The Face

In a dystopian future, an unhoused family of three is subjected to years-long confinement on a train without stops. However, a surprise is in store for the boy, as his parents have been waiting for the right moment to reveal a gateway.https://spiral.lynn.edu/lib_creativewritingcontest/1006/thumbnail.jp

Culture within and culture about crime: The case of the “Rodney King Riots”

Does cultural criminology have a distinct intellectual mission? How might it be defined? I suggest analyzing three levels of social interaction. At the first level, the culture of crime used by those committing crimes and the process of creating representations of crime in the news, entertainment products, and political position statements proceed independently. At the second level, there is asymmetrical interaction between those creating images of crime and those committing crime: offenders use media images to create crime, but cultural representations of crime in the news, official statistics, and entertainment are developed without drawing on what offenders do when they commit crime, or vice versa. At a third level, we can find symmetrical, recursive interactions between the cultures used to do crime and cultures created by media, popular culture, and political expressions about crime. Using the “Rodney King Riots” as an example, I illustrate the looping interactions through which actors on the streets, law enforcement officials, and politicians and news media workers, by taking into account each other’s past and likely responses, develop an episode of anarchy through multiple identifiable stages and transformational contingencies