Audio Modeling based on Delayed Sinusoids

International audienceIn this work, we present an evolution of the DDS (Damped & Delayed Sinusoidal) model introduced within the framework of the general signal modeling. This model is named the Partial Damped & Delayed Sinusoidal (PDDS) model and takes into account a single time delay parameter for a set (sum) of damped sinusoids. This modi- ¯cation is more consistent with the transient audio modeling problem. We show the validity of this approach by compari- son with the well-known EDS (Exponentially Damped Sinu- soids) approach. Finally, the performances of three model high-resolution parameter estimation algorithms are com- pared on synthetic fast time-varying signals and on two typ- ical audio transients

The DESAM toolbox: spectral analysis of musical audio

International audienceIn this paper is presented the DESAM Toolbox, a set of Matlab functions dedicated to the estimation of widely used spectral models for music signals. Although those models can be used in Music Information Retrieval (MIR) tasks, the core functions of the toolbox do not focus on any specific application. It is rather aimed at providing a range of state-of-the-art signal processing tools that decompose music files according to different signal models, giving rise to different ``mid-level'' representations. After motivating the need for such a toolbox, this paper offers an overview of the overall organization of the toolbox, and describes all available functionalities

Intuitive control of rolling sound synthesis

International audienceThis paper presents a rolling sound synthesis model which can be intuitively controlled. To propose this model, different aspects of the rolling phenomenon are explored : physical modeling, perceptual attributes and signal morphology. A source-filter model for rolling sounds synthesis is presented with associated intuitive controls

Damped and delayed sinuosidal model for transient modeling

International audienceIn this work, we present the Damped and De- layed Sinusoidal (DDS) model, a generalization of the sinu- soidal model. This model takes into account an angular fre- quency, a damping factor, a phase, an amplitude and a time- delay parameter for each component. Two algorithms are introduced for the DDS parameter estimation using a sub- band processing approach. Finally, we derive the Cramer- Rao Bound (CRB) expression for the DDS model and a simulation-based performance analysis in the context of a noisy fast time-varying synthetic signal and in the audio transient signal modeling context

Modal Decompositions of Impulse Responses for Parametric Interaction

A modelling system for the impulse responses (IRs) of reverberators is presented. The overarching purpose of this system is to offer similar levels of control over captured IRs to that of algorithmic reverberators whilst retaining their acoustic plausibility and, where desired, realism. Specifically, an approach to estimating the parameters of the model is presented which offers a significant reduction in the computational requirements of the matrix decomposition method ESPRIT, whilst offering vastly improved quality than is possible by using a single Fourier analysis. These methods are compared, first on large sets of short-duration synthetic signals, and then on a wide range of typical IRs, some many seconds in duration. Finally, systems that employ the model described and the analysis method it uses, are discussed

Validated exponential analysis for harmonic sounds

In audio spectral analysis, the Fourier method is popular because of its stability and its low computational complexity. It suffers however from a time-frequency resolution trade off and is not particularly suited for aperiodic signals such as exponentially decaying ones. To overcome their resolution limitation, additional techniques such as quadratic peak interpolation or peak picking, and instantaneous frequency computation from phase unwrapping are used. Parametric methods on the other hand, overcome the time frequency trade off but are more susceptible to noise and have a higher computational complexity. We propose a method to overcome these drawbacks: we set up regularized smaller sized independent problems and perform a cluster analysis on their combined output. The new approach validates the true physical terms in the exponential model, is robust in the presence of outliers in the data and is able to filter out any non-physical noise terms in the model. The method is illustrated in the removal of electrical humming in harmonic sounds

A Tutorial on Speech Synthesis Models

For Speech Synthesis, the understanding of the physical and mathematical models of speech is essential. Hence, Speech Modeling is a large field, and is well documented in literature. The aim in this paper is to provide a background review of several speech models used in speech synthesis, specifically the Source Filter Model, Linear Prediction Model, Sinusoidal Model, and Harmonic/Noise Model. The most important models of speech signals will be described starting from the earlier ones up until the last ones, in order to highlight major improvements over these models. It would be desirable a parametric model of speech, that is relatively simple, flexible, high quality, and robust in re-synthesis. Emphasis will be given in Harmonic / Noise Model, since it seems to be more promising and robust model of speech. (C) 2015 The Authors. Published by Elsevier B.V