191 research outputs found

    Using agent-based models to understand the role of individuals in the song evolution of humpback whales ( Megaptera novaeangliae )

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    Male humpback whales produce hierarchically structured songs, primarily during the breeding season. These songs gradually change over the course of the breeding season, and are generally population specific. However, instances have been recorded of more rapid song changes where the song of a population can be replaced by the song of an adjacent population. The mechanisms that drive these changes are not currently understood, and difficulties in tracking individual whales over long migratory routes mean field studies to understand these mechanisms are not feasible. In order to help understand the mechanisms that drive these song changes, we present here a spatially explicit agent-based model inspired by methods used in computer music research. We model the migratory patterns of humpback whales, a simple song learning and production method coupled with sound transmission loss, and how often singing occurs during these migratory cycles. This model is then extended to include learning biases that may be responsible for driving changes in the song, such as a bias towards novel song, production errors, and the coupling of novel song bias and production errors. While none of the methods showed population song replacement, our model shows that shared feeding grounds where conspecifics are able to mix provides key opportunities for cultural transmission, and production errors facilitated gradually changing songs. Our results point towards other learning biases being necessary in order for population song replacement to occur.Publisher PDFPeer reviewe

    Pulsed Melodic Affective Processing: Musical structures for increasing transparency in emotional computation

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    Pulsed Melodic Affective Processing (PMAP) is a method for the processing of artificial emotions in affective computing. PMAP is a data stream designed to be listened to, as well as computed with. The affective state is represented by numbers that are analogues of musical features, rather than by a binary stream. Previous affective computation has been done with emotion category indices, or real numbers representing various emotional dimensions. PMAP data can be generated directly by sound (e.g. heart rates or key-press speeds) and turned directly into music with minimal transformation. This is because PMAP data is music and computations done with PMAP data are computations done with music. This is important because PMAP is constructed so that the emotion that its data represents at the computational level will be similar to the emotion that a person “listening” to the PMAP melody hears. Thus, PMAP can be used to calculate “feelings” and the result data will “sound like” the feelings calculated. PMAP can be compared to neural spike streams, but ones in which pulse heights and rates encode affective information. This paper illustrates PMAP in a range of simulations. In a multi-agent simulation, initial results support that an affective multi-robot security system could use PMAP to provide a basic control mechanism for “search-and-destroy”. Results of fitting a musical neural network with gradient descent to help solve a text emotional detection problem are also presented. The paper concludes by discussing how PMAP may be applicable in the stock markets, using a simplified order book simulation. © 2014, The Society for Modeling and Simulation International. All rights reserved

    Social structures in the regular combat arms units of the British Army : a model

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    An original model is presented for describing, analysing, and predicting soldiers’ behaviour in current regular combat arms units in the British Army. It was derived, using social anthropological techniques, during participant observation by a serving British Army officer, and provides more coherent insights than other models of unit life. Its central principle, created for this study, is a plurality of >social structures’. These >social structures’ are separate bodies of ideas, rules and conventions of behaviour which inform groups of people or individuals how to organise and conduct themselves vis-à-vis each other. One >social structure’ operates at any single moment, according to context. Such an approach has not previously been applied to British Soldiers. The model’s top level (low resolution), comprises: the formal command structure, consisting in the unit organisation, the apparatus of rank and discipline, and the framework of official accountability; the informal structure, comprising the conventions of behaviour in the absence of formal constraints; the functional structure, concerning >soldierly’ activity, attitudes, and expectations; and the loyalty/identity structure, encompassing the conventions involved in embracing and expressing membership of the formal hierarchy of groups within and above the unit. Lower levels provide higher resolution, including a typology of informal relationships which encompasses different degrees of closeness and differences or equality in rank. The model’s rigour is established by testing its sensitivity at high resolution to the different conditions of life in historical British armies. The top level, however, and the typology of informal relationships, are found potentially to provide a unifying framework for historical analysis of unit life in the British Army throughout its history. The model’s ability to illuminate current issues in the Army is demonstrated by its application to leadership training for officer cadets and the integration of women into regular combat arms units.EThOS - Electronic Theses Online ServiceGBUnited Kingdo
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