21 research outputs found

    Out of Site: Digital Cartographies of Memory

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    If Alois Riegl’s claim that an architectural monument –in the original and ancient sense of the term– meant creating a work with the objective of safeguarding the memory of an event, then this paper asks if photographs and specifically digital images of monuments and memorials can sustain memory by creating a memorial itinerary, one that links projects virtually and physically to each other beyond geographic sites. While some memorials are successful at stimulating memory recall, others become empty, monolithic objects, even when presented in the form of a museum. In a culture of excess and visual inundation, photography and particularly social media of the newest memorials bid for our emotional commitment, particularly when our own histories and memories are often removed from the one aiming to be recovered, and perpetuate our overfed and undernourished souls. Can the cultural imaginary recuperate the memory that a memorial aims to represent? In looking at a series of recent memorial projects made known through social media, particularly Melissa Shiff and Louis Kaplan’s Mapping Ararat, this paper asserts that digital cartographies (that is, images and places) play a crucial role in charting points of memory. The memorial projects discussed here dwell in our virtual, digital and screen-based cultures and imaginaries as complements to the tangible object. Together they explore the cartographic entanglements of geographic and imaginary histories of place as homeland and community in order to suggest that what we choose to remember is set out as part of a selective (both pre- and post-) tour digitized or photographed

    An integrated multi-omic analysis of iPSC-derived motor neurons from C9ORF72 ALS patients

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    Neurodegenerative diseases are challenging for systems biology because of the lack of reliable animal models or patient samples at early disease stages. Induced pluripotent stem cells (iPSCs) could address these challenges. We investigated DNA, RNA, epigenetics, and proteins in iPSC-derived motor neurons from patients with ALS carrying hexanucleotide expansions in C9ORF72. Using integrative computational methods combining all omics datasets, we identified novel and known dysregulated pathways. We used a C9ORF72 Drosophila model to distinguish pathways contributing to disease phenotypes from compensatory ones and confirmed alterations in some pathways in postmortem spinal cord tissue of patients with ALS. A different differentiation protocol was used to derive a separate set of C9ORF72 and control motor neurons. Many individual -omics differed by protocol, but some core dysregulated pathways were consistent. This strategy of analyzing patient-specific neurons provides disease-related outcomes with small numbers of heterogeneous lines and reduces variation from single-omics to elucidate network-based signatures

    Waste Not

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    The destruction of architecture or its re-location elsewhere to avoid demolition is a part of a history of the planet’s wastelands. Land/Slide, a vast art installation exhibition challenges how we consider historic buildings that have been transplanted, as it were, to new tangible and intangible, digital, places. The buildings that form the physical springboard for the exhibition were salvaged as a result of their being relocated to the Markham Museum, near Toronto. Land/Slide opens a debate around architectural history and contemporary practices in art, architectural heritage, and urban cultural life. Artists and architects were invited to adaptively reuse and infuse a selected salvaged building with new life while weaving it back into its previous existence. This chapter explores the game-changing strategies presented in this exhibition that challenge how we consider heritage buildings, sustainable architecture, systems of living and the stratifications of architectural history in what I am calling an ecology of heritage in contemporary culture.The destruction of architecture or its re-location elsewhere to avoid demolition is a part of a history of the planet’s wastelands. Land/Slide, a vast art installation exhibition challenges how we consider historic buildings that have been transplanted, as it were, to new tangible and intangible, digital, places. The buildings that form the physical springboard for the exhibition were salvaged as a result of their being relocated to the Markham Museum, near Toronto. Land/Slide opens a debate around architectural history and contemporary practices in art, architectural heritage, and urban cultural life. Artists and architects were invited to adaptively reuse and infuse a selected salvaged building with new life while weaving it back into its previous existence. This chapter explores the game-changing strategies presented in this exhibition that challenge how we consider heritage buildings, sustainable architecture, systems of living and the stratifications of architectural history in what I am calling an ecology of heritage in contemporary culture

    The Wedding, A Ceremony : Or Thoughts About an Indecisive Reunion Revisited

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    This compilation of postcards by seven Canadian artists revolves around the theme of the wedding ceremony. Hornstein-Rabinovitch's introduction encompasses notions of ritual and memory and cites works by Duchamp as conceptual sources. 3 bibl. ref
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