Viage de España, en que se da noticia de las cosas mas apreciables, y dignas de saberse, que hay en ella. Tomo decimo

Marca tip. en portSign.: a-c8, A-R8, S4Entre p. 68 y 69 grab. calc.: "D. Iñigo Lopez de Mendoza Primer Marques de Santillana, I. Barcelon lo grabó

Bajo el signo de la esvástica. La Exposición de Arquitectura Moderna alemana en España (1942)

In autumn of 1942, Barcelona received the Exhibition of Modern German Architecture, directed by Albert Speer. The objective of this exhibition was to show to European allies the pharaonic projects of Germany, the Europa’s future new capital, the new constructions and the new urbanism of the Third Reich. The pro-Franco leaders of Barcelona and the “new” intellectual ones (architects of reference) admired the promises and the challenges that the Nazi power was projecting in a promise of an enormous remodeling of the continent. These leaders were completely fascinated by the German power, they admired their military deployment in the continent and they identified their ideas with the main part of the Nazy ideological program