Press Conference - Senator Edmund S. Muskie Endorsed by Senators Eagleton and Symington and Governor Hearnes

Press conference following the announcement of the endorsement of Senator Edmund S. Muskie for the Democratic nomination in 1972 by Governor Hearnes, and Senators Symington and Eagleton

A statistical analysis of the South African National board examinations for intern medical technologists for the periods 2008-2012

Abstract: The main role of the Society of Medical Laboratory Technologists of South Africa (SMLTSA) is to promote and regulate the profession of Medical Laboratory Technology in South Africa (S.A.). The National board examinations for Intern Medical Technologists (MTIN) are co-ordinated by the SMLTSA on behalf of the Health Professional Council of South Africa (HPCSA). Passing these examinations is the qualifying criterion for a career in Medical Laboratory Technology. This qualification in Biomedical Technology is unique to S.A. and as such literature regarding the performances of MTIN in the National board examinations is very limited. Objective: No previous research has been conducted to investigate the performances of MTIN in the National board examinations. For that reason, the examination scores for the periods 2008 to 2012 were analysed for variances in mean scores of MTIN who did their internship at different training laboratories, and who studied at different Higher Educational Institutions (HEI’s) as well as results of MTIN from the province of Gauteng, who specialised in four different disciplines. An analysis of the pass rate for the country was also done. Method: The One-way analysis of variance (ANOVA) and Pearson Chi-square test were used to detect statistical significant differences in mean performance scores between these groups. Differences were considered significant at a p-value of <0.05 Results: Several statistical significant differences in performance scores between groups were uncovered. Conclusion: Statistical findings indicated poor overall performances in these examinations for the periods 2008 to 2012. It is therefore suggested that an in depth investigation be implemented into the suitability of higher education training and the adequacy of Internship programmes offered by training laboratories

Kant's philosophy of the aesthetic and the philosophy of praxis

This is the author's accepted manuscript. The final published article is available from the link below. Copyright @ 2012 Association for Economic and Social Analysis.This essay seeks to reconstruct the terms for a more productive engagement with Kant than is typical within contemporary academic cultural Marxism, which sees him as the cornerstone of a bourgeois model of the aesthetic. The essay argues that, in the Critique of Judgment, the aesthetic stands in as a substitute for the missing realm of human praxis. This argument is developed in relation to Kant's concept of reflective judgment that is in turn related to a methodological shift toward inductive and analogical procedures that help Kant overcome the dualisms of the first two Critiques. This reassessment of Kant's aesthetic is further clarified by comparing it with and offering a critique of Terry Eagleton's assessment of the Kantian aesthetic as synonymous with ideology

Ontology: Use and abuse

The final publication is available at Springer via http://dx.doi.org/110.1007/978-3-540-79860-6_2Revised Selected Papers of 5th International Workshop, AMR 2007, Paris, France, July 5-6, 2007This paper is a critical analysis of the use of ontology as an instrument to specify the semantics of a document. The paper argue that not only is a logic of the type used in ontology insufficient for such a purpose, but that the very idea that meaning is a property of a document that can be expressed and stored independently of the interpretation activity is misguided. The paper proposes, in very general lines, a possible alternative view of meaning as modification of context and shows that many current approaches to meaning, from ontology to emergent semantics, can be seen as spacial cases of this approach, and can be analyzed from a very general theoretical framework

Aesthetics and literature : a problematic relation?

The paper argues that there is a proper place for literature within aesthetics but that care must be taken in identifying just what the relation is. In characterising aesthetic pleasure associated with literature it is all too easy to fall into reductive accounts, for example, of literature as merely "fine writing". Belleslettrist or formalistic accounts of literature are rejected, as are two other kinds of reduction, to pure meaning properties and to a kind of narrative realism. The idea is developed that literature-both poetry and prose fiction-invites its own distinctive kind of aesthetic appreciation which far from being at odds with critical practice, in fact chimes well with it

Anti-Nirvana: crime, culture and instrumentalism in the age of insecurity

‘Anti-Nirvana’ explores the relationship between consumer culture, media and criminal motivations. It has appeared consistently on the list of the top-ten most-read articles in this award-winning international journal, and it mounts a serious neo-Freudian challenge to the predominant naturalistic notion of ‘resistance’ at the heart of liberal criminology and media studies. It is also cited in the Oxford Handbook of Criminology and other criminology texts as a persuasive argument in support of the theory that criminality amongst young people is strongly linked to the acquisitive values of consumerism and the images of possessive individualism that dominate mass media

Living for the weekend: youth identities in northeast England

Consumption and consumerism are now accepted as key contexts for the construction of youth identities in de-industrialized Britain. This article uses empirical evidence from interviews with young people to suggest that claims of `new community' are overstated, traditional forms of friendship are receding, and increasingly atomized and instrumental youth identities are now being culturally constituted and reproduced by the pressures and anxieties created by enforced adaptation to consumer capitalism. Analysis of the data opens up the possibility of a critical rather than a celebratory exploration of the wider theoretical implications of this process

‘Devolution and Cultural Catch-Up: Decoupling England and its Literature from English Literature’

Robert McLiam Wilson’s 1989 novel Ripley Bogle uses an unreliable narrator to expose the differences – regional, linguistic and national – between communities Bogle, the protagonist, experiences in Cambridge and Northern Ireland. Bogle is an English Literature student and then drop-out whose rejection of canonical study is the rejection of Arnoldianism and a traditionally organist and imperialist discipline that reanimates the debate about civic values and literary culture. A similar device is used in Sebastian Faulks’s 2007 novel Engleby in which Mike Engleby abandons English Literature at University only to later become a journalist probing the political landscape and personalities of the 1980s and after. Embroiled in disappearance and death, Engleby’s psychological unpredictability enables a reading of Britain’s socio-political death. These interconnected novels stand either side of Britain’s devolutionary divide and, as a pair, are suggestive of England’s need to readdress its own literary culture in the face of devolution. They are also symptomatic of a wider cultural catch-up required within England after 1999. Where the other devolved nations have sought to advance new and challenging national literary concerns and forms distinct from the pan-British literary canon of the past (and its restrictive exclusion based on class, gender and race), England has only recently come to view its literary culture as national. However, this has provided a potential filled moment of redefinition that will help free England and its authors from the pan-British sensibility of imperial dominance. This chapter argues that such redefinition, and resistance to the canon, developed immediately before and dramatically after devolution is evident in Graham Swift’s Last Orders (1996) with its resistive yet civic working class community and in the representations of marginalised, disempowered sections of England’s population offered in Alan Kent’s Proper Job, Charlie Kurnow (2005), Stella Duffy’s The Room of Lost Things (2009) and Jim Crace’s All That Follows (2010). These authors seize the opportunity provided by devolution to re-examine England’s national identity and to probe its relation to political enfranchisement, civic responsibility and literary vitality as England culturally catches up with its own socio-political reality