Ascanio Condivi: Vita di Michelagnolo Buonarroti raccolta per Ascanio Condivi da la Ripa Transone (Rom 1553). Teil I: Volltext mit einem Vorwort und Bibliographien (FONTES 34)

With its ‘inside’ view of Michelangelo, Ascanio Condivi’s "Vita di Michelagnolo Buonarroti raccolta per Ascanio Condivi de la Ripa Transone (Roma 1553)" is the most important of the early vite of the master. The Vita constitutes nearly an authorised biography of the master. Condivi’s Vita is also the first printed life of a living artist in a single book. The purpose of Condivi, Part I, is to present the Full Text of the "Vita di Michelagnolo Buonarroti (1553)". Part II will provide an initial introduction to the text, considering in particular the circumstances surrounding its ‘precipitous publication’ in July 1553. In successive Parts of the FONTES Condivi edition there will be presented a full introduction and analysis of the text, including indexing, commentary, and complete references to the literature

Sensibilities for Social Justice Lawyers

This essay describes six sensibilities that are crucial for 21st Century social justice lawyers. It urges social justice lawyers to know thoroughly the literature on lawyering and social change movements, to be clear about their fundamental aims, to connect their efforts with others, to observe from multiple perspectives, to combat cultural encapsulation, and to put in the time necessary to ensure the survival, advancement, and flourishing of clients and communities

Narrativa, potencia y estado : la frontera móvil del crimen y su representación en Salsa y control de José Roberto Duque

La narrativa es uno de los lugares desde donde se pueden visibilizar relatos que permanecen silenciados en los discursos de la oficialidad. El carácter simbólico y ficcional de la narrativa no solo habla de su función estética y cultural, sino también de la posibilidad de leer y mostrar aquello que se escapa de las instituciones formales. Aquí, intentamos abordar un problema que, desde la década de los ochenta, está presente no solo en la literatura, sino dentro del contexto nacional: la frontera móvil del crimen en Venezuela: sus transformaciones, funcionamiento y carácter inédito. A partir del texto Salsa y control de José Roberto Duque, analizamos los signos sociales y políticos que atraviesan la representación narrativa del crimen como potencia en la que se avizora el problema de la violencia en la Venezuela actual.The narrative is one of the places where you can visualize narratives that have been hidden. The symbolic and narrative fictional character not only speaks of his aesthetic and cultural role, but also the ability to read and display what escapes from formal institutions. Here, we try to address a problem that since the eighties is present not only in literature but in the national context: the mobile border crime in Venezuela: its transformations, operation and precedent. From text Salsa y control (José Roberto Duque), analyze the social and political signs that cross the narrative representation of crime in the current Venezuela