Artistas, curadores e valores de musealidade: diversidades e branquitude na exposição da 7a Edição do Bolsa Pampulha

O presente artigo abordará a exposição da 7ª. Edição do Programa Bolsa Pampulha do Museu de Arte da Pampulha (MAP); analisaremos o papel dos artistas e dos curadores na elaboração de critérios de valores de musealidade. Em um primeiro momento, apresentaremos como uma residência artística pode contribuir para a formação da coleção dos museus; considerando um processo de diálogo entre artistas e curadores, o modelo de organização em série da coleção do MAP, do tipo exclusivo, possibilita uma escuta qualificada dos artistas, que questionaram nestas duas primeiras décadas do século XXI a identidade do referido museu. Em um segundo momento, descreveremos a exposição de 2019, em meio ao contexto de sensação de censura. Apresentaremos os valores identificados nas obras dos artistas, suas perspectivas plurais em defesa da presença da diversidade, tanto relacionadas à história da edificação como à história da cidade.  Palavras-chave: Residências artísticas. Critérios de musealidade. Museu de Arte da Pampulha. Exposições de arte

Boletim ChanaComChana e a transformação do silêncio em linguagem e em ação: ativismo lésbico-feminista na imprensa independente brasileira

Este artigo propõe uma leitura e uma análise crítica dos conteúdos dos números de 0 a 12 do boletim ChanacomChana, que foi uma publicação da imprensa alternativa lésbica brasileira realizada pelo GALF (Grupo de Ação Lésbica Feminista, 1981-1990) que circulou entre 1981 e 1987. Nossa análise terá como referencial a teoria queer e autoras feministas decoloniais e interseccionais, a partir das quais avaliaremos e traçaremos um panorama da atualidade de várias das discussões presentes nos números do boletim, além de estabelecermos paralelos entre essas discussões e alguns acontecimentos do atual cenário político do Brasil, essencialmente no que diz respeito às discussões sobre gênero e sexualidade

Boletim ChanaComChana e a transformação do silêncio em linguagem e em ação: ativismo lésbico-feminista na imprensa independente brasileira

Este artigo propõe uma leitura e uma análise crítica dos conteúdos dos números de 0 a 12 do boletim ChanacomChana, que foi uma publicação da imprensa alternativa lésbica brasileira realizada pelo GALF (Grupo de Ação Lésbica Feminista, 1981-1990) que circulou entre 1981 e 1987. Nossa análise terá como referencial a teoria queer e autoras feministas decoloniais e interseccionais, a partir das quais avaliaremos e traçaremos um panorama da atualidade de várias das discussões presentes nos números do boletim, além de estabelecermos paralelos entre essas discussões e alguns acontecimentos do atual cenário político do Brasil, essencialmente no que diz respeito às discussões sobre gênero e sexualidade

La noción de artistas-curadores en la 33ª Bienal de São Paulo: los artistas en histórica negociación con las instituciones culturales

En este artículo situamos en la Historia del Arte el debate entre artista – curador, en primer lugar, a partir de los acontecimientos alrededor de la propuesta de creación de un Museo de Artistas Vivos en Francia, y posteriormente abordamos cómo, a mediados del siglo XX con el nacimiento de la profesión de curador de exposiciones, los artistas pasan a cuestionar el papel del curador como mediador entre artistas y público. Con esta presentación histórica sobre la presencia de este debate en los mundos del arte, pretendemos situar la perspectiva presentada en la curaduría de la 33 ª Bienal de São Paulo a lo largo de esa relación entre los artistas y las instituciones culturales, en especial los museos de arte. Ya que este artículo hace parte de una investigación más amplia sobre teorías y metodologías de curaduría de exposiciones, profundizaremos en nuestra reflexión respecto a las definiciones que circularon en la prensa nacional e internacional respecto al modelo propuesto por Gabriel Pérez-Barreiro. La reflexión fue realizada a partir de este conjunto documental. Fueron abordados no solamente los textos de la asesoría de comunicación, sino también contenido elaborado para las redes sociales, textos de catálogos y el material educativo, todos estos producidos por el equipo de la 33 ª Bienal de São Paulo; así como los reportajes, las noticias de prensa cultural y los textos de crítica que circularon nacional e internacionalmente sobre la exposición. Para desarrollar este análisis, tuvimos como referencia el pensamiento de Howard Becker, Jérôme Glicenstein, J. Pedro Lorente, entre otros autores. Neste artigo, situamos na História da Arte o debate artista-curador, primeiramente a partir dos acontecimentos em torno da proposta de criação de um Museu de Artistas Vivos na França e então abordamos como em meados do século XX, com o nascimento da profissão de curador de exposições, os artistas passam a questionar o papel do curador como mediador entre artistas e público. Com esta apresentação histórica sobre a presença desse debate nos mundos da arte, pretendemos situar a perspectiva apresentada na curadoria da 33ª Bienal de São Paulo ao longo dessa relação entre os artistas e as instituições culturais, em especial os museus de arte. Uma vez que este artigo integra uma pesquisa mais ampla a respeito de teorias e metodologias de curadoria de exposição, aprofundaremos nossa reflexão a respeito das definições que circularam na imprensa nacional e internacional a respeito do modelo proposto por Gabriel Pérez-Barreiro. A reflexão foi feita a partir deste corpus documental. Não foram abordados somente os textos da assessoria de comunicação, mas também conteúdo elaborado para as redes sociais, textos de catálogos e o material educativo produzidos pela equipe da 33ª Bienal de São Paulo, assim como as reportagens, matérias de jornalismo cultural e textos de crítica de arte que circularam nacional e internacionalmente sobre a exposição. Para desenvolver essa análise temos como referência o pensamento de Howard Becker, Jérôme Glicenstein, J. Pedro Lorente, entre outros autores.In this paper we lay the debate between artist and curator in the framework of Art history: firstly based on the events stemming from the proposal for the creation of a Museum of Live Artists in France, and then on how, in the middle of the XX century, with the origin of the profession of the exhibition curator, the artists start to question the role of the curator as a mediator between artists and the public. With this historical presentation on the presence of this debate in the art worlds, we intend to situate the perspective presented in the curatorship of the 33rd Bienal de São Paulo along the relationship between artists and the cultural institutions, especially the art museums. As this paper is part of a broader research on theories and methodologies of exhibition curatorship, we develop further our discussion on the definitions that were found in the national and international press on the model proposed by Gabriel Pérez-Barreiro. This analysis was done based on this documentary corpus. Not only have we approached the textual content published by the organization of 33ª Bienal de São Paulo, but also articles from cultural journalism sources and art critics that went through the national and international medias. To  develop this analysis, we have as reference Howard Becker, Jérôme Glicenstein, J. Pedro Lorente, among others

Architecto moderno na cidade: traços e rastros de Luiz Olivieri em Belo Horizonte

Exportado OPUSMade available in DSpace on 2019-08-14T10:54:15Z (GMT). No. of bitstreams: 1 d__tese_final_biblioteca_pdf_tese_rita_lages_rodrigues.pdf.pdf: 21096710 bytes, checksum: d2d8faa142252132bd0704abfb998386 (MD5) Previous issue date: 14Luiz Olivieri chegou a Belo Horizonte em 1895, como desenhista da Comissão Construtora da Nova Capital onde viveu até 1937, ano de sua morte. Graduado em Florença, teve uma formação que lhe permitiu atuar como arquiteto, sua principal atividade profissional, e também como desenhista, escultor e pintor. Vestígios de sua presença, suas obras arquitetônicas permaneceram em lugares centrais da cidade. Sua produção não se reduz às obras arquitetônicas, materializadas em pedra e outros materiais no solo da cidade. Existem esculturas de sua autoria no Museu Histórico Abílio Barreto, assim como cartões postais que a ele pertenceram e outros objetos. Há também exemplares da primeira e segunda edição do livro elaborado por ele, O Architecto Moderno no Brasil. Além desses objetos, os projetos de sua autoria aprovados para construção estão no Arquivo Público da Cidade de Belo Horizonte. A existência de suas produções na cidade foi essencial para que o problema central da tese se apresentasse: a análise da marca de um habitante da urbe que, dentro de determinada gama de possibilidades, agiu e contribuiu para a configuração do espaço urbano, para a formação da paisagem urbana de Belo Horizonte em suas primeiras décadas. Para a abordagem do indivíduo e da cidade, construiu se uma biografia micro histórica que relacionou passado presente futuro, tanto no momento de vida do arquiteto como também no momento em que suas obras tornaram se patrimônio da cidade de Belo Horizonte. O sensível partilhado tanto por Olivieri no momento de sua existência quanto pelos homens que posteriormente partilharam a necessidade da permanência de suas obras no espaço urbano fez com que as marcas de Olivieri na cidade se mostrassem simbolicamente representativas de um tempo. Buscou-se, na tese, a reflexão sobre a forma como se dá o fazer do historiador por meio dos vestígios existentes, como se constrói a história em textos e a história de um homem em um espaço biográfico. Retletiu-se sobre a dupla dimensão temporal do fazer do historiador e do habitante que pensa a urbe e nela age em sua existência temporal: entre expectativa e experiência, os homens agem nos diversos presentes em andamento. A abordagem da vida de Olivieri serviu para essa reflexão de fundo e também para se compreender a existência de um arquiteto, em suas redes de sociabilidade, nas primeiras décadas da capital.Luiz Olivieri came to Belo Horizonte in l895, where he stayed until 1937, the year of his death, as a member of Comissao Construtora da Nova Capital. Graduated in Florence, he worked at Belo Horizonte as an architect, his main professional activity, as well as a designer, sculptor and painter. Traces of his presence remained in central places of the city, his architectural masterpieces are still in key positions. His production is not limited to architectural works, materialized in stone and other materials in the city. There are sculptures of his own in Museu Historico Abilio Barreto, as well as postcards that belonged to him and other objects. There are also copies of the first and second edition of the book O Architecto no Brasil, written by him. In addition to these objects, there are designs of his own that are approved for construction in the city. The existence of his productions in the city was essential to the central problem of the thesis: the analysis of the mark of an inhabitant of the town that, within a certain range of possibilities, acted and contributed to the configuration of Belo Horizonte urban space in its early decades. To approach the individual and the city, a micro historical biography was written considering the relation between the past, the present and the future, at the time of the architect's life and also at the time that his works became heritage of Belo Horizonte. The sensitive shared by Olivieri at the time of its existence, and by the men who later shared the need for permanence of his works in the urban space, shows us that Olivieri left marks in the city that represents a time. We tried to think over the historian work through the existing remains, writing a text about a man in a biographical space. We considered the dual temporal dimension: the making of the historian and the resident of the town that thinks and acts in its temporal existence: between expectation and experience, men act in many ongoing presents. The approach of Olivieris life served as background to this debate and also to understand the existence of an architect in their social networks, in the first decades of the capital

NEOTROPICAL CARNIVORES: a data set on carnivore distribution in the Neotropics

Mammalian carnivores are considered a key group in maintaining ecological health and can indicate potential ecological integrity in landscapes where they occur. Carnivores also hold high conservation value and their habitat requirements can guide management and conservation plans. The order Carnivora has 84 species from 8 families in the Neotropical region: Canidae; Felidae; Mephitidae; Mustelidae; Otariidae; Phocidae; Procyonidae; and Ursidae. Herein, we include published and unpublished data on native terrestrial Neotropical carnivores (Canidae; Felidae; Mephitidae; Mustelidae; Procyonidae; and Ursidae). NEOTROPICAL CARNIVORES is a publicly available data set that includes 99,605 data entries from 35,511 unique georeferenced coordinates. Detection/non-detection and quantitative data were obtained from 1818 to 2018 by researchers, governmental agencies, non-governmental organizations, and private consultants. Data were collected using several methods including camera trapping, museum collections, roadkill, line transect, and opportunistic records. Literature (peer-reviewed and grey literature) from Portuguese, Spanish and English were incorporated in this compilation. Most of the data set consists of detection data entries (n = 79,343; 79.7%) but also includes non-detection data (n = 20,262; 20.3%). Of those, 43.3% also include count data (n = 43,151). The information available in NEOTROPICAL CARNIVORES will contribute to macroecological, ecological, and conservation questions in multiple spatio-temporal perspectives. As carnivores play key roles in trophic interactions, a better understanding of their distribution and habitat requirements are essential to establish conservation management plans and safeguard the future ecological health of Neotropical ecosystems. Our data paper, combined with other large-scale data sets, has great potential to clarify species distribution and related ecological processes within the Neotropics. There are no copyright restrictions and no restriction for using data from this data paper, as long as the data paper is cited as the source of the information used. We also request that users inform us of how they intend to use the data

NEOTROPICAL ALIEN MAMMALS: a data set of occurrence and abundance of alien mammals in the Neotropics

Biological invasion is one of the main threats to native biodiversity. For a species to become invasive, it must be voluntarily or involuntarily introduced by humans into a nonnative habitat. Mammals were among first taxa to be introduced worldwide for game, meat, and labor, yet the number of species introduced in the Neotropics remains unknown. In this data set, we make available occurrence and abundance data on mammal species that (1) transposed a geographical barrier and (2) were voluntarily or involuntarily introduced by humans into the Neotropics. Our data set is composed of 73,738 historical and current georeferenced records on alien mammal species of which around 96% correspond to occurrence data on 77 species belonging to eight orders and 26 families. Data cover 26 continental countries in the Neotropics, ranging from Mexico and its frontier regions (southern Florida and coastal-central Florida in the southeast United States) to Argentina, Paraguay, Chile, and Uruguay, and the 13 countries of Caribbean islands. Our data set also includes neotropical species (e.g., Callithrix sp., Myocastor coypus, Nasua nasua) considered alien in particular areas of Neotropics. The most numerous species in terms of records are from Bos sp. (n = 37,782), Sus scrofa (n = 6,730), and Canis familiaris (n = 10,084); 17 species were represented by only one record (e.g., Syncerus caffer, Cervus timorensis, Cervus unicolor, Canis latrans). Primates have the highest number of species in the data set (n = 20 species), partly because of uncertainties regarding taxonomic identification of the genera Callithrix, which includes the species Callithrix aurita, Callithrix flaviceps, Callithrix geoffroyi, Callithrix jacchus, Callithrix kuhlii, Callithrix penicillata, and their hybrids. This unique data set will be a valuable source of information on invasion risk assessments, biodiversity redistribution and conservation-related research. There are no copyright restrictions. Please cite this data paper when using the data in publications. We also request that researchers and teachers inform us on how they are using the data

NEOTROPICAL XENARTHRANS: a data set of occurrence of xenarthran species in the Neotropics

Xenarthrans—anteaters, sloths, and armadillos—have essential functions for ecosystem maintenance, such as insect control and nutrient cycling, playing key roles as ecosystem engineers. Because of habitat loss and fragmentation, hunting pressure, and conflicts with domestic dogs, these species have been threatened locally, regionally, or even across their full distribution ranges. The Neotropics harbor 21 species of armadillos, 10 anteaters, and 6 sloths. Our data set includes the families Chlamyphoridae (13), Dasypodidae (7), Myrmecophagidae (3), Bradypodidae (4), and Megalonychidae (2). We have no occurrence data on Dasypus pilosus (Dasypodidae). Regarding Cyclopedidae, until recently, only one species was recognized, but new genetic studies have revealed that the group is represented by seven species. In this data paper, we compiled a total of 42,528 records of 31 species, represented by occurrence and quantitative data, totaling 24,847 unique georeferenced records. The geographic range is from the southern United States, Mexico, and Caribbean countries at the northern portion of the Neotropics, to the austral distribution in Argentina, Paraguay, Chile, and Uruguay. Regarding anteaters, Myrmecophaga tridactyla has the most records (n = 5,941), and Cyclopes sp. have the fewest (n = 240). The armadillo species with the most data is Dasypus novemcinctus (n = 11,588), and the fewest data are recorded for Calyptophractus retusus (n = 33). With regard to sloth species, Bradypus variegatus has the most records (n = 962), and Bradypus pygmaeus has the fewest (n = 12). Our main objective with Neotropical Xenarthrans is to make occurrence and quantitative data available to facilitate more ecological research, particularly if we integrate the xenarthran data with other data sets of Neotropical Series that will become available very soon (i.e., Neotropical Carnivores, Neotropical Invasive Mammals, and Neotropical Hunters and Dogs). Therefore, studies on trophic cascades, hunting pressure, habitat loss, fragmentation effects, species invasion, and climate change effects will be possible with the Neotropical Xenarthrans data set. Please cite this data paper when using its data in publications. We also request that researchers and teachers inform us of how they are using these data

Global variation in postoperative mortality and complications after cancer surgery: a multicentre, prospective cohort study in 82 countries

© 2021 The Author(s). Published by Elsevier Ltd. This is an Open Access article under the CC BY-NC-ND 4.0 licenseBackground: 80% of individuals with cancer will require a surgical procedure, yet little comparative data exist on early outcomes in low-income and middle-income countries (LMICs). We compared postoperative outcomes in breast, colorectal, and gastric cancer surgery in hospitals worldwide, focusing on the effect of disease stage and complications on postoperative mortality. Methods: This was a multicentre, international prospective cohort study of consecutive adult patients undergoing surgery for primary breast, colorectal, or gastric cancer requiring a skin incision done under general or neuraxial anaesthesia. The primary outcome was death or major complication within 30 days of surgery. Multilevel logistic regression determined relationships within three-level nested models of patients within hospitals and countries. Hospital-level infrastructure effects were explored with three-way mediation analyses. This study was registered with ClinicalTrials.gov, NCT03471494. Findings: Between April 1, 2018, and Jan 31, 2019, we enrolled 15 958 patients from 428 hospitals in 82 countries (high income 9106 patients, 31 countries; upper-middle income 2721 patients, 23 countries; or lower-middle income 4131 patients, 28 countries). Patients in LMICs presented with more advanced disease compared with patients in high-income countries. 30-day mortality was higher for gastric cancer in low-income or lower-middle-income countries (adjusted odds ratio 3·72, 95% CI 1·70–8·16) and for colorectal cancer in low-income or lower-middle-income countries (4·59, 2·39–8·80) and upper-middle-income countries (2·06, 1·11–3·83). No difference in 30-day mortality was seen in breast cancer. The proportion of patients who died after a major complication was greatest in low-income or lower-middle-income countries (6·15, 3·26–11·59) and upper-middle-income countries (3·89, 2·08–7·29). Postoperative death after complications was partly explained by patient factors (60%) and partly by hospital or country (40%). The absence of consistently available postoperative care facilities was associated with seven to 10 more deaths per 100 major complications in LMICs. Cancer stage alone explained little of the early variation in mortality or postoperative complications. Interpretation: Higher levels of mortality after cancer surgery in LMICs was not fully explained by later presentation of disease. The capacity to rescue patients from surgical complications is a tangible opportunity for meaningful intervention. Early death after cancer surgery might be reduced by policies focusing on strengthening perioperative care systems to detect and intervene in common complications. Funding: National Institute for Health Research Global Health Research Unit

Effects of hospital facilities on patient outcomes after cancer surgery: an international, prospective, observational study

© 2022 The Author(s). Published by Elsevier Ltd. This is an Open Access article under the CC BY 4.0 licenseBackground: Early death after cancer surgery is higher in low-income and middle-income countries (LMICs) compared with in high-income countries, yet the impact of facility characteristics on early postoperative outcomes is unknown. The aim of this study was to examine the association between hospital infrastructure, resource availability, and processes on early outcomes after cancer surgery worldwide. Methods: A multimethods analysis was performed as part of the GlobalSurg 3 study—a multicentre, international, prospective cohort study of patients who had surgery for breast, colorectal, or gastric cancer. The primary outcomes were 30-day mortality and 30-day major complication rates. Potentially beneficial hospital facilities were identified by variable selection to select those associated with 30-day mortality. Adjusted outcomes were determined using generalised estimating equations to account for patient characteristics and country-income group, with population stratification by hospital. Findings: Between April 1, 2018, and April 23, 2019, facility-level data were collected for 9685 patients across 238 hospitals in 66 countries (91 hospitals in 20 high-income countries; 57 hospitals in 19 upper-middle-income countries; and 90 hospitals in 27 low-income to lower-middle-income countries). The availability of five hospital facilities was inversely associated with mortality: ultrasound, CT scanner, critical care unit, opioid analgesia, and oncologist. After adjustment for case-mix and country income group, hospitals with three or fewer of these facilities (62 hospitals, 1294 patients) had higher mortality compared with those with four or five (adjusted odds ratio [OR] 3·85 [95% CI 2·58–5·75]; p<0·0001), with excess mortality predominantly explained by a limited capacity to rescue following the development of major complications (63·0% vs 82·7%; OR 0·35 [0·23–0·53]; p<0·0001). Across LMICs, improvements in hospital facilities would prevent one to three deaths for every 100 patients undergoing surgery for cancer. Interpretation: Hospitals with higher levels of infrastructure and resources have better outcomes after cancer surgery, independent of country income. Without urgent strengthening of hospital infrastructure and resources, the reductions in cancer-associated mortality associated with improved access will not be realised. Funding: National Institute for Health and Care Research