Memorial Acadêmico, Experiência Monitorial e Aprendizagem Docente (2013-2016)

Abstract This project is linked to History and Memory, aiming to reflect on the teaching formative processes, constituted and/or (re)elaborated during the monitoring exercise in the disciplines of History of Education/CE/UFPB, since 2013 to 2016. The theoretical supports permeate History of Present Time, Memory and Social Representations. Having self-writing as a research method, an academic memorial is analyzed, dialoguing with authors, such as David (2012), Nóvoa (2013), and others, in a process of re-reading the Monitoring, space for the constitution of teacher identity, built in praxis (action-reflection-action). The results indicate the monitoring exercise is a constitutive pedagogical element of the degree subjects, it concludes the monitoring experience reinforce the teaching-research-extension triad and the academic memorial is a historical source that configures teaching and self writting. Key words: History. Memory. Teacher's degree. Monitoring.Resumen Este trabajo está vinculado a la Historia y la Memoria, objetivando reflexionar sobre los procesos formativos de la enseñanza, constituidos y/o (re)elaborados durante el ejercicio de seguimiento en las disciplinas de Historia de la Educación/CE/UFPB, entre 2013 y 2016. Los soportes teóricos permean la Historia del Tiempo Presente, la Memoria y las Representaciones Sociales. Teniendo como método de investigación la autoescritura, se analiza un memorial académico, dialogando con autores, como David (2012), Nóvoa (2013), entre otros, en un proceso de relectura sobre el Seguimiento, espacio para constitución de la identidad docente, construida en la praxis (acción-reflexión-acción). Los resultados indican lo ejercicio de seguimiento como elemento pedagógico constitutivo de los sujetos en formación, concluyendo que la experiencia de seguimiento fortalece la triada docencia-investigación-extensión y el memorial académico es una fuente histórica que configura la docencia y la escrita de sí. Palabras-clave: Historia. Memoria. Formación docente. Seguimiento.Resumo Este trabalho é vinculado à História e à Memória, objetivando refletir acerca dos processos formativos da docência, constituídos e/ou (re)elaborados no decorrer do exercício monitorial nas disciplinas de História da Educação/CE/UFPB, entre 2013 e 2016. Os suportes teóricos perpassam a História do Tempo Presente, a Memória e as Representações Sociais. Tendo a escrita de si por método de pesquisa, analisa-se um memorial acadêmico, dialogando com autores, como David (2012), Nóvoa (2013), entre outros, em um processo de releitura sobre a Monitoria, espaço de constituição de identidade professoral, construída na práxis (ação-reflexão-ação). Os resultados indicam o exercício monitorial como elemento pedagógico constitutivo dos sujeitos em formação, concluindo-se que a experiência monitorial fortalece a tríade ensino-pesquisa-extensão e o memorial acadêmico é uma fonte histórica configuradora da docência e da escrita de si. Palavras-chave: História. Memória. Formação Docente. Monitoria

A escrita de si de Dom José Maria Pires: entre cartas pastorais e homilias (1975-1980)

Trata-se de artigo sobre as Cartas Pastorais e Homilias de Dom José Maria Pires no cenário adverso do regime ditatorial, que tem por objetivo refletir acerca do processo de elaboração da escrita de si e das possíveis inferências desse processo de constituição do “eu” na História de uma época. O método do indiciarismo de Ginzburg (1989), os pressupostos epistemológicos da nova história cultural, a constituição estética “do sujeito” decorrente da teoria freireana (2011) e os estudos da obra de Gomes (2004), Freire (2011), entre outros teóricos que perpassam a seara da escrita de si, fundamentam a análise das fontes em questão. Em um período histórico marcado pela censura e repressão da Ditadura Civil Militar, Dom José Maria Pires fez uso da palavra escrita para, através de suas Cartas Pastorais e Homilias, denunciar violações de direitos e “sensibilizar” para a luta por dignidade. Nesse processo, a produção epistolar do arcebispo da Paraíba releva a identidade militante e o envolvimento com as causas da pobreza e a defesa dos Direitos Humanos que, compondo um inventário biográfico, enunciam um processo de escrita de si dialógico, “elaborado” com e para a libertação dos sujeitos.   Palavras-chaves: Escrita de si. Cartas Pastorais. Homilias.This is an article about Dom José Maria Pires' Pastoral Letters and Homilies in dictatorial regimen adverse scenario, that aims to reflect about the process of self-writing and the possible inferences in this constitution process of "me" in an era history. Ginzburg's indicialism method (1989), the epistemological assumptions of the new cultural history, the aesthetic constitution of "the subject" resulting from Freire's theory (2011) and Gomes work studies (2004), Freire (2011), among other theorists that permeate the self-writing field, base the sources analysis in question. In a historical period marked by Civil Military Dictatorship censorship and repression, Dom José Maria Pires had used the written word to, through his Pastoral Letters and Homilies, denounce rights violations and “sensitize” for the dignity struggle. In this process, the archbishop of Paraíba epistolary production reveals the militant identity and the involvement with poverty causes and Human Rights defense that, composing a biographical inventory, enunciate a dialogical self-writing process, "elaborated" with and for subject release. Key words: Self-writing. Pastoral Letters. Homilies.Este es un artículo sobre las Cartas Pastorales y Homilías de Dom José Maria Pires en el escenario adverso del régimen dictatorial, que tiene como objetivo reflexionar sobre el proceso de escritura de sí y las posibles inferencias de este proceso de constitución del "yo" en la Historia de una era. El método del indiciarismo de Ginzburg (1989), los presupuestos epistemológicos de la nueva historia cultural, la constitución estética del “sujeto” resultante de la teoría de Freire (2011) y los estudios de la obra de Gomes (2004), Freire (2011), entre otros teóricos que permean el campo de la autoescritura, fundamentan el análisis de las fuentes en cuestión. En un período histórico marcado por la censura y la represión de la Dictadura Civil Militar, Don José María Pires hizo uso de la palabra escrita para, a través de sus Cartas Pastorales y Homilías, enunciar las violaciones de derechos y “concientizar” para la lucha por la dignidad. En ese proceso, la producción epistolar del arzobispo de Paraíba revela la identidad militante y el envolvimiento con las causas de la pobreza y la defensa de los Derechos Humanos que, componiendo un inventario biográfico, enuncian un proceso dialógico de escritura de sí, "elaborado" con y para la liberación de sujetos. Palabras-clave: Escritura de sí. Cartas Pastorales. Homilías

Public governance focused on intellectual property: A bibliometric analysis of national and international scientific publications

This study aims to investigate the main national and international theoretical contributions on Public Governance, with a focus on Intellectual Property. The methodology used involved exploratory analysis, based on bibliometric research. The data were collected through the Capes Periodical Portal, namely in the Scopus databases, consisting of a database of citations and neutral abstracts curated by independent sources of specialists in the subject. The obtained result indicated that the combination of the searched terms, "Public Governance" and "Intellectual Property", as a filter in all fields. As a result, it is observed that there are 15 countries more prominent in research on Public Governance and Intellectual Property, led by the USA, standing out with 22.5% of publications. Of the 13 (thirteen) largest areas of knowledge, it can be seen that the three largest areas represent 78% of the publications in the Scopus database. In relation to the largest universities found among the 15 (fifteen), potentially 3 (three) stand out with greater individual percentage representativeness in the publications on the theme of this research. Finally, it was identified that this research contributes to researchers and the scientific community in general, while allowing the reproduction of future research, using other bases, and thus increasing knowledge

ALTERAÇÕES NA MORFOLOGIA ESPERMÁTICA EM TOUROS DE CORTE COM E SEM SUPLEMENTAÇÃO DE ZINCO NA MISTURA MINERAL

rebanho sem Zn na suplementação mineral (ZN-0, n=4, 0mg/Zn/kg/dia) foram comparadas com as de touros contemporâneos criados com suplementação adequada (ZN-60FI, n=4, 60mg/Zn/kg/dia). O sêmen foi colhido quinzenalmente, entre 17 e 29 meses de idade. Incluíram-se no exame a análise da cromatina espermática e o perfil morfométrico da cabeça espermática, com base no comprimento, largura superior e inferior (µm) e área (µm2). Os touros do ZN-0 apresentaram redução de espermatozoides normais em relação ao ZN-60FI (62,4 ±2,88% x 74,5 ±2,83), sendo que a prevalência de anormalidades de cromatina (16,7 ±2,05%) e de defeitos de peça intermediária (9,3 ±0,81%) foi superior aos do ZN-60FI (9,5 ±2,03 e 3,2 ±0,80, respectivamente). A microscopia eletrônica de transmissão mostrou irregularidades mitocondriais e ruptura dos feixes de fibras densas externas.  Nos touros do ZN-60FI, a área da cabeça espermática foi proporcionalmente inferior a do ZN-0. Conclui-se que touros criados e mantidos a campo, provenientes de rebanhos com deficiência na suplementação de Zn, estão sujeitos à redução da qualidade seminal, por apresentarem maior frequência de anormalidades morfológicas, na cromatina, e nos padrões morfométricos da cabeça espermática com predomínio de lesões na estrutura mitocondrial e nos feixes de fibras densas na peça intermediária. PALAVRAS-CHAVES: Bovino, cromatina, morfometria espermática, nutrição, qualidade seminal, zinco

Aplicação de protótipo de microscópio de baixo custo como estratégia para o ensino de ciências e conscientização ambiental

Practical science classes are important methodological resources for teaching-learning process. However, many Brazilian public schools have poor laboratory structure, which hampers the development of practical activities. This extension project aimed to report the development of an interdisciplinary pedagogical strategy covering contents of biology, optics and environmental education, through the construction and application of a microscope prototype, made with low-cost and reusable electro-electronic materials. One hundred and twenty-six students from public elementary schools participated in the project. Workshops were held with theoretical and dynamic classes covering: i) a theoretical and dynamic class addressing concepts about cell, microscope physics and environmental education (solid and electro-electronic waste, recycling and reuse of waste, separation, and accountability), ii) a practical activity with the construction of a microscope prototype with recycled and reusable electronics and iii) evaluative questionnaire. The activity was based on the Sustainable Development Goals (SDGs - ONU), aiming at a quality education and responsible consumption and production. Besides, it was based on the concept of observation and experimentation as a didactic strategy for assimilating information. The results indicated an improvement in the students’ understanding of the concepts of waste and cell, as well as the operation of a microscope, confirming that the activity improved the teaching-learning process. The low cost and easy operable prototype can improve the infrastructure of the schools, besides being an interesting tool to distance education.Aulas práticas de ciências são importantes recursos metodológicos no processo ensino-aprendizagem dos alunos. No entanto, muitas escolas públicas brasileiras possuem escassa estrutura laboratorial, o que dificulta o desenvolvimento de atividades práticas. Este projeto de extensão teve como objetivo relatar o desenvolvimento de uma estratégia pedagógica interdisciplinar, abrangendo diversas áreas no ensino de Ciências, como conceitos de educação ambiental, citologia e óptica, por meio da construção e aplicação de um protótipo de microscópio, confeccionado com materiais eletroeletrônicos reutilizáveis, e outros de baixo custo. Participaram do projeto cento e vinte seis alunos, de escolas públicas do ensino fundamental. Foram ministradas oficinas compostas por: a) aula teórica e dinâmica abordando conceitos sobre a célula, física do microscópio e educação ambiental (resíduos sólidos e eletroeletrônicos, reciclagem e reutilização de resíduos, separação e responsabilização), b) aula prática com construção de protótipo de microscópio e c) questionário avaliativo. A atividade foi fundamentada nos Objetivos de Desenvolvimento Sustentável (ODS - ONU), visando à educação de qualidade e consumo e produção responsáveis, assim como na observação e experimentação como estratégia didática para a obtenção e assimilação de informações. Os resultados indicaram melhora na compreensão, por parte dos estudantes, de conceitos relacionados aos resíduos, células e funcionamento de um microscópio, confirmando a contribuição da atividade na melhoria do processo ensino–aprendizagem de ciências e conscientização ambiental. O protótipo, por ser de baixo custo e de fácil operação, pode aprimorar a infraestrutura de ensino das escolas, além de ser uma ferramenta interessante para auxiliar no ensino à distância

Pervasive gaps in Amazonian ecological research

Biodiversity loss is one of the main challenges of our time,1,2 and attempts to address it require a clear un derstanding of how ecological communities respond to environmental change across time and space.3,4 While the increasing availability of global databases on ecological communities has advanced our knowledge of biodiversity sensitivity to environmental changes,5–7 vast areas of the tropics remain understudied.8–11 In the American tropics, Amazonia stands out as the world’s most diverse rainforest and the primary source of Neotropical biodiversity,12 but it remains among the least known forests in America and is often underrepre sented in biodiversity databases.13–15 To worsen this situation, human-induced modifications16,17 may elim inate pieces of the Amazon’s biodiversity puzzle before we can use them to understand how ecological com munities are responding. To increase generalization and applicability of biodiversity knowledge,18,19 it is thus crucial to reduce biases in ecological research, particularly in regions projected to face the most pronounced environmental changes. We integrate ecological community metadata of 7,694 sampling sites for multiple or ganism groups in a machine learning model framework to map the research probability across the Brazilian Amazonia, while identifying the region’s vulnerability to environmental change. 15%–18% of the most ne glected areas in ecological research are expected to experience severe climate or land use changes by 2050. This means that unless we take immediate action, we will not be able to establish their current status, much less monitor how it is changing and what is being lostinfo:eu-repo/semantics/publishedVersio

Pervasive gaps in Amazonian ecological research

Biodiversity loss is one of the main challenges of our time,1,2 and attempts to address it require a clear understanding of how ecological communities respond to environmental change across time and space.3,4 While the increasing availability of global databases on ecological communities has advanced our knowledge of biodiversity sensitivity to environmental changes,5,6,7 vast areas of the tropics remain understudied.8,9,10,11 In the American tropics, Amazonia stands out as the world's most diverse rainforest and the primary source of Neotropical biodiversity,12 but it remains among the least known forests in America and is often underrepresented in biodiversity databases.13,14,15 To worsen this situation, human-induced modifications16,17 may eliminate pieces of the Amazon's biodiversity puzzle before we can use them to understand how ecological communities are responding. To increase generalization and applicability of biodiversity knowledge,18,19 it is thus crucial to reduce biases in ecological research, particularly in regions projected to face the most pronounced environmental changes. We integrate ecological community metadata of 7,694 sampling sites for multiple organism groups in a machine learning model framework to map the research probability across the Brazilian Amazonia, while identifying the region's vulnerability to environmental change. 15%–18% of the most neglected areas in ecological research are expected to experience severe climate or land use changes by 2050. This means that unless we take immediate action, we will not be able to establish their current status, much less monitor how it is changing and what is being lost

Taking the pulse of Earth's tropical forests using networks of highly distributed plots

Tropical forests are the most diverse and productive ecosystems on Earth. While better understanding of these forests is critical for our collective future, until quite recently efforts to measure and monitor them have been largely disconnected. Networking is essential to discover the answers to questions that transcend borders and the horizons of funding agencies. Here we show how a global community is responding to the challenges of tropical ecosystem research with diverse teams measuring forests tree-by-tree in thousands of long-term plots. We review the major scientific discoveries of this work and show how this process is changing tropical forest science. Our core approach involves linking long-term grassroots initiatives with standardized protocols and data management to generate robust scaled-up results. By connecting tropical researchers and elevating their status, our Social Research Network model recognises the key role of the data originator in scientific discovery. Conceived in 1999 with RAINFOR (South America), our permanent plot networks have been adapted to Africa (AfriTRON) and Southeast Asia (T-FORCES) and widely emulated worldwide. Now these multiple initiatives are integrated via ForestPlots.net cyber-infrastructure, linking colleagues from 54 countries across 24 plot networks. Collectively these are transforming understanding of tropical forests and their biospheric role. Together we have discovered how, where and why forest carbon and biodiversity are responding to climate change, and how they feedback on it. This long-term pan-tropical collaboration has revealed a large long-term carbon sink and its trends, as well as making clear which drivers are most important, which forest processes are affected, where they are changing, what the lags are, and the likely future responses of tropical forests as the climate continues to change. By leveraging a remarkably old technology, plot networks are sparking a very modern revolution in tropical forest science. In the future, humanity can benefit greatly by nurturing the grassroots communities now collectively capable of generating unique, long-term understanding of Earth's most precious forests.Additional co-authors: Susan Laurance, William Laurance, Francoise Yoko Ishida, Andrew Marshall, Catherine Waite, Hannsjoerg Woell, Jean-Francois Bastin, Marijn Bauters, Hans Beeckman, Pfascal Boeckx, Jan Bogaert, Charles De Canniere, Thales de Haulleville, Jean-Louis Doucet, Olivier Hardy, Wannes Hubau, Elizabeth Kearsley, Hans Verbeeck, Jason Vleminckx, Steven W. Brewer, Alfredo Alarcón, Alejandro Araujo-Murakami, Eric Arets, Luzmila Arroyo, Ezequiel Chavez, Todd Fredericksen, René Guillén Villaroel, Gloria Gutierrez Sibauty, Timothy Killeen, Juan Carlos Licona, John Lleigue, Casimiro Mendoza, Samaria Murakami, Alexander Parada Gutierrez, Guido Pardo, Marielos Peña-Claros, Lourens Poorter, Marisol Toledo, Jeanneth Villalobos Cayo, Laura Jessica Viscarra, Vincent Vos, Jorge Ahumada, Everton Almeida, Jarcilene Almeida, Edmar Almeida de Oliveira, Wesley Alves da Cruz, Atila Alves de Oliveira, Fabrício Alvim Carvalho, Flávio Amorim Obermuller, Ana Andrade, Fernanda Antunes Carvalho, Simone Aparecida Vieira, Ana Carla Aquino, Luiz Aragão, Ana Claudia Araújo, Marco Antonio Assis, Jose Ataliba Mantelli Aboin Gomes, Fabrício Baccaro, Plínio Barbosa de Camargo, Paulo Barni, Jorcely Barroso, Luis Carlos Bernacci, Kauane Bordin, Marcelo Brilhante de Medeiros, Igor Broggio, José Luís Camargo, Domingos Cardoso, Maria Antonia Carniello, Andre Luis Casarin Rochelle, Carolina Castilho, Antonio Alberto Jorge Farias Castro, Wendeson Castro, Sabina Cerruto Ribeiro, Flávia Costa, Rodrigo Costa de Oliveira, Italo Coutinho, John Cunha, Lola da Costa, Lucia da Costa Ferreira, Richarlly da Costa Silva, Marta da Graça Zacarias Simbine, Vitor de Andrade Kamimura, Haroldo Cavalcante de Lima, Lia de Oliveira Melo, Luciano de Queiroz, José Romualdo de Sousa Lima, Mário do Espírito Santo, Tomas Domingues, Nayane Cristina dos Santos Prestes, Steffan Eduardo Silva Carneiro, Fernando Elias, Gabriel Eliseu, Thaise Emilio, Camila Laís Farrapo, Letícia Fernandes, Gustavo Ferreira, Joice Ferreira, Leandro Ferreira, Socorro Ferreira, Marcelo Fragomeni Simon, Maria Aparecida Freitas, Queila S. García, Angelo Gilberto Manzatto, Paulo Graça, Frederico Guilherme, Eduardo Hase, Niro Higuchi, Mariana Iguatemy, Reinaldo Imbrozio Barbosa, Margarita Jaramillo, Carlos Joly, Joice Klipel, Iêda Leão do Amaral, Carolina Levis, Antonio S. Lima, Maurício Lima Dan, Aline Lopes, Herison Madeiros, William E. Magnusson, Rubens Manoel dos Santos, Beatriz Marimon, Ben Hur Marimon Junior, Roberta Marotti Martelletti Grillo, Luiz Martinelli, Simone Matias Reis, Salomão Medeiros, Milton Meira-Junior, Thiago Metzker, Paulo Morandi, Natanael Moreira do Nascimento, Magna Moura, Sandra Cristina Müller, Laszlo Nagy, Henrique Nascimento, Marcelo Nascimento, Adriano Nogueira Lima, Raimunda Oliveira de Araújo, Jhonathan Oliveira Silva, Marcelo Pansonato, Gabriel Pavan Sabino, Karla Maria Pedra de Abreu, Pablo José Francisco Pena Rodrigues, Maria Piedade, Domingos Rodrigues, José Roberto Rodrigues Pinto, Carlos Quesada, Eliana Ramos, Rafael Ramos, Priscyla Rodrigues, Thaiane Rodrigues de Sousa, Rafael Salomão, Flávia Santana, Marcos Scaranello, Rodrigo Scarton Bergamin, Juliana Schietti, Jochen Schöngart, Gustavo Schwartz, Natalino Silva, Marcos Silveira, Cristiana Simão Seixas, Marta Simbine, Ana Claudia Souza, Priscila Souza, Rodolfo Souza, Tereza Sposito, Edson Stefani Junior, Julio Daniel do Vale, Ima Célia Guimarães Vieira, Dora Villela, Marcos Vital, Haron Xaud, Katia Zanini, Charles Eugene Zartman, Nur Khalish Hafizhah Ideris, Faizah binti Hj Metali, Kamariah Abu Salim, Muhd Shahruney Saparudin, Rafizah Mat Serudin, Rahayu Sukmaria Sukri, Serge Begne, George Chuyong, Marie Noel Djuikouo, Christelle Gonmadje, Murielle Simo-Droissart, Bonaventure Sonké, Hermann Taedoumg, Lise Zemagho, Sean Thomas, Fidèle Baya, Gustavo Saiz, Javier Silva Espejo, Dexiang Chen, Alan Hamilton, Yide Li, Tushou Luo, Shukui Niu, Han Xu, Zhang Zhou, Esteban Álvarez-Dávila, Juan Carlos Andrés Escobar, Henry Arellano-Peña, Jaime Cabezas Duarte, Jhon Calderón, Lina Maria Corrales Bravo, Borish Cuadrado, Hermes Cuadros, Alvaro Duque, Luisa Fernanda Duque, Sandra Milena Espinosa, Rebeca Franke-Ante, Hernando García, Alejandro Gómez, Roy González-M., Álvaro Idárraga-Piedrahíta, Eliana Jimenez, Rubén Jurado, Wilmar López Oviedo, René López-Camacho, Omar Aurelio Melo Cruz, Irina Mendoza Polo, Edwin Paky, Karen Pérez, Angel Pijachi, Camila Pizano, Adriana Prieto, Laura Ramos, Zorayda Restrepo Correa, James Richardson, Elkin Rodríguez, Gina M. Rodriguez M., Agustín Rudas, Pablo Stevenson, Markéta Chudomelová, Martin Dancak, Radim Hédl, Stanislav Lhota, Martin Svatek, Jacques Mukinzi, Corneille Ewango, Terese Hart, Emmanuel Kasongo Yakusu, Janvier Lisingo, Jean-Remy Makana, Faustin Mbayu, Benjamin Toirambe, John Tshibamba Mukendi, Lars Kvist, Gustav Nebel, Selene Báez, Carlos Céron, Daniel M. Griffith, Juan Ernesto Guevara Andino, David Neill, Walter Palacios, Maria Cristina Peñuela-Mora, Gonzalo Rivas-Torres, Gorky Villa, Sheleme Demissie, Tadesse Gole, Techane Gonfa, Kalle Ruokolainen, Michel Baisie, Fabrice Bénédet, Wemo Betian, Vincent Bezard, Damien Bonal, Jerôme Chave, Vincent Droissart, Sylvie Gourlet-Fleury, Annette Hladik, Nicolas Labrière, Pétrus Naisso, Maxime Réjou-Méchain, Plinio Sist, Lilian Blanc, Benoit Burban, Géraldine Derroire, Aurélie Dourdain, Clement Stahl, Natacha Nssi Bengone, Eric Chezeaux, Fidèle Evouna Ondo, Vincent Medjibe, Vianet Mihindou, Lee White, Heike Culmsee, Cristabel Durán Rangel, Viviana Horna, Florian Wittmann, Stephen Adu-Bredu, Kofi Affum-Baffoe, Ernest Foli, Michael Balinga, Anand Roopsind, James Singh, Raquel Thomas, Roderick Zagt, Indu K. Murthy, Kuswata Kartawinata, Edi Mirmanto, Hari Priyadi, Ismayadi Samsoedin, Terry Sunderland, Ishak Yassir, Francesco Rovero, Barbara Vinceti, Bruno Hérault, Shin-Ichiro Aiba, Kanehiro Kitayama, Armandu Daniels, Darlington Tuagben, John T. Woods, Muhammad Fitriadi, Alexander Karolus, Kho Lip Khoon, Noreen Majalap, Colin Maycock, Reuben Nilus, Sylvester Tan, Almeida Sitoe, Indiana Coronado G., Lucas Ojo, Rafael de Assis, Axel Dalberg Poulsen, Douglas Sheil, Karen Arévalo Pezo, Hans Buttgenbach Verde, Victor Chama Moscoso, Jimmy Cesar Cordova Oroche, Fernando Cornejo Valverde, Massiel Corrales Medina, Nallaret Davila Cardozo, Jano de Rutte Corzo, Jhon del Aguila Pasquel, Gerardo Flores Llampazo, Luis Freitas, Darcy Galiano Cabrera, Roosevelt García Villacorta, Karina Garcia Cabrera, Diego García Soria, Leticia Gatica Saboya, Julio Miguel Grandez Rios, Gabriel Hidalgo Pizango, Eurídice Honorio Coronado, Isau Huamantupa-Chuquimaco, Walter Huaraca Huasco, Yuri Tomas Huillca Aedo, Jose Luis Marcelo Peña, Abel Monteagudo Mendoza, Vanesa Moreano Rodriguez, Percy Núñez Vargas, Sonia Cesarina Palacios Ramos, Nadir Pallqui Camacho, Antonio Peña Cruz, Freddy Ramirez Arevalo, José Reyna Huaymacari, Carlos Reynel Rodriguez, Marcos Antonio Ríos Paredes, Lily Rodriguez Bayona, Rocio del Pilar Rojas Gonzales, Maria Elena Rojas Peña, Norma Salinas Revilla, Yahn Carlos Soto Shareva, Raul Tupayachi Trujillo, Luis Valenzuela Gamarra, Rodolfo Vasquez Martinez, Jim Vega Arenas, Christian Amani, Suspense Averti Ifo, Yannick Bocko, Patrick Boundja, Romeo Ekoungoulou, Mireille Hockemba, Donatien Nzala, Alusine Fofanah, David Taylor, Guillermo Bañares-de Dios, Luis Cayuela, Íñigo Granzow-de la Cerda, Manuel Macía, Juliana Stropp, Maureen Playfair, Verginia Wortel, Toby Gardner, Robert Muscarella, Hari Priyadi, Ervan Rutishauser, Kuo-Jung Chao, Pantaleo Munishi, Olaf Bánki, Frans Bongers, Rene Boot, Gabriella Fredriksson, Jan Reitsma, Hans ter Steege, Tinde van Andel, Peter van de Meer, Peter van der Hout, Mark van Nieuwstadt, Bert van Ulft, Elmar Veenendaal, Ronald Vernimmen, Pieter Zuidema, Joeri Zwerts, Perpetra Akite, Robert Bitariho, Colin Chapman, Eilu Gerald, Miguel Leal, Patrick Mucunguzi, Miguel Alexiades, Timothy R. Baker, Karina Banda, Lindsay Banin, Jos Barlow, Amy Bennett, Erika Berenguer, Nicholas Berry, Neil M. Bird, George A. Blackburn, Francis Brearley, Roel Brienen, David Burslem, Lidiany Carvalho, Percival Cho, Fernanda Coelho, Murray Collins, David Coomes, Aida Cuni-Sanchez, Greta Dargie, Kyle Dexter, Mat Disney, Freddie Draper, Muying Duan, Adriane Esquivel-Muelbert, Robert Ewers, Belen Fadrique, Sophie Fauset, Ted R. Feldpausch, Filipe França, David Galbraith, Martin Gilpin, Emanuel Gloor, John Grace, Keith Hamer, David Harris, Tommaso Jucker, Michelle Kalamandeen, Bente Klitgaard, Aurora Levesley, Simon L. Lewis, Jeremy Lindsell, Gabriela Lopez-Gonzalez, Jon Lovett, Yadvinder Malhi, Toby Marthews, Emma McIntosh, Karina Melgaço, William Milliken, Edward Mitchard, Peter Moonlight, Sam Moore, Alexandra Morel, Julie Peacock, Kelvin Peh, Colin Pendry, R. Toby Pennington, Luciana de Oliveira Pereira, Carlos Peres, Oliver L. Phillips, Georgia Pickavance, Thomas Pugh, Lan Qie, Terhi Riutta, Katherine Roucoux, Casey Ryan, Tiina Sarkinen, Camila Silva Valeria, Dominick Spracklen, Suzanne Stas, Martin Sullivan, Michael Swaine, Joey Talbot, James Taplin, Geertje van der Heijden, Laura Vedovato, Simon Willcock, Mathew Williams, Luciana Alves, Patricia Alvarez Loayza, Gabriel Arellano, Cheryl Asa, Peter Ashton, Gregory Asner, Terry Brncic, Foster Brown, Robyn Burnham, Connie Clark, James Comiskey, Gabriel Damasco, Stuart Davies, Tony Di Fiore, Terry Erwin, William Farfan-Rios, Jefferson Hall, David Kenfack, Thomas Lovejoy, Roberta Martin, Olga Martha Montiel, John Pipoly, Nigel Pitman, John Poulsen, Richard Primack, Miles Silman, Marc Steininger, Varun Swamy, John Terborgh, Duncan Thomas, Peter Umunay, Maria Uriarte, Emilio Vilanova Torre, Ophelia Wang, Kenneth Young, Gerardo A. Aymard C., Lionel Hernández, Rafael Herrera Fernández, Hirma Ramírez-Angulo, Pedro Salcedo, Elio Sanoja, Julio Serrano, Armando Torres-Lezama, Tinh Cong Le, Trai Trong Le, Hieu Dang Tra