Non-native Amphibian Pet Trade via Internet in Poland

Overharvesting and trade in amphibian populations is one of the causes of their global decline. Online trade not only encourages the exploitation of an increasing number of rare and endangered amphibian species from all over the world but also influences the spread of invasive species. The aim of our research was to investigate the amphibian pet trade conducted in online stores and portals in Poland and determine its potential impact on native species. Between November 2013 and October 2014, we regularly (on a monthly basis) checked sale offers on the websites of the 18 biggest pet shops in the country specialised in exotic animals, on a nationwide auction portal and on three exotic pet fan portals. During the study, we reported 486 offers of 112 amphibian species in online stores and on portals. Most of the offers involved one of the four families of amphibians: poison dart frogs (Dendrobatidae), tree frogs (Hylidae), true toads (Bufonidae) and true salamanders (Salamandridae). Our data show increased interest in amphibians as pets in Poland. At least half of the offered species are possible hosts for the chytrid fungus Batrachochytrium dendrobatidis. However, only one species, the American bullfrog Lithobates catesbeianus (Shaw, 1802), appears to be a potential invasive species. To summarise, the species offered in Poland that are characterised as threatened are predominantly those that are relatively easy to breed and that are popular as pets. Further studies are required to investigate the real threat to wild amphibian populations caused by the pet trade

The Present Pasts: Image and Text in the Fiction of W.G. Sebald

In her Regarding the Pain of Others (2003), Susan Sontag suggests that contemporary culture draws on photography to a historically unprecedented degree. This ubiquity of images, she claims, especially images of violence, imposes itself even on those who seek to express the specifc post-Holocaust nature of reality through textual medium. Her major example is the German writer, W.G. Sebald. In his novels, text is accompanied by images whose role, in Sontag’s reading, is reduced to that of an illustration. In my article, I suggest that the position of the photographic image in Sebald’s novels cannot be approached from the perspective proposed by Sontag. Rather, it invites reading in terms of the spectral presence of images whose intrusion into textual reality is as haunting as it is unavoidable. Referring to recent theories of photography, I discuss how in Sebald’s novels the relationship between text and image can be explained as that of parallel structures whose linearity is always already interrupted (haunted) by past events. I refer to recent theoretical perspectives on photography in order to account for the interactions between different media in Sebald’s works and for their visual/textual engagement with the interplay of temporalities that characterizes the working of memory

The Philosophy of George Santayana

Public lecture delivered at the Rice Institute on November 28, 195

James Street Fulton

Paper by Konstantin Kolend

The Recovery of the Human

Paper by K. Kolend