147 research outputs found
The problem of aesthetic self-redemption in the essays and essayistic prose of JenĆ PĂ©terfy, JĂĄnos AsbĂłth, Zsigmond Justh and Elek Gozsdu : (with a view on how to interpret the discrepancy between the âaestheticâ and the âethical)
Absztrakt
Az Ă©rtekezĂ©s cĂ©lja, hogy nĂ©gy XIX. szĂĄzadi (illetve XX. szĂĄzad eleji) magyar szerzĆ â PĂ©terfy JenĆ, AsbĂłth JĂĄnos, Justh Zsigmond Ă©s Gozsdu Elek â esszĂ©- Ă©s prĂłzaĂrĂłi munkĂĄssĂĄgĂĄn keresztĂŒl bemutassa: hogyan jelenik meg az esztĂ©tikai önmegvĂĄltĂĄs problĂ©mĂĄja a magyar eszmetörtĂ©netben. Ez a kĂ©rdĂ©skör egyben az individualitĂĄs antropolĂłgiai termĂ©szetƱ problĂ©mĂĄjĂĄval is szoros összefĂŒggĂ©st mutat. Azt vizsgĂĄlom, hogy az emlĂtett szerzĆk mƱveiben megjelenĆ modern, autonĂłmiĂĄra törekvĆ, diszharmonikus karakterƱ individuumok hogyan prĂłbĂĄlnak kifejezetten âesztĂ©tikaiâ megoldĂĄst talĂĄlni legalapvetĆbb egzisztenciĂĄlis problĂ©mĂĄikra.
A dolgozat âszereplĆiâ irodalom-metafizikai, illetve narratolĂłgiai szempontbĂłl meglehetĆsen heterogĂ©n csoportot alkotnak, eszmetörtĂ©neti perspektĂvĂĄbĂłl szemlĂ©lve mĂ©gis problĂ©mamentesen egyĂŒtt tĂĄrgyalhatĂłak. Mindannyian magas szintƱ önreflexiĂłra, önismeretre törekvĆ (intellektuĂĄlis), ugyanakkor Ă©rzĂ©keny, Ă©rzelmekben gazdag szemĂ©lyisĂ©gek, akik alkatukbĂłl következĆen alig kĂ©pesek vagy egyenesen kĂ©ptelenek a fennĂĄllĂł rend keretei között egzisztĂĄlni. ValamennyiĂŒkre jellemzĆ az is, hogy amikor a âkisszerƱâ realitĂĄs, illetve sajĂĄt lĂ©tĂŒk börtönĂ©bĆl kiutat keresnek, az esztĂ©tikum â a mƱvĂ©szi alkotĂĄs vagy a mƱvĂ©szeti befogadĂĄs â alternatĂv vilĂĄgĂĄban talĂĄlnak menedĂ©ket a maguk szĂĄmĂĄra. Egy olyan lĂ©tterĂŒleten, amelyet a nĂĄluk jĂłzanabbak sterilnek tartanak; Ćk viszont âmƱvĂ©szethĂvĆkĂ©ntâ azt feltĂ©telezik: e szfĂ©ra a legkevĂ©sbĂ© sem Ă©letidegen, mert valĂłdi, Ă©rvĂ©nyessĂ©gĂŒket soha el nem veszĂtĆ Ă©rtĂ©keket hordoz, amelyekbe bĂĄrmikor belekapaszkodhat a szenvedĆ, szorongĂł, menekĂŒlĆ ember.
Hogy azutĂĄn ez a sokak szĂĄmĂĄra abszurdnak tƱnĆ törekvĂ©s sikeres vagy sikertelen, hosszan tartĂł vagy ĂĄtmeneti, illetve hogy az âesztĂ©tikaiâ mozzanata egy-egy ilyen kĂsĂ©rlet ideje alatt összekapcsolĂłdik-e etikai, esetleg politikai tartalmakkal vagy sem, azt az Ă©rtekezĂ©s mindegyik âszereplĆjĂ©nĂ©lâ kĂŒlön-kĂŒlön mutatom be. Ahogyan azt is: vajon e hĆsök magĂĄnyos individuumokkĂ©nt indulnak el az esztĂ©tikai önmegvĂĄltĂĄs ĂștjĂĄn, vagy Ă©pp ellenkezĆleg: âvĂĄllalkozĂĄsukâ eredendĆen interszubjektĂv vonatkozĂĄsban szervezĆdik meg.
A dolgozat tematikai vonatkozĂĄsban interdiszciplinĂĄris jellegƱ: irodalom- Ă©s eszmetörtĂ©neti, esztĂ©tikai, antropolĂłgiai Ă©s â nem a szĂł szaktudomĂĄnyos Ă©rtelmĂ©ben vett âpszicholĂłgiai szempontokat ötvöz. Nem tĂ©ny-, hanem szellemtudomĂĄnyos Ă©rtekezĂ©snek tekinthetĆ. MĂșltbeli Ă©rtelmezĂ©sekkel, illetve az azokra ugyanabban a korban rĂĄĂ©pĂŒlĆ (Ășjra)Ă©rtelmezĂ©sekkel foglalkozik, ennek megfelelĆen â empirikus szempontbĂłl â jellemzĆ rĂĄ egyfajta talajtalansĂĄg.
Az Ă©rtekezĂ©s formai szempontbĂłl nem a monografikus jellegƱ Ă©rtekezĂ©sek mintĂĄjĂĄt követi. SzerkezetĂ©t tekintve inkĂĄbb egymĂĄshoz lazĂĄn kapcsolĂłdĂł esettanulmĂĄnyok fĂŒzĂ©re, mint egysĂ©ges textus. Nyelvi vonatkozĂĄsban pedig egyik feltƱnĆ jellegzetessĂ©ge az, hogy szĂĄmos szöveghelyen nem vagy nem feltĂ©tlenĂŒl alkalmaz âszigorĂșan tudomĂĄnyosâ fogalmi apparĂĄtust, inkĂĄbb egy irodalmiasabb, esszĂ©isztikusabb, illetve retorikusabb megszĂłlalĂĄsi mĂłdot Ă©rvĂ©nyesĂt.Abstract
The aim of the thesis is to present through the essays and prose of four 19th century (and early 20th century) Hungarian authors â JenĆ PĂ©terfy, JĂĄnos AsbĂłth, Zsigmond Justh, and Elek Gozsdu â how the problem of aesthetic self-redemption appears in Hungarian intellectual history. This issue also closely correlates with individuality as a problem of an anthropological nature. I will investigate how some modern, disharmonious individuals with a desire for autonomy, as described in the works of the above mentioned authors tries to find a specifically âaestheticâ solution for their own most fundamental, existential problems.
The individuals discussed in the dissertation constitute a fairly heterogeneous group in terms of literary metaphysics and narratology. From a perspective of intellectual history, however, these figures can be investigated together without such problem, even though they belong to disparate levels of existence. They have a number of shared character traits. All of them strive for a high level of self-reflection and (intellectual) self-knowledge, but they are also sensitive personalities with a rich spectrum of emotions, barely able or outright unable â as a result of their character â to exist within the limits of the order society imposes upon them. They are all characterized by an attempt to escape the âpaltrinessâ of reality and the prison of their own existence, and they all find shelter in the aesthetic: the alternative world of artistic creation or artistic reception. This is an area of existence deemed too sterile by more rational minds, but they â as believers in the importance of art â find that this sphere is far from being estranged from life, as it carries authentic values that never lose their validity, values that the suffering, anguished âfugitivesâ that they are can always cling to.
Whether this endeavor, looked upon by many as a preposterous venture, is successful or not, whether it is lasting or provisional, and whether its aesthetic motif is interlinked with ethical or political issues or not, will be presented separately for each âactorâ in the thesis. I will also investigate whether these protagonists start out as lonely individuals on the road to aesthetic self-redemption or whether the opposite is true: that their âendeavorâ inherently carries inter-subjective context.
Thematically, the paper uses an interdisciplinary approach, blending aspects from literary and intellectual history, aesthetics, anthropology and (not in the hard science sense) psychology. It is an intellectual, idea-oriented study rather than one based on factual science.
It deals with interpretations from the past and (re-)interpretations of those from the same era, therefore it is characterized by a certain degree of empirical rootlessness.
The paper does not follow the footsteps of monographic treatises in terms of formal requirements. Regarding its structure, it is more a loosely linked chain of case studies than a single, whole text. In terms of the language used, one striking characteristic of the paper is that it does not necessarily use a âstrictly scientificâ conceptual apparatus, utilizing a more relaxed literary, essayistic and rhetorical style instead
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