41 research outputs found

    Excess of Gβe over Gqαe in vivo prevents dark, spontaneous activity of Drosophila photoreceptors

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    Drosophila melanogaster photoreceptor cells are capable of detecting single photons. This utmost sensitivity is critically dependent on the maintenance of an exceedingly low, dark, spontaneous activity of photoreceptor cells. However, the underlying mechanisms of this hallmark of phototransduction are not fully understood. An analysis of the Drosophila visual heterotrimeric (αβγ) Gq protein revealed that wild-type Drosophila flies have about a twofold excess of Gβ over Gα subunits of the visual Gq protein. Studies of Gβe mutants in which the excess of Gβ was genetically eliminated showed dramatic dark, spontaneous activity of the photoreceptor cells, whereas concurrent genetic reduction of the Gα subunit, which restored the excess of Gβ, abolished this effect. These results indicate that an excess of Gβ over Gα is a strategy used in vivo for the suppression of spontaneous activity, thereby yielding a high signal to noise ratio, which is characteristic of the photoreceptor light response. This mechanism could be relevant to the regulation of G protein signaling in general

    G Protein Subunit Dissociation and Translocation Regulate Cellular Response to Receptor Stimulation

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    We examined the role of G proteins in modulating the response of living cells to receptor activation. The response of an effector, phospholipase C-β to M3 muscarinic receptor activation was measured using sensors that detect the generation of inositol triphosphate or diacylglycerol. The recently discovered translocation of Gβγ from plasma membrane to endomembranes on receptor activation attenuated this response. A FRET based G protein sensor suggested that in contrast to translocating Gβγ, non-translocating Gβγ subunits do not dissociate from the αq subunit on receptor activation leading to prolonged retention of the heterotrimer state and an accentuated response. M3 receptors with tethered αq induced differential responses to receptor activation in cells with or without an endogenous translocation capable γ subunit. G protein heterotrimer dissociation and βγ translocation are thus unanticipated modulators of the intensity of a cell's response to an extracellular signal

    Neuronal mechanisms underlying innate and learned olfactory processing in Drosophila

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    Olfaction allows animals to adapt their behavior in response to different chemical cues in their environment. How does the brain efficiently discriminate different odors to drive appropriate behavior, and how does it flexibly assign value to odors to adjust behavior according to experience? This review traces neuronal mechanisms underlying these processes in adult Drosophila melanogaster from olfactory receptors to higher brain centers. We highlight neural circuit principles like lateral inhibition, segregation and integration of olfactory channels, temporal accumulation of sensory evidence, and compartmentalized synaptic plasticity underlying associative memory

    Simple Ways to Measure Behavioral Responses of Drosophila to Stimuli and Use of These Methods to Characterize a Novel Mutant

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    The behavioral responses of adult Drosophila fruit flies to a variety of sensory stimuli – light, volatile and non-volatile chemicals, temperature, humidity, gravity, and sound - have been measured by others previously. Some of those assays are rather complex; a review of them is presented in the Discussion. Our objective here has been to find out how to measure the behavior of adult Drosophila fruit flies by methods that are inexpensive and easy to carry out. These new assays have now been used here to characterize a novel mutant that fails to be attracted or repelled by a variety of sensory stimuli even though it is motile

    N-WASP is required for membrane wrapping and myelination by Schwann cells

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    During peripheral nerve myelination, Schwann cells sort larger axons, ensheath them, and eventually wrap their membrane to form the myelin sheath. These processes involve extensive changes in cell shape, but the exact mechanisms involved are still unknown. Neural Wiskott–Aldrich syndrome protein (N-WASP) integrates various extracellular signals to control actin dynamics and cytoskeletal reorganization through activation of the Arp2/3 complex. By generating mice lacking N-WASP in myelinating Schwann cells, we show that N-WASP is crucial for myelination. In N-WASP–deficient nerves, Schwann cells sort and ensheath axons, but most of them fail to myelinate and arrest at the promyelinating stage. Yet, a limited number of Schwann cells form unusually short internodes, containing thin myelin sheaths, with the occasional appearance of myelin misfoldings. These data suggest that regulation of actin filament nucleation in Schwann cells by N-WASP is crucial for membrane wrapping, longitudinal extension, and myelination

    THE KING’S MEN: MOLIÈRE AND LULLY’S COMÉDIES-BALLETS AND THE POLITICS OF PATRONAGE DURING THE REIGN OF LOUIS XIV, 1661-1673

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    This paper examines Louis XIV’s patronage of the arts as a tool to consolidate his absolutist rule through a close study of his patron-client relationship with Jean-Baptiste Pouqelin, more commonly known as Molière, and Jean-Baptiste Lully, and the comédies-ballets the pair produced during the first decade of Louis’ personal rule. By first establishing Louis’ development of an absolutist order through relation-based systems, such venal offices and the intendant system, I show how Louis created and expanded parallel systems of control in the arts, through Académies, patronage, and privileges. I then consider how Louis further used performative rituals and physical representations of his power to reinforce this absolutist agenda. It was in this environment in which the arts were integrated as a critical aspect of Louis’ quest for political control that the comédie-ballet developed. Focusing specifically on two of Molière and Lully’s comedies-ballets, Les Fâcheux and Le Bourgeouis Gentilhomme, this paper proceeds to demonstrate how both the production and the performance of the comédies-ballets served the Sun King’s wider political goals. The artists benefitted from their relationship with the King through patronage and privileges; in return they created these comédies-ballets. By examining the evolution of Louis’ patronage of Molière and Lully beyond the initial comédies-ballets, I demonstrate how Lully adapted to Louis’ shifting political visions and gained enormous power as a result, while Molière deviated from the changing absolutist agenda and thus remained only modestly powerful. Success came from each artist’s ability to frame their works to suit the king’s interests. This paper seeks to show just how the patronage impacted the artists and their artistic output and how nuances in the evolution of these relationships impacted the artists’ power and success, financially and artistically, in a way that ultimately reinforced the king’s own power
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