Labour conditions on the Natal collieries: The case of the Dundee Coal Company 1908-1955

African Studies Seminar series. Paper presented 5 May, 198

Seeking Asylum—Holding Patterns: The 2020 Ballina Region for Refugees Poetry Prize

Poetry provides valuable and insightful ways to explore and record social and political experiences and engagements. The plight of refugees and people seeking asylum in Australia is well known. Community groups such as the Ballina Region for Refugees provide support to refugees and asylum seekers both in Australia and offshore. To help raise awareness and validate the experience of refugees and asylum seekers, the Ballina Region for Refugees runs an annual Poetry Prize. The 2020 Ballina Region for Refugees Poetry Prize theme was Seeking Asylum—Holding Patterns. This article presents the winning and highly commended poems, along with poems by refugee and asylum seeker poets. Poems from both insider witnesses – refugees and asylum seekers – and outsider witnesses – poets who seek to express an empathy with the plight of refugees and asylum seekers – have contributed to this collection. From haunting statements of human dissolution that should strike fear into anyone’s heart, through glimpses of hope, the poems explore the trails of asylum seeking and the dysfunctionality of the aftermath.

Dickens, China and Tea: Commodity Conversations and the Re-conception of National Identity between 1848 – 1870

Between 1848 – 1870 Dickens’s novels became increasingly outward looking towards transnational spaces. Dickens’s growing interest in China and Chinese commodities such as tea can be seen in his novels where contemporary anxieties about a close association with China and the Chinese is identified. The fraught trading and political relationships between Britain and China both during and after the Opium Wars and the opening of five new ports identifies this nation as one which Dickens perceived to pose a threat to British national identity. Looking at this relationship in terms of commodities, Chinese tea can therefore be a marker not only for a fetishised commodity but also as a representation of a nation. This thesis argues that Dickens’s representation of China through commodities such as tea presents a new way for British national identity to be conceptualised. Dickens’s inclusion of Chinese commodities intersects with other foreign countries that, unlike China, formed part of the British Empire. China’s independence facilitated a commercial freedom that was not available to nations that formed part of the Empire and, as a consequence, increased its commercial power. This thesis underscores some of the significant moments in Dickens’s novels from 1848 -1870 to reveal a commodity dialogue between China and Britain which moves beyond the page and reflects an increasingly interconnected world which was both assimilated and ostracised. This provides a new understanding of Britain that, far from establishing its commercial autonomy, shows how it became increasingly reliant on China and the conversations that these commodities contribute to an understanding of Dickens’s world. The thesis considers the productive readings of China in Dickens’s fiction and the importance of geopolitical commodities in forming an understanding of nation and nationality, identity and culture, and Britain and Britishness through trade.Between 1848 – 1870 Dickens’s novels became increasingly outward looking towards transnational spaces. Dickens’s growing interest in China and Chinese commodities such as tea can be seen in his novels where contemporary anxieties about a close association with China and the Chinese is identified. The fraught trading and political relationships between Britain and China both during and after the Opium Wars and the opening of five new ports identifies this nation as one which Dickens perceived to pose a threat to British national identity. Looking at this relationship in terms of commodities, Chinese tea can therefore be a marker not only for a fetishised commodity but also as a representation of a nation. This thesis argues that Dickens’s representation of China through commodities such as tea presents a new way for British national identity to be conceptualised. Dickens’s inclusion of Chinese commodities intersects with other foreign countries that, unlike China, formed part of the British Empire. China’s independence facilitated a commercial freedom that was not available to nations that formed part of the Empire and, as a consequence, increased its commercial power. This thesis underscores some of the significant moments in Dickens’s novels from 1848 -1870 to reveal a commodity dialogue between China and Britain which moves beyond the page and reflects an increasingly interconnected world which was both assimilated and ostracised. This provides a new understanding of Britain that, far from establishing its commercial autonomy, shows how it became increasingly reliant on China and the conversations that these commodities contribute to an understanding of Dickens’s world. The thesis considers the productive readings of China in Dickens’s fiction and the importance of geopolitical commodities in forming an understanding of nation and nationality, identity and culture, and Britain and Britishness through trade