464,238 research outputs found

    Interaction in creative tasks: ideation, representation and evaluation in composition

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    The design of tools for creative activities affects the creative processes and output of users. In this paper we consider how an understanding of creative interaction can inform the design of support tools in a creative domain, and where creative needs cross domain boundaries. Using observations of musical composers we analyse the theoretical approaches to understanding creativity and their use to HCI. Cycles of ideation and evaluation are suggested as atomic elements of creative interactions, with the representation of ideas a central activity for individual and collaborating composers. A model of collaborative composition was developed, along with an analysis of the representational types used in the domain. This led to the design and evaluation of a prototype Sonic Sketchpad for musical idea representation

    Developing a creative foreign language reader: in search of a theoretical approach and didactic techniques

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    The paper discusses different conceptions of creativity in relation to reading in a FL. It looks at psycholinguistic approaches that view creativity as a mentalistic individual creative thought. Further, it discusses sociocultural theories that take in account social, cultural and environmental factors. Special attention is given to a critical aspect of creativity. In the next section, the author looks at how psycholinguistic and sociolinguistic approaches view literacy and what they can offer for both FL/L2 research and pedagogy. The presentation argues for viewing the FL/L2 reading situation as an interaction of cognitive and social factors and emphases the importance of developing skills to critique texts. It suggests a set of tasks to be applied in a FL classroom aiming at improving creative reading skills

    The effect of creative problem solving with the intervention social skills on the performance of creative tasks

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    This research aims to determine the social skills intervention with the student’s ability to solve problems creatively towards understanding the concepts and procedures: the objectives of learning. A quasi-experimental research design was used to see the interaction between attitudes and treatments. The research sample was students who took computer courses in reality-based laboratories in vocational schools. Data analysis was performed using descriptive analysis techniques and inferential statistical multivariate analysis of variance two paths. Creative problem solving is intervened by a background in social skills to understand concepts and procedures. Social skills have a greater influence on the creative process. This can be seen when giving creative problem-solving tasks. The abilities they have, about; readiness to learn, the ability to understand one’s own needs, and the ability to understand one’s own learning style, greatly support the performance of their creative assignments. At the same time, external factors have less influence on the performance of creative tasks. These external factors are influenced by the class social environment, group formation, and class management. Students who have high social skills find it easier to complete creative tasks, and students who have low social skills have problems adapting and adjusting to the learning process

    Designing relational pedagogies with jam2jamXO

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    This paper examines the affordances of the philosophy and practice of open source and the application of it in developing music education software. In particular I will examine the parallels inherent in the ‘openness’ of pragmatist philosophy in education (Dewey 1916, 1989) such as group or collaborative learning, discovery learning (Bruner 1966) and learning through creative activity with computers (Papert 1980, 1994). Primarily I am interested in ‘relational pedagogies’ (Ruthmann and Dillon In Press) which is in a real sense about the ethics of the transaction between student and teacher in an ecology where technology plays a more significant role. In these contexts relational pedagogies refers to how the music teacher manages their relationships with students and evaluates the affordances of open source technology in that process. It is concerned directly with how the relationship between student and teacher is affected by the technological tools, as is the capacity for music making and learning. In particular technologies that have agency present the opportunity for a partnership between user and technology that enhances the capacity for expressive music making, productive social interaction and learning. In this instance technologies with agency are defined as ones that enhance the capacity to be expressive and perform tasks with virtuosity and complexity where the technology translates simple commands and gestures into complex outcomes. The technology enacts a partnership with the user that becomes both a cognitive and performative amplifier. Specifically we have used this term to describe interactions with generative technologies that use procedural invention as a creative technique to produce music and visual media

    Structured Generation and Exploration of Design Space with Large Language Models for Human-AI Co-Creation

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    Thanks to their generative capabilities, large language models (LLMs) have become an invaluable tool for creative processes. These models have the capacity to produce hundreds and thousands of visual and textual outputs, offering abundant inspiration for creative endeavors. But are we harnessing their full potential? We argue that current interaction paradigms fall short, guiding users towards rapid convergence on a limited set of ideas, rather than empowering them to explore the vast latent design space in generative models. To address this limitation, we propose a framework that facilitates the structured generation of design space in which users can seamlessly explore, evaluate, and synthesize a multitude of responses. We demonstrate the feasibility and usefulness of this framework through the design and development of an interactive system, Luminate, and a user study with 8 professional writers. Our work advances how we interact with LLMs for creative tasks, introducing a way to harness the creative potential of LLMs

    Deconstructing Engagement: A First Generation Report on the ArtsSmarts Student Engagement Questionnaire

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    During the school year 2006-2007, ArtsSmarts representatives collaborated with Karen Hume to design a questionnaire to measure students' engagement before and after ArtsSmarts programs. The questionnaire was administered to a large number of students who were being taught by an ArtsSmarts team comprised of an artist and a teacher. ArtsSmarts uses an innovative approach to arts integration, by allowing the self construction of programming in classrooms; and by acting as a facilitator in providing resources for artists and teachers teams develop programming for students in their classrooms. This programming develops a context where student learning and engagement in tasks and activities can take place. ArtsSmarts does not dictate this creative process; rather, it plays a supportive role in acting as a reference point for the teacher-artist teams to rely on. This approach not only allows for the innovation to evolve organically from the generation of the artist-teacher teams to student interaction, but also excites the creative learning process within the classroom. This report is a summary of the results from this first administration of the ArtsSmarts Student Engagement Questionnaire (i.e., first generation). The overall purpose of this report is firstly to examine student engagement, and secondly to examine the quality of the questionnaire, for further refinements. This report has three areas of focus: 1. To summarize the responses of students who completed the questionnaire.2. To compare student engagement before and after intervention.3. To identify strengths and weakness in the questionnaire for further revisions
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