Models and analysis of vocal emissions for biomedical applications

This book of Proceedings collects the papers presented at the 3rd International Workshop on Models and Analysis of Vocal Emissions for Biomedical Applications, MAVEBA 2003, held 10-12 December 2003, Firenze, Italy. The workshop is organised every two years, and aims to stimulate contacts between specialists active in research and industrial developments, in the area of voice analysis for biomedical applications. The scope of the Workshop includes all aspects of voice modelling and analysis, ranging from fundamental research to all kinds of biomedical applications and related established and advanced technologies

Trennung und Schätzung der Anzahl von Audiosignalquellen mit Zeit- und Frequenzüberlappung

Everyday audio recordings involve mixture signals: music contains a mixture of instruments; in a meeting or conference, there is a mixture of human voices. For these mixtures, automatically separating or estimating the number of sources is a challenging task. A common assumption when processing mixtures in the time-frequency domain is that sources are not fully overlapped. However, in this work we consider some cases where the overlap is severe — for instance, when instruments play the same note (unison) or when many people speak concurrently ("cocktail party") — highlighting the need for new representations and more powerful models. To address the problems of source separation and count estimation, we use conventional signal processing techniques as well as deep neural networks (DNN). We first address the source separation problem for unison instrument mixtures, studying the distinct spectro-temporal modulations caused by vibrato. To exploit these modulations, we developed a method based on time warping, informed by an estimate of the fundamental frequency. For cases where such estimates are not available, we present an unsupervised model, inspired by the way humans group time-varying sources (common fate). This contribution comes with a novel representation that improves separation for overlapped and modulated sources on unison mixtures but also improves vocal and accompaniment separation when used as an input for a DNN model. Then, we focus on estimating the number of sources in a mixture, which is important for real-world scenarios. Our work on count estimation was motivated by a study on how humans can address this task, which lead us to conduct listening experiments, confirming that humans are only able to estimate the number of up to four sources correctly. To answer the question of whether machines can perform similarly, we present a DNN architecture, trained to estimate the number of concurrent speakers. Our results show improvements compared to other methods, and the model even outperformed humans on the same task. In both the source separation and source count estimation tasks, the key contribution of this thesis is the concept of “modulation”, which is important to computationally mimic human performance. Our proposed Common Fate Transform is an adequate representation to disentangle overlapping signals for separation, and an inspection of our DNN count estimation model revealed that it proceeds to find modulation-like intermediate features.Im Alltag sind wir von gemischten Signalen umgeben: Musik besteht aus einer Mischung von Instrumenten; in einem Meeting oder auf einer Konferenz sind wir einer Mischung menschlicher Stimmen ausgesetzt. Für diese Mischungen ist die automatische Quellentrennung oder die Bestimmung der Anzahl an Quellen eine anspruchsvolle Aufgabe. Eine häufige Annahme bei der Verarbeitung von gemischten Signalen im Zeit-Frequenzbereich ist, dass die Quellen sich nicht vollständig überlappen. In dieser Arbeit betrachten wir jedoch einige Fälle, in denen die Überlappung immens ist zum Beispiel, wenn Instrumente den gleichen Ton spielen (unisono) oder wenn viele Menschen gleichzeitig sprechen (Cocktailparty) —, so dass neue Signal-Repräsentationen und leistungsfähigere Modelle notwendig sind. Um die zwei genannten Probleme zu bewältigen, verwenden wir sowohl konventionelle Signalverbeitungsmethoden als auch tiefgehende neuronale Netze (DNN). Wir gehen zunächst auf das Problem der Quellentrennung für Unisono-Instrumentenmischungen ein und untersuchen die speziellen, durch Vibrato ausgelösten, zeitlich-spektralen Modulationen. Um diese Modulationen auszunutzen entwickelten wir eine Methode, die auf Zeitverzerrung basiert und eine Schätzung der Grundfrequenz als zusätzliche Information nutzt. Für Fälle, in denen diese Schätzungen nicht verfügbar sind, stellen wir ein unüberwachtes Modell vor, das inspiriert ist von der Art und Weise, wie Menschen zeitveränderliche Quellen gruppieren (Common Fate). Dieser Beitrag enthält eine neuartige Repräsentation, die die Separierbarkeit für überlappte und modulierte Quellen in Unisono-Mischungen erhöht, aber auch die Trennung in Gesang und Begleitung verbessert, wenn sie in einem DNN-Modell verwendet wird. Im Weiteren beschäftigen wir uns mit der Schätzung der Anzahl von Quellen in einer Mischung, was für reale Szenarien wichtig ist. Unsere Arbeit an der Schätzung der Anzahl war motiviert durch eine Studie, die zeigt, wie wir Menschen diese Aufgabe angehen. Dies hat uns dazu veranlasst, eigene Hörexperimente durchzuführen, die bestätigten, dass Menschen nur in der Lage sind, die Anzahl von bis zu vier Quellen korrekt abzuschätzen. Um nun die Frage zu beantworten, ob Maschinen dies ähnlich gut können, stellen wir eine DNN-Architektur vor, die erlernt hat, die Anzahl der gleichzeitig sprechenden Sprecher zu ermitteln. Die Ergebnisse zeigen Verbesserungen im Vergleich zu anderen Methoden, aber vor allem auch im Vergleich zu menschlichen Hörern. Sowohl bei der Quellentrennung als auch bei der Schätzung der Anzahl an Quellen ist ein Kernbeitrag dieser Arbeit das Konzept der “Modulation”, welches wichtig ist, um die Strategien von Menschen mittels Computern nachzuahmen. Unsere vorgeschlagene Common Fate Transformation ist eine adäquate Darstellung, um die Überlappung von Signalen für die Trennung zugänglich zu machen und eine Inspektion unseres DNN-Zählmodells ergab schließlich, dass sich auch hier modulationsähnliche Merkmale finden lassen

Frequency-warped autoregressive modeling and filtering

This thesis consists of an introduction and nine articles. The articles are related to the application of frequency-warping techniques to audio signal processing, and in particular, predictive coding of wideband audio signals. The introduction reviews the literature and summarizes the results of the articles. Frequency-warping, or simply warping techniques are based on a modification of a conventional signal processing system so that the inherent frequency representation in the system is changed. It is demonstrated that this may be done for basically all traditional signal processing algorithms. In audio applications it is beneficial to modify the system so that the new frequency representation is close to that of human hearing. One of the articles is a tutorial paper on the use of warping techniques in audio applications. Majority of the articles studies warped linear prediction, WLP, and its use in wideband audio coding. It is proposed that warped linear prediction would be particularly attractive method for low-delay wideband audio coding. Warping techniques are also applied to various modifications of classical linear predictive coding techniques. This was made possible partly by the introduction of a class of new implementation techniques for recursive filters in one of the articles. The proposed implementation algorithm for recursive filters having delay-free loops is a generic technique. This inspired to write an article which introduces a generalized warped linear predictive coding scheme. One example of the generalized approach is a linear predictive algorithm using almost logarithmic frequency representation.reviewe

Voice source characterization for prosodic and spectral manipulation

The objective of this dissertation is to study and develop techniques to decompose the speech signal into its two main components: voice source and vocal tract. Our main efforts are on the glottal pulse analysis and characterization. We want to explore the utility of this model in different areas of speech processing: speech synthesis, voice conversion or emotion detection among others. Thus, we will study different techniques for prosodic and spectral manipulation. One of our requirements is that the methods should be robust enough to work with the large databases typical of speech synthesis. We use a speech production model in which the glottal flow produced by the vibrating vocal folds goes through the vocal (and nasal) tract cavities and its radiated by the lips. Removing the effect of the vocal tract from the speech signal to obtain the glottal pulse is known as inverse filtering. We use a parametric model fo the glottal pulse directly in the source-filter decomposition phase. In order to validate the accuracy of the parametrization algorithm, we designed a synthetic corpus using LF glottal parameters reported in the literature, complemented with our own results from the vowel database. The results show that our method gives satisfactory results in a wide range of glottal configurations and at different levels of SNR. Our method using the whitened residual compared favorably to this reference, achieving high quality ratings (Good-Excellent). Our full parametrized system scored lower than the other two ranking in third place, but still higher than the acceptance threshold (Fair-Good). Next we proposed two methods for prosody modification, one for each of the residual representations explained above. The first method used our full parametrization system and frame interpolation to perform the desired changes in pitch and duration. The second method used resampling on the residual waveform and a frame selection technique to generate a new sequence of frames to be synthesized. The results showed that both methods are rated similarly (Fair-Good) and that more work is needed in order to achieve quality levels similar to the reference methods. As part of this dissertation, we have studied the application of our models in three different areas: voice conversion, voice quality analysis and emotion recognition. We have included our speech production model in a reference voice conversion system, to evaluate the impact of our parametrization in this task. The results showed that the evaluators preferred our method over the original one, rating it with a higher score in the MOS scale. To study the voice quality, we recorded a small database consisting of isolated, sustained Spanish vowels in four different phonations (modal, rough, creaky and falsetto) and were later also used in our study of voice quality. Comparing the results with those reported in the literature, we found them to generally agree with previous findings. Some differences existed, but they could be attributed to the difficulties in comparing voice qualities produced by different speakers. At the same time we conducted experiments in the field of voice quality identification, with very good results. We have also evaluated the performance of an automatic emotion classifier based on GMM using glottal measures. For each emotion, we have trained an specific model using different features, comparing our parametrization to a baseline system using spectral and prosodic characteristics. The results of the test were very satisfactory, showing a relative error reduction of more than 20% with respect to the baseline system. The accuracy of the different emotions detection was also high, improving the results of previously reported works using the same database. Overall, we can conclude that the glottal source parameters extracted using our algorithm have a positive impact in the field of automatic emotion classification

New linear predictive methods for digital speech processing

Speech processing is needed whenever speech is to be compressed, synthesised or recognised by the means of electrical equipment. Different types of phones, multimedia equipment and interfaces to various electronic devices, all require digital speech processing. As an example, a GSM phone applies speech processing in its RPE-LTP encoder/decoder (ETSI, 1997). In this coder, 20 ms of speech is first analysed in the short-term prediction (STP) part, and second in the long-term prediction (LTP) part. Finally, speech compression is achieved in the RPE encoding part, where only 1/3 of the encoded samples are selected to be transmitted. This thesis presents modifications for one of the most widely applied techniques in digital speech processing, namely linear prediction (LP). During recent decades linear prediction has played an important role in telecommunications and other areas related to speech compression and recognition. In linear prediction sample s(n) is predicted from its p previous samples by forming a linear combination of the p previous samples and by minimising the prediction error. This procedure in the time domain corresponds to modelling the spectral envelope of the speech spectrum in the frequency domain. The accuracy of the spectral envelope to the speech spectrum is strongly dependent on the order of the resulting all-pole filter. This, in turn, is usually related to the number of parameters required to define the model, and hence to be transmitted. Our study presents new predictive methods, which are modified from conventional linear prediction by taking the previous samples for linear combination differently. This algorithmic development aims at new all-pole techniques, which could present speech spectra with fewer parameters.reviewe

Ultrasound based Silent Speech Interface using Deep Learning

Silent Speech Interface (SSI) is a technology able to synthesize speech in the absence of any acoustic signal. It can be useful in cases like laryngectomy patients, noisy environments or silent calls. This thesis explores the particular case of SSI using ultrasound images of the tongue as input signals. A 'direct synthesis' approach based on Deep Neural Networks and Mel-generalized cepstral coefficients is proposed. This document is an extension of Csapó et al. "DNN-based Ultrasound-to-Speech Conversion for a Silent Speech Interface". Several deep learning models, such as the basic Feed-forward Neural Networks, Convolutional Neural Networks and Recurrent Neural Networks are presented and discussed. A denoising pre-processing based on a Deep Convolutional Autoencoder has also been studied. A considerable number of experiments using a set of different deep learning architectures and an extensive hyperperameter optimization study have been realized. The different experiments have been testing and rating several objective and subjective quality measures. According to the experiments, an architecture based on a CNN and bidirectional LSTM layers has shown the best results in both objective and subjective terms.Silent Speech Interface (SSI) is a technology able to synthesize speech in the absence of any acoustic signal. It can be useful in cases like laryngectomy patients, noisy environments or silent calls. This thesis explores the particular case of SSI using ultrasound images of the tongue as input signals. A 'direct synthesis' approach based on Deep Neural Networks and Mel-generalized cepstral coefficients is proposed. This document is an extension of Csapó et al. "DNN-based Ultrasound-to-Speech Conversion for a Silent Speech Interface". Several deep learning models, such as the basic Feed-forward Neural Networks, Convolutional Neural Networks and Recurrent Neural Networks are presented and discussed. A denoising pre-processing based on a Deep Convolutional Autoencoder has also been studied. A considerable number of experiments using a set of different deep learning architectures and an extensive hyperperameter optimization study have been realized. The different experiments have been testing and rating several objective and subjective quality measures. According to the experiments, an architecture based on a CNN and bidirectional LSTM layers has shown the best results in both objective and subjective terms.Silent Speech Interface (SSI) és una tecnologia capaç de sintetitzar veu partint únicament de senyals no-acústiques. Pot tenir gran utilitat en casos com pacients de laringectomia, ambients sorollosos o trucades silencioses. Aquesta tèsis explora el cas particular de SSI utilitzant imatges de la llengua captades amb ultrasons com a senyals d'entrada. Es proposa un enfocament de 'síntesis directa' basat en Xarxes Neuronals Profundes i coeficients Mel-generalized cepstral. Aquest document és una extensió del treball de Csapó et al. "DNN-based Ultrasound-to-Speech Conversion for a Silent Speech Interface" . Diversos models de xarxes neuronals són presentats i discutits, com les bàsiques xarxes neuronals directes, xarxes neuronals convolucionals o xarxes neuronals recurrents. També s'ha estudiat un pre-processat reductor de soroll basat en un Autoencoder convolucional profund. S'ha portat a terme un nombre considerable d'experiments utilitzant diverses arquitectures de Deep Learning, així com un extens estudi d'optimització d'hyperparàmetres. Els diferents experiments han estat evaluar i qualificar a partir de diferentes mesures de qualitat objectives i subjectives. Els millors resultats, tant en termes objectius com subjectius, els ha presentat una arquitectura basada en una CNN i capes bidireccionals de LSTMs

A novel framework for high-quality voice source analysis and synthesis

This thesis was submitted for the degree of Doctor of Philosophy and awarded by Brunel University.The analysis, parameterization and modeling of voice source estimates obtained via inverse filtering of recorded speech are some of the most challenging areas of speech processing owing to the fact humans produce a wide range of voice source realizations and that the voice source estimates commonly contain artifacts due to the non-linear time-varying source-filter coupling. Currently, the most widely adopted representation of voice source signal is Liljencrants-Fant's (LF) model which was developed in late 1985. Due to the overly simplistic interpretation of voice source dynamics, LF model can not represent the fine temporal structure of glottal flow derivative realizations nor can it carry the sufficient spectral richness to facilitate a truly natural sounding speech synthesis. In this thesis we have introduced Characteristic Glottal Pulse Waveform Parameterization and Modeling (CGPWPM) which constitutes an entirely novel framework for voice source analysis, parameterization and reconstruction. In comparative evaluation of CGPWPM and LF model we have demonstrated that the proposed method is able to preserve higher levels of speaker dependant information from the voice source estimates and realize a more natural sounding speech synthesis. In general, we have shown that CGPWPM-based speech synthesis rates highly on the scale of absolute perceptual acceptability and that speech signals are faithfully reconstructed on consistent basis, across speakers, gender. We have applied CGPWPM to voice quality profiling and text-independent voice quality conversion method. The proposed voice conversion method is able to achieve the desired perceptual effects and the modified speech remained as natural sounding and intelligible as natural speech. In this thesis, we have also developed an optimal wavelet thresholding strategy for voice source signals which is able to suppress aspiration noise and still retain both the slow and the rapid variations in the voice source estimate

IMPROVING THE AUTOMATIC RECOGNITION OF DISTORTED SPEECH

Automatic speech recognition has a wide variety of uses in this technological age, yet speech distortions present many difficulties for accurate recognition. The research presented provides solutions that counter the detrimental effects that some distortions have on the accuracy of automatic speech recognition. Two types of speech distortions are focused on independently. They are distortions due to speech coding and distortions due to additive noise. Compensations for both types of distortion resulted in decreased recognition error.Distortions due to the speech coding process are countered through recognition of the speech directly from the bitstream, thus eliminating the need for reconstruction of the speech signal and eliminating the distortion caused by it. There is a relative difference of 6.7% between the recognition error rate of uncoded speech and that of speech reconstructed from MELP encoded parameters. The relative difference between the recognition error rate for uncoded speech and that of encoded speech recognized directly from the MELP bitstream is 3.5%. This 3.2 percentage point difference is equivalent to the accurate recognition of an additional 334 words from the 12,863 words spoken.Distortions due to noise are offset through appropriate modification of an existing noise reduction technique called minimum mean-square error log spectral amplitude enhancement. A relative difference of 28% exists between the recognition error rate of clean speech and that of speech with additive noise. Applying a speech enhancement front-end reduced this difference to 22.2%. This 5.8 percentage point difference is equivalent to the accurate recognition of an additional 540 words from the 12,863 words spoken