Estrategias del marketing mix y su relación con el sistema turístico de Antioquía. Huarochirí - Lima, 2019

La presente investigación se realizó con el fin de identificar la relación entre las estrategias de marketing mix y el sistema turístico de Antioquía. Huarochirí - Lima, 2019. A su vez, la relación de las dimensiones producto, precio, plaza y promoción de las estrategias del marketing mix con el sistema turístico. Por consiguiente, la investigación fue de diseño no experimental con un enfoque cuantitativo, de tipo básica y de nivel descriptiva – correlacional. Para ello, la población fueron los turistas nacionales siendo la muestra de 384 encuestados, aplicando la técnica de la encuesta y siendo el instrumento el cuestionario. Asimismo, mediante el análisis de la información que se recolectó de la salida a campo para el estudio del tema se obtuvo como resultados que si existe relación significativa entre las estrategias de marketing y el sistema turístico en Antioquía ya que fueron las dimensiones que componen las estrategias del marketing mix los que logran que se haya un mayor desarrollo y mejora en el sistema turístico

Las músicas amerindias del Chaco argentino entre la hibridación y la exotización

A partir de la obra Qom Llalec (« Hijo de los qom ») del músico toba o qom Romualdo Diarte (Formosa, Argentina), que constituye el primer CD de música indígena producido por la Subsecretaría de Cultura de esa provincia, discutimos el impacto de las recientes políticas culturales en las músicas de estos pueblos. La hipótesis es que en esta obra se evidencia la estrategia política del estado provincial por legitimar el imaginario de una « identidad multicultural » que revaloriza al indígena chaqueño, atendiendo así a las demandas de multiculturalismo y patrimonialización de las políticas nacionales y globales. No obstante, los procesos de hibridación, exotización e invisibilización de lo indígena, también revelan las tensiones y desigualdades que persisten entre gobierno, criollos e indígenas, así como las tácticas de estos últimos para afrontarlas.À partir de l’œuvre Qom Llalec (« Fils des qom ») du musicien toba ou qom Romualdo Diarte (Formosa, Argentine), qui est devenu le premier CD de musique indigène produit par le Sous-Secrétariat de la Culture de cette province, nous avons discuté l’impact des politiques culturelles récentes dans la musique de ces peuples. L’hypothèse est que l’on peut apprécier dans cette œuvre la stratégie politique de l’État provincial pour légitimer l’imaginaire d’une « identité multiculturelle » qui revalorise l’indigène chaqueño, répondant ainsi aux exigences du multiculturalisme et de défense du patrimoine de politiques nationales et mondiales. Cependant, les processus d’hybridation, d’exotisation et d’invisibilisation de l’indigène révèlent aussi les tensions et les inégalités qui persistent dans les relations entre gouvernement, « criollos » et indigènes, ainsi que les tactiques de ces derniers pour les affronter.Starting from the musical piece Qom Llalec (« Son of the Qom ») of Toba or Qom musician Romualdo Diarte (Formosa, Argentina), which became the first CD of indigenous music produced by the Culture Department of this province, we discuss the impact of recent cultural policies in the music of these peoples. The hypothesis is that this musical piece evidences the political strategy of the provincial government for legitimating the imaginary of a « multicultural identity » that revalorizes the Chaco Indians, responding in this way to demands of multiculturalism and patrimonialization of national and global policies. Nevertheless, the processes of hybridization, exoticization and invisibilization of the indigenous also reveal the tensions and inequalities that persist in the relationships among government, creoles and indigenous people, as well as the tactics of the latter to address them

Stylized Facts about the Quantity and Quality of Parental Time Investments on the Skill Formation of Their Children

This paper uses seven nationally representative time use surveys in Latin America to identify key stylized facts regarding the quantity and quality of parental time investment on the skill formation of their children. Traditional models of household behavior have failed to account for the differential behavior of parents with respect to skill formation of their children vis-à-vis home production. This paper finds that, similarly to higher-income countries, there is a positive education gradient, as more educated parents spend more time on skill formation than their less educated counterparts. This pattern is observed across all countries. The paper further extends this literature by showing that more educated parents also provide better care for their children, thus increasing the socioeconomic gap

“É um exemplo, não somente para os da sua raça qom, mas para toda a mocidade de Formosa”. O patrimônio cultural e a música indígena na controversa política da província de Formosa

Analizamos las políticas culturales emprendidas recientemente en la provincia de Formosa, Argentina, respecto del patrimonio cultural inmaterial indígena y, en especial, de la música de los tobas o qom. Nuestra hipótesis es que el gobierno provincial ha tendido a instrumentalizar estratégicamente estas políticas culturales, para crear la imagen de una administración que ideológicamente adhiere a los discursos globalizados impuestos a las democracias (como el “multiculturalismo” y la “salvaguardia del patrimonio cultural”), y a su vez, para legitimar un imaginario provincial sobre el “ser formoseño” que, si bien se reconoce “pluricultural”, invisibiliza a los indígenas contemporáneos, enmascarando conflictos y desigualdades.We analyze recent cultural policy in the province of Formosa, Argentina, regarding indigenous intangible cultural heritage, particularly the music of the Toba or Qom. Our hypothesis is that the provincial government has strategically instrumentalized these cultural policies in order to create the image of an administration that ideologically endorses global discourses imposed on democracies (such as “multiculturalism” and “the safeguarding of cultural heritage”). At the same time this legitimizes a provincial imaginary of “being Formoseño” that identifies itself as “multicultural” but on the other hand invisibilizes contemporary indigenous people, masking conflicts and inequalities.Analisamos as políticas culturais empreendidas recentemente na província de Formosa, Argentina, no que diz respeito ao patrimônio cultural imaterial indígena e especialmente a música dos índios tobas ou qom. A nossa hipótese é a de que o governo provincial tem-se inclinado a instrumentalizar estrategicamente estas políticas culturais para, de um lado, criar a imagem de uma administração que ideologicamente aderiria aos mandados globalizados que se impõem às  políticas democráticas (como o “multiculturalismo”, e a “salvaguarda do patrimônio cultural”) e, do outro, para legitimar um imaginário provincial sobre o ser formosenho que, ainda se reconhecendo “pluricultural”, invisibiliza aos indígenas contemporâneos, mascarando conflitos e desigualdades

Conductas sedentarias y su impacto en el rendimiento físico motor en universitarios pineros. (Original)

Currently, sedentary behaviors constitute the fourth cause of death in the world according to the WHO in 2018. This scourge is increasingly observed in university students, due to the changes that have occurred in this stage of life. Increasing levels of physical activity and raising awareness of its health benefits is currently a challenge, in order to reduce the sequelae associated with a sedentary lifestyle. This research was carried out on the Isla de la Juventud with accounting and finance students from the JesúsMontanéOropesa University, with the aim of determining the current state of motor physical performance and the manifestations that make up sedentary behavior. of the second year students of the accounting and finance career in this Pinero Higher Education center, obtaining as a result the real state of the physical motor performance of these students, taking the Physical Efficiency tests as a reference. The manifestations that make up the sedentary behavior in the investigated subjects were also determined, based on the activities carried out in their daily routine, which in turn allows to improve and prevent long-term ailments associated with physical inactivity.En la actualidad las conductas sedentarias constituyen la cuarta causa de muerte en el mundo según la OMS en el año 2018. Este flagelo cada vez se observa con más frecuencia en los universitarios, por los cambios ocurridos en esta etapa de la vida. Incrementar los niveles de actividad física y concientizar sus beneficios para la salud, constituye un desafío en la actualidad, en aras de reducir las secuelas asociadas al sedentarismo. La presente investigación se llevó a cabo en la Isla de la Juventud con estudiantes de la carrera de contabilidad y finanzas de la Universidad ¨Jesús Montané Oropesa, con el objetivo de determinar el estado actual del rendimiento físico motor y las manifestaciones que conforman la conducta sedentaria de los estudiantes del segundo año de la carrera de contabilidad y finanzas en este centro de Educación Superior pinero, obteniéndose como resultado el estado real del rendimiento físico motor de estos estudiantes, tomándose como referencia las pruebas de Eficiencia Física. También fueron determinadas las manifestaciones que conforman la conducta sedentaria en los sujetos investigados, a partir de las actividades realizadas en su rutina diaria lo que permite a su vez mejorar y prevenir dolencias a largo plazo asociadas a la inactividad física

“This is an example not only for their Qom race but for all the youth of Formosa”: Cultural heritage and indigenous music in Formosa’s controversial politics

Analizamos las políticas culturales emprendidas recientemente en la provincia de Formosa, Argentina, respecto del patrimonio cultural inmaterial indígena y, en especial, de la música de los tobas o qom. Nuestra hipótesis es que el gobierno provincial ha tendido a instrumentalizar estratégicamente estas políticas culturales, para crear la imagen de una administración que ideológicamente adhiere a los discursos globalizados impuestos a las democracias (como el "multiculturalismo" y la "salvaguardia del patrimonio cultural"), y a su vez, para legitimar un imaginario provincial sobre el "ser formoseño" que, si bien se reconoce "pluricultural", invisibiliza a los indígenas contemporáneos, enmascarando conflictos y desigualdades.We analyze recent cultural policy in the province of Formosa, Argentina, regarding indigenous intangible cultural heritage, particularly the music of the Toba or Qom. Our hypothesis is that the provincial government has strategically instrumentalized these cultural policies in order to create the image of an administration that ideologically endorses global discourses imposed on democracies (such as “multiculturalism” and “the safeguarding of cultural heritage”). At the same time this legitimizes a provincial imaginary of “being Formoseño” that identifies itself as “multicultural” but on the other hand invisibilizes contemporary indigenous people, masking conflicts and inequalities.Fil: Citro, Silvia Viviana. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaFil: Torres Agüero, Soledad. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentin

“This is an example not only for their Qom race but for all the youth of Formosa”: Cultural heritage and indigenous music in Formosa’s controversial politics

Analizamos las políticas culturales emprendidas recientemente en la provincia de Formosa, Argentina, respecto del patrimonio cultural inmaterial indígena y, en especial, de la música de los tobas o qom. Nuestra hipótesis es que el gobierno provincial ha tendido a instrumentalizar estratégicamente estas políticas culturales, para crear la imagen de una administración que ideológicamente adhiere a los discursos globalizados impuestos a las democracias (como el "multiculturalismo" y la "salvaguardia del patrimonio cultural"), y a su vez, para legitimar un imaginario provincial sobre el "ser formoseño" que, si bien se reconoce "pluricultural", invisibiliza a los indígenas contemporáneos, enmascarando conflictos y desigualdades.We analyze recent cultural policy in the province of Formosa, Argentina, regarding indigenous intangible cultural heritage, particularly the music of the Toba or Qom. Our hypothesis is that the provincial government has strategically instrumentalized these cultural policies in order to create the image of an administration that ideologically endorses global discourses imposed on democracies (such as “multiculturalism” and “the safeguarding of cultural heritage”). At the same time this legitimizes a provincial imaginary of “being Formoseño” that identifies itself as “multicultural” but on the other hand invisibilizes contemporary indigenous people, masking conflicts and inequalities.Fil: Citro, Silvia Viviana. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaFil: Torres Agüero, Soledad. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentin

Valorization of Linen Processing By-Products for the Development of Injection-Molded Green Composite Pieces of Polylactide with Improved Performance

[EN] This work reports the development and characterization of green composites based on polylactide (PLA) containing fillers and additives obtained from by-products or waste-streams from the linen processing industry. Flaxseed flour (FSF) was first produced by the mechanical milling of golden flaxseeds. The resultant FSF particles were melt-compounded at 30 wt% with PLA in a twin-screw extruder. Two multi-functionalized oils derived from linseed, namely epoxidized linseed oil (ELO) and maleinized linseed oil (MLO), were also incorporated during melt mixing at 2.5 and 5 parts per hundred resin (phr) of composite. The melt-compounded pellets were thereafter shaped into pieces by injection molding and characterized. Results showed that the addition of both multi-functionalized linseed oils successfully increased ductility, toughness, and thermal stability of the green composite pieces whereas water diffusion was reduced. The improvement achieved was related to both a plasticizing effect and, more interestingly, an enhancement of the interfacial adhesion between the biopolymer and the lignocellulosic particles by the reactive vegetable oils. The most optimal performance was attained for the MLO-containing green composite pieces, even at the lowest content, which was ascribed to the higher solubility of MLO with the PLA matrix. Therefore, the present study demonstrates the potential use of by-products or waste from flax (Linum usitatissimum L.) to obtain renewable raw materials of suitable quality to develop green composites with high performance for market applications such as rigid food packaging and food-contact disposable articles in the frame of the Circular Economy and Bioeconomy.This research work was funded by the Spanish Ministry of Science, Innovation, and Universities (MICIU) project numbers RTI2018-097249-B-C21 and MAT2017-84909-C2-2-R.Agüero, Á.; Lascano-Aimacaña, DS.; Garcia-Sanoguera, D.; Fenollar, O.; Torres Giner, S. (2020). Valorization of Linen Processing By-Products for the Development of Injection-Molded Green Composite Pieces of Polylactide with Improved Performance. Sustainability. 12(2):1-24. https://doi.org/10.3390/su12020652S124122Fritsch, C., Staebler, A., Happel, A., Cubero Márquez, M., Aguiló-Aguayo, I., Abadias, M., … Belotti, G. (2017). 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Estrés postraumático y depresión en mujeres con indicadores de violencia doméstica en Lima Metropolitana

La presente investigación tuvo como finalidad explorar la asociación entre el trastorno de estrés postraumático y la depresión en mujeres con indicadores de violencia doméstica en Lima Metropolitana. Es un estudio empírico, de tipo básico, con estrategia asociativa y de diseño predictivo-correlacional simple. Se trabajó con una muestra de 193 mujeres con indicadores de violencia, entre 18 y 59 años (M=33.05, DE=9.08), seleccionadas mediante un muestreo no probabilístico intencional. Para la recolección de datos se utilizaron la Escala del Trauma de Davinson (DTS), y la Escala de Depresión de Beck (BDI-II). Para el tamizaje se utilizó el cuestionario Woman Abuse Screening Tool (WAST). En los resultados, se encontró que, el 92% de mujeres con indicadores de violencia doméstica, reportaron estrés postraumático, 98% presentaron depresión grave y 2% depresión moderada. En conclusión, se identificó que sí existe asociación entre el trastorno de estrés postraumático y la depresión, un tamaño del efecto mediano: V de Cramer= .38. Además, las mujeres con indicadores de violencia doméstica que presentaron estrés postraumático tienen 70.54 veces mayor probabilidad de desarrollar depresión grave, respecto de aquellas que no lo presentaron (OR=70.54)