Doctor of Philosophy

dissertationInteractive editing and manipulation of digital media is a fundamental component in digital content creation. One media in particular, digital imagery, has seen a recent increase in popularity of its large or even massive image formats. Unfortunately, current systems and techniques are rarely concerned with scalability or usability with these large images. Moreover, processing massive (or even large) imagery is assumed to be an off-line, automatic process, although many problems associated with these datasets require human intervention for high quality results. This dissertation details how to design interactive image techniques that scale. In particular, massive imagery is typically constructed as a seamless mosaic of many smaller images. The focus of this work is the creation of new technologies to enable user interaction in the formation of these large mosaics. While an interactive system for all stages of the mosaic creation pipeline is a long-term research goal, this dissertation concentrates on the last phase of the mosaic creation pipeline - the composition of registered images into a seamless composite. The work detailed in this dissertation provides the technologies to fully realize interactive editing in mosaic composition on image collections ranging from the very small to massive in scale

Composing quadrilateral meshes for animation

The modeling-by-composition paradigm can be a powerful tool in modern animation pipelines. We propose two novel interactive techniques to compose 3D assets that enable the artists to freely remove, detach and combine components of organic models. The idea behind our methods is to preserve most of the original information in the input characters and blend accordingly where necessary. The first method, QuadMixer, provides a robust tool to compose the quad layouts of watertight pure quadrilateral meshes, exploiting the boolean operations defined on triangles. Quad Layout is a crucial property for many applications since it conveys important information that would otherwise be destroyed by techniques that aim only at preserving the shape. Our technique keeps untouched all the quads in the patches which are not involved in the blending. The resulting meshes preserve the originally designed edge flows that, by construction, are captured and incorporated into the new quads. SkinMixer extends this approach to compose skinned models, taking into account not only the surface but also the data structures for animating the character. We propose a new operation-based technique that preserves and smoothly merges meshes, skeletons, and skinning weights. The retopology approach of QuadMixer is extended to work on quad-dominant and arbitrary complex surfaces. Instead of relying on boolean operations on triangle meshes, we manipulate signed distance fields to generate an implicit surface. The results preserve most of the information in the input assets, blending accordingly in the intersection regions. The resulting characters are ready to be used in animation pipelines. Given the high quality of the results generated, we believe that our methods could have a huge impact on the entertainment industry. Integrated into current software for 3D modeling, they would certainly provide a powerful tool for the artists. Allowing them to automatically reuse parts of their well-designed characters could lead to a new approach for creating models, which would significantly reduce the cost of the process

Automated 3D object modeling from aerial video imagery

Research in physically accurate 3D modeling of a scene is gaining momentum because of its far reaching applications in civilian and defense sectors. The modeled 3D scene must conform both geometrically and spectrally to the real world for all the applications. Geometric modeling of a scene can be achieved in many ways of which the two most popular methods are - a) using multiple 2D passive images of the scene also called as stereo vision and b) using 3D point clouds like Lidar (Light detection and ranging) data. In this research work, we derive the 3D models of objects in a scene using passive aerial video imagery. At present, this geometric modeling requires a lot of manual intervention due to a variety of factors like sensor noise, low contrast conditions during image capture, etc. Hence long time periods, in the order of weeks and months, are required to model even a small scene. This thesis focuses on automating the process of geometric modeling of objects in a scene from passive aerial video imagery. The aerial video frames are stitched into stereo mosaics. These stereo mosaics not only provide the elevation information of a scene but also act as good 3D visualization tools. The 3D information obtained from the stereo mosaics is used to identify the various 3D objects, especially man-made buildings using probabilistic inference provided by Bayesian Networks. The initial 3D building models are further optimized by projecting them on to the individual video frames. The limitations of the state-of-art technology in attaining these goals are presented along with the techniques to overcome them. The improvement that can be achieved in the accuracy of the 3D models when Lidar data is fused with aerial video during the object identification process is also examined

TwinTex: Geometry-aware Texture Generation for Abstracted 3D Architectural Models

Coarse architectural models are often generated at scales ranging from individual buildings to scenes for downstream applications such as Digital Twin City, Metaverse, LODs, etc. Such piece-wise planar models can be abstracted as twins from 3D dense reconstructions. However, these models typically lack realistic texture relative to the real building or scene, making them unsuitable for vivid display or direct reference. In this paper, we present TwinTex, the first automatic texture mapping framework to generate a photo-realistic texture for a piece-wise planar proxy. Our method addresses most challenges occurring in such twin texture generation. Specifically, for each primitive plane, we first select a small set of photos with greedy heuristics considering photometric quality, perspective quality and facade texture completeness. Then, different levels of line features (LoLs) are extracted from the set of selected photos to generate guidance for later steps. With LoLs, we employ optimization algorithms to align texture with geometry from local to global. Finally, we fine-tune a diffusion model with a multi-mask initialization component and a new dataset to inpaint the missing region. Experimental results on many buildings, indoor scenes and man-made objects of varying complexity demonstrate the generalization ability of our algorithm. Our approach surpasses state-of-the-art texture mapping methods in terms of high-fidelity quality and reaches a human-expert production level with much less effort. Project page: https://vcc.tech/research/2023/TwinTex.Comment: Accepted to SIGGRAPH ASIA 202

Blending isogeometric analysis and local maximum entropy meshfree approximants

We present a method to blend local maximum entropy (LME) meshfree approximants and isogeometric analysis. The coupling strategy exploits the optimization program behind LME approximation, treats isogeometric and LME basis functions on an equal footing in the reproducibility constraints, but views the former as data in the constrained minimization. The resulting scheme exploits the best features and overcomes the main drawbacks of each of these approximants. Indeed, it preserves the high fidelity boundary representation (exact CAD geometry) of isogeometric analysis, out of reach for bare meshfree methods, and easily handles volume discretization and unstructured grids with possibly local refinement, while maintaining the smoothness and non-negativity of the basis functions. We implement the method with B-Splines in two dimensions, but the procedure carries over to higher spatial dimensions or to other non-negative approximants such as NURBS or subdivision schemes. The performance of the method is illustrated with the heat equation, and linear and nonlinear elasticity. The ability of the proposed method to impose directly essential boundary conditions in non-convex domains, and to deal with unstructured grids and local refinement in domains of complex geometry and topology is highlighted by the numerical examples

ARTIST-DRIVEN FRACTURING OF POLYHEDRAL SURFACE MESHES

This paper presents a robust and artist driven method for fracturing a surface polyhedral mesh via fracture maps. A fracture map is an undirected simple graph with nodes representing positions in UV-space and fracture lines along the surface of a mesh. Fracture maps allow artists to concisely and rapidly define, edit, and apply fracture patterns onto the surface of their mesh. The method projects a fracture map onto a polyhedral surface and splits its triangles accordingly. The polyhedral mesh is then segmented based on fracture lines to produce a set of independent surfaces called fracture components, containing the visible surface of each fractured mesh fragment. Subsequently, we utilize a Voronoi-based approximation of the input polyhedral mesh’s medial axis to derive a hidden surface for each fragment. The result is a new watertight polyhedral mesh representing the full fracture component. Results are aquired after a delay sufficiently brief for interactive design. As the size of the input mesh increases, the computation time has shown to grow linearly. A large mesh of 41,000 triangles requires approximately 3.4 seconds to perform a complete fracture of a complex pattern. For a wide variety of practices, the resulting fractures allows users to provide realistic feedback upon the application of extraneous forces

Signal Processing on Textured Meshes

In this thesis we extend signal processing techniques originally formulated in the context of image processing to techniques that can be applied to signals on arbitrary triangles meshes. We develop methods for the two most common representations of signals on triangle meshes: signals sampled at the vertices of a finely tessellated mesh, and signals mapped to a coarsely tessellated mesh through texture maps. Our first contribution is the combination of Lagrangian Integration and the Finite Elements Method in the formulation of two signal processing tasks: Shock Filters for texture and geometry sharpening, and Optical Flow for texture registration. Our second contribution is the formulation of Gradient-Domain processing within the texture atlas. We define a function space that handles chart discontinuities, and linear operators that capture the metric distortion introduced by the parameterization. Our third contribution is the construction of a spatiotemporal atlas parameterization for evolving meshes. Our method introduces localized remeshing operations and a compact parameterization that improves geometry and texture video compression. We show temporally coherent signal processing using partial correspondences

Streaming visualisation of quantitative mass spectrometry data based on a novel raw signal decomposition method

As data rates rise, there is a danger that informatics for high-throughput LC-MS becomes more opaque and inaccessible to practitioners. It is therefore critical that efficient visualisation tools are available to facilitate quality control, verification, validation, interpretation, and sharing of raw MS data and the results of MS analyses. Currently, MS data is stored as contiguous spectra. Recall of individual spectra is quick but panoramas, zooming and panning across whole datasets necessitates processing/memory overheads impractical for interactive use. Moreover, visualisation is challenging if significant quantification data is missing due to data-dependent acquisition of MS/MS spectra. In order to tackle these issues, we leverage our seaMass technique for novel signal decomposition. LC-MS data is modelled as a 2D surface through selection of a sparse set of weighted B-spline basis functions from an over-complete dictionary. By ordering and spatially partitioning the weights with an R-tree data model, efficient streaming visualisations are achieved. In this paper, we describe the core MS1 visualisation engine and overlay of MS/MS annotations. This enables the mass spectrometrist to quickly inspect whole runs for ionisation/chromatographic issues, MS/MS precursors for coverage problems, or putative biomarkers for interferences, for example. The open-source software is available from http://seamass.net/viz/