical elements. Issues related to the limitations on official Brazilian preservation activities for this category of artistic work were also discussed, reflecting on the development and changes in notions of historicity related to the preservation of works from the past and their methodological implications for conservation and restoration.Este artigo trata dos murais artísticos oitocentistas da sede da Fazenda Rialto, em Bananal, destruídos em 1996, que constituíam um dos mais importantes conjuntos de pinturas ambientais de temática profana produzidos no Estado de São Paulo no período correspondente ao primeiro ciclo da cultura do café. Atribuídas oralmente ao pintor José Maria Villaronga y Panella, dessas pinturas restaram apenas algumas fotografias e centenas de fragmentos, de impossível reassemblagem. Estudando-se os fragmentos de pintura da Rialto como documento material primário, o trabalho apresentado tem como principal objetivo a identificação das características artísticas e tecnoexecutivas de três conjuntos de murais tributados a um mesmo pintor. Para reconhecimento objetivo dos fazeres artístico-artesanais do período e discussão da atribuição de autoria exclusiva, adotou-se uma metodologia que combina exames laboratoriais e pesquisa histórica das técnicas artísticas. Os sistemas analíticos adotados para esse fim foram: exame com radiação ultravioleta e infravermelha, microscopia óptica, microscopia eletrônica de varredura (MEV) e espectroscopia de energia dispersiva (EDS) para análise química elementar. Discutem-se também questões relativas aos limites da ação preservacionista oficial brasileira sobre essa categoria de obra artística, refletindo sobre o desenvolvimento e as mudanças das noções de historicidade relativas à preservação dos bens do passado e suas implicações metodológicas nos conceitos de conservação e restauro

”Herroja on epäiltävä aina – metsäherroja yli kaiken”:metsähallituksen ja pohjoissuomalaisten kanssakäyminen kruununmetsissä vuosina 1851–1900

Abstract A study is made of the dealings of the local people with the Board of Forestry in matters connected with the crown forests of Northern Finland in the 19th century, setting out from the creation of the Forestry Board, the establishment of its ways of working and its local impact on settlement and sources of livelihood. This state of tension was perpetuated by delays in implementation of the Great Partition and by the presence of cottagers and pioneer settlers living in the crown forests. One major question was whether these forests were intended primarily to serve the purposes of state forestry or of settlement in the north of Finland. An account is given of the attitude of the Forestry Board towards the traditional modes of forest use typical of the crown forests, including swidden cultivation, tar burning and the cutting of wood for domestic use. New information is presented on the part played by the Forestry Board in regulating swidden cultivation and tar burning. Another topic not previously addressed is illicit exploitation of the crown forests. This was common practice in the Tornio and Ii river valleys in particular, to the extent that forest wardens on the border with Sweden were supplied with pistols to deal with this threat. The sale of timber cut illegally from the crown forests to sawmills in both Finland and Sweden was widespread, and it was common in the Ii Valley to trade in the timber which the Forestry Board allowed private persons to cut as a form of relief to the poor. The grazing of livestock in crown forests was another bone of contention between Forestry Board officials and the local people, the controversy over cows and what damage they actually did to the crown forests continuing well into the 20th century and ultimately remaining unresolved. Similar disputes arose over spruces carrying beard lichen, on which the reindeer fed, once the demand for spruce pulpwood increased. The actions taking by the foresters in accordance with the law and the demands of their office aroused much criticism in Finland, and this polemic spread to the newspapers, the Diet and the literature of the day. It was the fate of the Forestry Board and its officials to become an object of suspicion and even downright hatred. Their interference with traditional sources of livelihood, modes of land use and ancient rights of exploitation was apt to give rise to friction and maintain an attitude of mistrust on both sides. The present work provides new explanations for the author Pentti Haanpää's famous saying, "Beware of fine gentlemen – and of foresters most of all", and modern forest management conflicts can be appreciated and understood better in the light of these events.Tiivistelmä Olen tutkinut metsähallituksen ja pohjoissuomalaisten kanssakäymistä ja suhteiden muotoutumista Pohjois-Suomen kruununmetsissä 1800-luvulla. Lähtökohtina ovat metsähallinnon perustaminen, toiminnan vakiinnuttaminen sekä metsähallinnon vaikutus paikallisiin elinkeinoihin ja asutustoimintaan. Kangertelu metsänhoidossa ja liiketoiminnan aloittamisessa sekä yhteenotot paikallisen väestön ja lehdistön kanssa sävyttivät metsähallinnon ensimmäisten vuosikymmenten toimintaa. Hidastunut isojako sekä kruununmetsiin hakeutunut asutus, kruununmetsätorpat ja uudistilat, ylläpitivät jännittynyttä suhdetta. Suuri kysymys oli, olivatko kruununmetsät valtion metsätaloutta vai Pohjois-Suomen asutusta varten. Tutkimuksessa myös selitetään, miten metsähallinto suhtautui perinteisiin, juuri kruununmetsiin suuntautuneisiin metsänkäyttötapoihin, kuten kaskenpolttoon, tervatalouteen ja puun kotitarvekäyttöön. Metsähallinnon osuus kaskeamisen ja tervanpolton ohjailussa nousee esille uudella tavalla. Kruununmetsien haaskaajat eli varkaat ovat myös ennen tutkimaton teema. Kruununmetsien varastaminen oli yleistä erityisesti Tornionjokilaaksossa ja Iijokilaaksossa. Ruotsin rajan läheisyydessä toimineet metsänvartijat jopa aseistettiin pistoolein metsävarkaita vastaan. Varastetun puutavaran toimittaminen niin Suomen kuin Ruotsin sahoille oli maan tapa. Iijokilaaksossa turvauduttiin metsähallinnon käsikauppa- eli lupapuihin, joista tuli köyhäinavun, mutta myös keinottelun muoto. Keinottelu varsinaisilla valtionmailla eli haku uudistilalliseksi vain puutavaran vuoksi, kuuluu myös Pohjois-Suomen metsähistoriaan. Eläinten laiduntaminen kruununmetsissä myös asetti metsähallinnon virkamiehet ja paikallisen väestön vastakkain. Vielä 1900-luvulla lehmä kruununmetsissä oli kiistan kohteena. Lopullista selvyyttä siihen, mitä vahinkoa lehmä teki kruununmetsille, ei saatu koskaan. Lisäksi porojen käyttämät luppopuut eli naavakuuset hiersivät suhteita tilanteessa, jossa kuusipuulle oli syntymässä kysyntää paperipuuna. Metsänhoitajat saivat kritiikkiä toimiessaan viran ja lain vaatimalla tavalla Pohjois-Suomessa. Metsäherroja polemisoitiin sanomalehdissä, valtiopäivillä ja kirjallisuudessa. Metsähallinnon ja metsäherrojen osana oli 1800-luvulla olla epäluulon ja suorastaan vihamielisyydenkin kohteena. Puuttuminen perinteisiin elinkeinoihin, maankäyttötapoihin ja muinaisiin tapaoikeuksiin synnytti kitkaa suhteisiin ja ylläpiti epäluuloa molemmin puolin. Pentti Haanpään teksti "Herroja on epäiltävä aina – metsäherroja yli kaiken" on saanut uutta, selittävää ainesta ympärilleen. Nykyiset metsäkonfliktit avautuvat paremmin ja tulevat ymmärrettävimmiksi 1800-luvun metsähistorian kautta