Criminal narrative experience: relating emotions to offence narrative roles during crime commission

A neglected area of research within criminality has been that of the experience of the offence for the offender. The present study investigates the emotions and narrative roles that are experienced by an offender while committing a broad range of crimes and proposes a model of Criminal Narrative Experience (CNE). Hypotheses were derived from the Circumplex of Emotions (Russell, 1997), Frye (1957), Narrative Theory (McAdams, 1988) and its link with Investigative Psychology (Canter, 1994). The analysis was based on 120 cases. Convicted for a variety of crimes, incarcerated criminals were interviewed and the data were subjected to Smallest Space Analysis (SSA). Four themes of Criminal Narrative Experience (CNE) were identified: Elated Hero, Calm Professional, Distressed Revenger and Depressed Victim in line with the recent theoretical framework posited for Narrative Offence Roles (Youngs & Canter, 2012). The theoretical implications for understanding crime on the basis of the Criminal Narrative Experience (CNE) as well as practical implications are discussed

On FPL configurations with four sets of nested arches

The problem of counting the number of Fully Packed Loop (FPL) configurations with four sets of a,b,c,d nested arches is addressed. It is shown that it may be expressed as the problem of enumeration of tilings of a domain of the triangular lattice with a conic singularity. After reexpression in terms of non-intersecting lines, the Lindstr\"om-Gessel-Viennot theorem leads to a formula as a sum of determinants. This is made quite explicit when min(a,b,c,d)=1 or 2. We also find a compact determinant formula which generates the numbers of configurations with b=d.Comment: 22 pages, TeX, 16 figures; a new formula for a generating function adde

Chip-Firing and Rotor-Routing on Directed Graphs

We give a rigorous and self-contained survey of the abelian sandpile model and rotor-router model on finite directed graphs, highlighting the connections between them. We present several intriguing open problems.Comment: 34 pages, 11 figures. v2 has additional references, v3 corrects figure 9, v4 corrects several typo

CSR Communication Research: A Theoretical-cum-Methodological Perspective From Semiotics

Despite the proliferation of studies on corporate social responsibility (CSR), there is a lack of consensus and a cardinal methodological base for research on the quality of CSR communication. Over the decades, studies in this space have remained conflicting, unintegrated, and sometimes overlapping. Drawing on semiotics—a linguistic-based theoretical and analytical tool, our article explores an alternative perspective to evaluating the quality and reliability of sustainability reports. Our article advances CSR communication research by introducing a theoretical-cum-methodological perspective which provides unique insights into how to evaluate the quality of CSR communication. Particularly, we illustrate the application of our proposed methodology on selected U.K. FTSE 100 companies. Our two-phased analysis employed the Greimas Canonical Narrative Schema and the Semiotic Square of Veridiction in drawing meanings from selected sustainability/CSR reports. In addition, we present a distinctive CSR report quality model capable of guiding policy makers and firms in designing sustainability/CSR reporting standards

Emplotment as Epic in Archaeological Writing: The Site Monograph as Narrative

To emplot a narrative as epic is to present a story of vast scope and multiple plots as a legitimate member of a tradition of other such stories. This article argues that emplotment as epic is the broadest of three levels of plot in archaeological writings. At that level, the site monograph emerges as a characteristically archaeological form of narrative, fundamental to archaeology as a discipline and a source of chronic anxiety for archaeologists. The ‘stories’ told in site monographs are epic in length, diversity of materials covered and multiplicity of themes, plots and authors. Indeed, the more complexities of that sort the better, since those are features that help to emplot the work as good archaeology

A PERFORMANCE NARRATIVA DE UMA BLOGUEIRA: "TORNANDO-SE PRETA EM UM SEGUNDO NASCIMENTO"

A web 2.0 propicia aos sujeitos sociais a possibilidade de contar suas histórias assim como de vê-las discutidas em novas formas de interação. Este artigo almeja apresentar os posicionamentos interacionais que constroem a performance narrativa de co-construção de raça de uma mulher negra no blog "Eu, Mulher Preta". O estudo se ampara nos aportes teóricos dos novos letramentos digitais, na concepção de raça proposta pelas Teorias Queer e na teorização de narrativa como performance. Para analisar a narrativa da blogueira como performance, o quadro analítico se ancora no construto de posicionamento interacional e nas pistas que marcam tal posicionamento na encenação da performance. Os resultados indicam que a narradora se posiciona interacionalmente como mulher preta. Identificamos, porém, um posicionamento interacional anterior ao renascimento como negra: o de mulher "branc[a] meio suj[a]". Observamos ainda que tais posicionamentos refletem duas performances discursivas conflitantes, uma que se aproxima e valoriza a negritude e outra que se distancia de sua origem. Esta investigação, baseando-se nas Teorias Queer, possibilita, também, tratar a questão racial como um traço performativo, colocando-a ao lado de gênero e sexualidade