Pandora: Description of a Painting Database for Art Movement Recognition with Baselines and Perspectives

To facilitate computer analysis of visual art, in the form of paintings, we introduce Pandora (Paintings Dataset for Recognizing the Art movement) database, a collection of digitized paintings labelled with respect to the artistic movement. Noting that the set of databases available as benchmarks for evaluation is highly reduced and most existing ones are limited in variability and number of images, we propose a novel large scale dataset of digital paintings. The database consists of more than 7700 images from 12 art movements. Each genre is illustrated by a number of images varying from 250 to nearly 1000. We investigate how local and global features and classification systems are able to recognize the art movement. Our experimental results suggest that accurate recognition is achievable by a combination of various categories.To facilitate computer analysis of visual art, in the form of paintings, we introduce Pandora (Paintings Dataset for Recognizing the Art movement) database, a collection of digitized paintings labelled with respect to the artistic movement. Noting that the set of databases available as benchmarks for evaluation is highly reduced and most existing ones are limited in variability and number of images, we propose a novel large scale dataset of digital paintings. The database consists of more than 7700 images from 12 art movements. Each genre is illustrated by a number of images varying from 250 to nearly 1000. We investigate how local and global features and classification systems are able to recognize the art movement. Our experimental results suggest that accurate recognition is achievable by a combination of various categories.Comment: 11 pages, 1 figure, 6 table

SENI LUKIS OPLOSAN SENI YANG DEKAT DENGAN MASYARAKAT

Art is so close to the people, an artist creates a work of art is also so close from their people. Then a work of art created and appreciated by people. With art, an artist deliver an idea or ideas to be delivered to the general public. Art and the people a kind of relationship that both need each other and complement each other, each formed and shaped. Therefore, painting movement oplosan have purpose to get closer to the general public. It’s why the movement of painting oplosan always done in public places.oplosan painting is painting that in its creation mixing technique, materials, and may also be thought or idea, who performed together in one place is determined

Peningkatan Kemampuan Motorik Halus melalui Pembelajaran Melukis dengan Jari pada Anak Usia 5-6 Tahun

Study is to examine the planning, implementation to improve fine motor skills through learning finger painting in children aged 5-6 years in Mutiara Kindergarten at Sungai Kakap and to determine the child's ability to coordinate the movement of a finger on finger painting activities. The method used is descriptive method using a form of action research. Subjects in this study is the researcher, friend of collaboration and group B children amount 15 people. The results of the data analysis showed that the lesson planning and implementation to improve fine motor skills through learning finger painting can be categorized as “Good". Improved fine motor skills through learning finger painting that the child can move the finger to use slurry paint on the image pattern, the child uses the fingers to express themselves through movement drawing in detail, using a finger to draw a child's use in several ways such as finger painting using paint with cycle models, models of zig-zag, and by means of shading

Evaluation of air flow pattern for conceptual design of automotive painting line using Computational Fluid Dynamic (CFD) for better dust particle reduction

In the painting production process, repairing of paint work defects by running the part through repeat process, together with the essential requirement quality control routines, account for a very large proportion of the operating costs.The dust and fibre defects is ranged between 40% and 50% and found to be the highest rejection from one of the local industry painting line. Hence that, this research is focused to study the effectiveness of simulating this painting line using Computational Fluid Dynamic (CFD) method to identify the air flow and turbulence pattern which may help to understand the particle concentration and movement in the painting line. Six mechanical designs of ventilation system was proposed in order to study the particle movement and concentration to this automotive painting line. From here, the best design which suite the objective of minimizing the particle concentration and its dissipation into the painted part are justified. Hence, improvement action such as layout arrangement and mechanical design are factors involved to overcome and minimize the foreign particle from fall down into the parts during the painting process. The result from this study may also be a benchmarking for future design of new automotive painting line. © 2019, Penerbit Akademia Baru. All rights reserved

Modeling On-Line Art Auction Dynamics Using Functional Data Analysis

In this paper, we examine the price dynamics of on-line art auctions of modern Indian art using functional data analysis. The purpose here is not just to understand what determines the final prices of art objects, but also the price movement during the entire auction. We identify several factors, such as artist characteristics (established or emerging artist; prior sales history), art characteristics (size; painting medium--canvas or paper), competition characteristics (current number of bidders; current number of bids) and auction design characteristics (opening bid; position of the lot in the auction), that explain the dynamics of price movement in an on-line art auction. We find that the effects on price vary over the duration of the auction, with some of these effects being stronger at the beginning of the auction (such as the opening bid and historical prices realized). In some cases, the rate of change in prices (velocity) increases at the end of the auction (for canvas paintings and paintings by established artists). Our analysis suggests that the opening bid is positively related to on-line auction price levels of art at the beginning of the auction, but its effect declines toward the end of the auction. The order in which the lots appear in an art auction is negatively related to the current price level, with this relationship decreasing toward the end of the auction. This implies that lots that appear earlier have higher current prices during the early part of the auction, but that effect diminishes by the end of the auction. Established artists show a positive relationship with the price level at the beginning of the auction. Reputation or popularity of the artists and their investment potential as assessed by previous history of sales are positively related to the price levels at the beginning of the auction. The medium (canvas or paper) of the painting does not show any relationship with art auction price levels, but the size of the painting is negatively related to the current price during the early part of the auction. Important implications for auction design are drawn from the analysis.Comment: Published at http://dx.doi.org/10.1214/088342306000000196 in the Statistical Science (http://www.imstat.org/sts/) by the Institute of Mathematical Statistics (http://www.imstat.org

Three Landscapes For Orchestra

Three Landscapes for Orchestra is a three-movement orchestral suite, with music composed based on corresponding artworks. Each movement is inspired by an abstract painting by Samantha Keely Smith. Stylistically, the focus of these pieces is on color and mood, and the emulation of the atmosphere and emotions elicited by the source material. As such, the music either takes a literal approach to musical representations of certain aesthetic features, or an abstract approach wherein the music conveys a similar emotion or mood as the painting. Musically, the approach taken is an amalgamation of Late-Romantic, twentieth century, and twelve-tone styles, with influences from composers such as Gustav Mahler, Benjamin Britten, John Adams, and Arnold Schoenberg

Movement Without Boundaries

Johnson Simon is an artist based in West Palm Beach, Florida. Johnson always wanted to become a dancer. Born with cerebral palsy, physical limitations make it difficult for Johnson to coordinate his body movements. Determined not to let his disability keep him from pursuing his dreams, Johnson decided to study body movement and motion to learn more about what his body could not do. For Johnson, painting is all about self-discovery. Through use of vibrant colors and bold strokes, Johnson’s expressionist paintings evoke movement and motion. Occupational therapy helped Johnson discover his artistic abilities. The occupation of painting has empowered him to move without boundaries.https://scholarworks.wmich.edu/ojot_occupationandartist/1019/thumbnail.jp

"Painting in Arabic":: Etel Adnan and the Invention of a New Language

This article deals with Etel Adnan’s complex and original relation with the Arabic language, and with her concern for the situation of wars and destruction in the Arab world. It tries to analyze how, by “painting in Arabic,” Adnan not only finds a solution to her linguistic quest, but also gives word to her political commitment to the region. And finally, “painting in Arabic” makes her one of the main representatives of the Hurufiyya movement, a fundamental modernist pictorial trend in the Arab world

Smart Wall Painting System

The objective of this paper is to outline a smart wall painting system for little and medium scale operations. These days robots are broadly utilized as a part of relatively every application like medicinal application, amusement, military, production lines vehicle businesses, and so on. However, the utilization of robot is as yet not generally utilized as a part of constructional work. Robots are fundamentally design to build speed and maximize accuracy of construction field work. The basic point of the paper is to design, develop and actualize Remote Operated Wall Painting Machine which helps for accomplishing painting hardware requiring little to no effort because of which the sketch work can be effectively done proficiently and in particular at extremely ostensible cost. The painting machine keeps away from coordinate contact of chemicals which can be harmful to the human painters, for example, eye, skin and respiratory system issues.. Besides that the idea of painting method that requires rehashed work time and hand rising make it physical torment, and exertion devouring. Moreover, it would offer the chance to decrease or take out human introduction to troublesome and dangerous worked system conditions, which would take care of a large portion of the issues associated with security when numerous activities happen in the meantime. This machine is is easy to operate and no need of labour required to operate effectively. At the point when development specialists and robots are appropriately coordinated in building tasks,the entire development process can be better overseen and savings in human work and timing are acquired as an outcome. wall painting is a redundant, debilitating and risky process which makes it a perfect case for automation. Painting had been mechanized in car industry however not yet for the development business. There is a strong requirement for a portable robot that can move to paint walls of buildings. In this paper, the conceptual plan of a an autonomous wall painting robot is portrayed comprising of an arm that sweeps the dividers vertically and is fitted on a versatile robot base to give the lateral feed movement to cover the painting area. The design objective is to fulfill the criteria of straight forwardness, low weight, ease and quick painting time. Ultrasonic sensors are fitted on the arm and the portable base to alter as far as possible and move in the room territory. A control system is intended to direct the arm movement and plan the versatile base movement