Our Neighbours, Ourselves

Homi K. Bhabha delivered the 2010 Hegel lecture, evoking the spirit of Hegel in an attempt to understand contemporary issues of ethical witness, historical memory and the rights and representations of minorities in the cultural sphere. Who is our neighbour today? What does hospitality mean for our times? Why is the recognition of others such an agonizing encounter with the alterity of the self?The lecture examplifies how the "Third Space" - one of the key theories of Postcolonialism - helps us to establish a new understanding of cosmopolitanism and hospitality in a globalized world, based on the right of difference in equality

Our Neighbours, Ourselves

Homi K. Bhabha delivered the 2010 Hegel lecture, evoking the spirit of Hegel in an attempt to understand contemporary issues of ethical witness, historical memory and the rights and representations of minorities in the cultural sphere. Who is our neighbour today? What does hospitality mean for our times? Why is the recognition of others such an agonizing encounter with the alterity of the self?The lecture examplifies how the "Third Space" - one of the key theories of Postcolonialism - helps us to establish a new understanding of cosmopolitanism and hospitality in a globalized world, based on the right of difference in equality

In another time and place: The Handmaiden as an adaptation

This article considers the South Korean auteur director Park Chan-wook’s latest film The Handmaiden, which is the film adaptation of British writer Sarah Waters’s third novel Fingersmith. Transporting the story of love and deception from Victorian England to 1930s Korea under Japanese colonial rule, the film offers a compelling case of transnational or cross-cultural adaptation. In the process of cultural relocation, the film gives prominence to the ethnic identities and hierarchies in colonial Korea, and in recounting the unfolding lesbian love story between a petty-thief-disguised-as-maid and a noble lady, the film provides a spectacular, visual ‘translation’ of the novel’s approach to the story of same-sex desire. Despite all the changes the film makes to the original novel, the author Waters claims that the film is ‘faithful’ to her work. Taking her comments as a framework, the article explores the ways in which the film carries over the transgressive allure of the original story, while addressing the issues of history and identity in another time and place

Postcolonial thresholds: gateways and borders

Introduction to a special issue of Journal of Postcolonial Writing coedited by Janet Wilson and Daria Tunc

(Not) being at home: Hsu Ming Teo's Behind the Moon (2005) and Michelle de Kretser's Questions of Travel (2012)

This article examines some interventions of Asian Australian writing into the debate over multiculturalism, and the shift from negative stereotyping of Asian migrants, to reification of racial divisions and propagation of a masked racism, to the creation of new alignments and the revival of pre-existing affiliations by migrant and second generation subjects. It compares the practices of not-at-homeness by Asian migrants and their descendants and white Australians in Hsu Ming Teo’s Behind the Moon with those of a Sri Lankan refugee and a white Australian traveller in Michelle de Kretser’s Questions of Travel. The changing concepts of belonging in the novels show a realignment of core and periphery relations within the nation state under the pressures of multiculturalism and globalization: where home is and how it is configured are questions as important for white Australians whose sense of territory is challenged as they are for Asian migrants who seek to establish a new belonging

Rebirth of a nation or 'The incomparable toothbrush': the origin story and narrative regeneration in Sri Lanka

I examine the post-Independence role of Sri Lanka’s origin story, revealing the ways in which the foundational myth of the Mahavamsa functions as a conflicted site of cultural ‘encompassment’ (Kapferer) in literary and political discourse. Through an analysis of the fiction of Tissa Abeysekara, Carl Muller and the assassinated president Ranasinghe Premadasa, I show how the scripting of this myth in fiction reveals a shift from the celebratory drives of nationalism to a critique of patriotism in a way that both reflects and anticipates a broader paradigmatic shift in the construction of belonging and the outsider found in post-war Sri Lanka

Eating Paradise: Food as Coloniality and Leisure

Sandals Resorts’ Gourmet Discovery Dining programme continues the company’s practice of marketing difference by combining tourism with the commodification of food from non-Western cultures (Dodman and Rhiney 2008). The article draws on bell hooks’ (1992) concept of ‘eating the other’ and the analysis undertakes an interdisciplinary approach that combines visual analysis with Anibal Quijano’s (2007) concept of modernity/coloniality. The discussion explores the trends of global multiculturalism that have been adopted by Sandals in a hybridized cut and mix approach to selling a packaged ideal of the Caribbean. The visual techniques devised to create a culinary holiday package are overlaid onto a manufactured and homogenised or McDonaldized (Ritzer and Liska 1997) Caribbean that provides insight into the way in which global neoliberal multiculturalism is framed by ongoing colonial relations after formal colonial rule has ended in the Caribbean region