A full photometric and geometric model for attached webcam/matte screen devices

International audienceWe present a thorough photometric and geometric study of the multimedia devices composed of both a matte screen and an attached camera, where it is shown that the light emitted by an image displayed on the monitor can be expressed in closed-form at any point facing the screen, and that the geometric calibration of the camera attached to the screen can be simplified by introducing simple geometric constraints. These theoretical contributions are experimentally validated in a photometric stereo application with extended sources, where a colored scene is reconstructed while watching a collection of graylevel images displayed on the screen, providing a cheap and entertaining way to acquire realistic 3D-representations for, e.g., augmented reality

Video normals from colored lights

We present an algorithm and the associated single-view capture methodology to acquire the detailed 3D shape, bends, and wrinkles of deforming surfaces. Moving 3D data has been difficult to obtain by methods that rely on known surface features, structured light, or silhouettes. Multispectral photometric stereo is an attractive alternative because it can recover a dense normal field from an untextured surface. We show how to capture such data, which in turn allows us to demonstrate the strengths and limitations of our simple frame-to-frame registration over time. Experiments were performed on monocular video sequences of untextured cloth and faces with and without white makeup. Subjects were filmed under spatially separated red, green, and blue lights. Our first finding is that the color photometric stereo setup is able to produce smoothly varying per-frame reconstructions with high detail. Second, when these 3D reconstructions are augmented with 2D tracking results, one can register both the surfaces and relax the homogenous-color restriction of the single-hue subject. Quantitative and qualitative experiments explore both the practicality and limitations of this simple multispectral capture system

NOVEL DENSE STEREO ALGORITHMS FOR HIGH-QUALITY DEPTH ESTIMATION FROM IMAGES

This dissertation addresses the problem of inferring scene depth information from a collection of calibrated images taken from different viewpoints via stereo matching. Although it has been heavily investigated for decades, depth from stereo remains a long-standing challenge and popular research topic for several reasons. First of all, in order to be of practical use for many real-time applications such as autonomous driving, accurate depth estimation in real-time is of great importance and one of the core challenges in stereo. Second, for applications such as 3D reconstruction and view synthesis, high-quality depth estimation is crucial to achieve photo realistic results. However, due to the matching ambiguities, accurate dense depth estimates are difficult to achieve. Last but not least, most stereo algorithms rely on identification of corresponding points among images and only work effectively when scenes are Lambertian. For non-Lambertian surfaces, the brightness constancy assumption is no longer valid. This dissertation contributes three novel stereo algorithms that are motivated by the specific requirements and limitations imposed by different applications. In addressing high speed depth estimation from images, we present a stereo algorithm that achieves high quality results while maintaining real-time performance. We introduce an adaptive aggregation step in a dynamic-programming framework. Matching costs are aggregated in the vertical direction using a computationally expensive weighting scheme based on color and distance proximity. We utilize the vector processing capability and parallelism in commodity graphics hardware to speed up this process over two orders of magnitude. In addressing high accuracy depth estimation, we present a stereo model that makes use of constraints from points with known depths - the Ground Control Points (GCPs) as referred to in stereo literature. Our formulation explicitly models the influences of GCPs in a Markov Random Field. A novel regularization prior is naturally integrated into a global inference framework in a principled way using the Bayes rule. Our probabilistic framework allows GCPs to be obtained from various modalities and provides a natural way to integrate information from various sensors. In addressing non-Lambertian reflectance, we introduce a new invariant for stereo correspondence which allows completely arbitrary scene reflectance (bidirectional reflectance distribution functions - BRDFs). This invariant can be used to formulate a rank constraint on stereo matching when the scene is observed by several lighting configurations in which only the lighting intensity varies

Photometric stereo for strong specular highlights

Photometric stereo (PS) is a fundamental technique in computer vision known to produce 3-D shape with high accuracy. The setting of PS is defined by using several input images of a static scene taken from one and the same camera position but under varying illumination. The vast majority of studies in this 3-D reconstruction method assume orthographic projection for the camera model. In addition, they mainly consider the Lambertian reflectance model as the way that light scatters at surfaces. So, providing reliable PS results from real world objects still remains a challenging task. We address 3-D reconstruction by PS using a more realistic set of assumptions combining for the first time the complete Blinn-Phong reflectance model and perspective projection. To this end, we will compare two different methods of incorporating the perspective projection into our model. Experiments are performed on both synthetic and real world images. Note that our real-world experiments do not benefit from laboratory conditions. The results show the high potential of our method even for complex real world applications such as medical endoscopy images which may include high amounts of specular highlights

Inverse rendering for scene reconstruction in general environments

Demand for high-quality 3D content has been exploding recently, owing to the advances in 3D displays and 3D printing. However, due to insufficient 3D content, the potential of 3D display and printing technology has not been realized to its full extent. Techniques for capturing the real world, which are able to generate 3D models from captured images or videos, are a hot research topic in computer graphics and computer vision. Despite significant progress, many methods are still highly constrained and require lots of prerequisites to succeed. Marker-less performance capture is one such dynamic scene reconstruction technique that is still confined to studio environments. The requirements involved, such as the need for a multi-view camera setup, specially engineered lighting or green-screen backgrounds, prevent these methods from being widely used by the film industry or even by ordinary consumers. In the area of scene reconstruction from images or videos, this thesis proposes new techniques that succeed in general environments, even using as few as two cameras. Contributions are made in terms of reducing the constraints of marker-less performance capture on lighting, background and the required number of cameras. The primary theoretical contribution lies in the investigation of light transport mechanisms for high-quality 3D reconstruction in general environments. Several steps are taken to approach the goal of scene reconstruction in general environments. At first, the concept of employing inverse rendering for scene reconstruction is demonstrated on static scenes, where a high-quality multi-view 3D reconstruction method under general unknown illumination is developed. Then, this concept is extended to dynamic scene reconstruction from multi-view video, where detailed 3D models of dynamic scenes can be captured under general and even varying lighting, and in front of a general scene background without a green screen. Finally, efforts are made to reduce the number of cameras employed. New performance capture methods using as few as two cameras are proposed to capture high-quality 3D geometry in general environments, even outdoors.Die Nachfrage nach qualitativ hochwertigen 3D Modellen ist in letzter Zeit, bedingt durch den technologischen Fortschritt bei 3D-Wieder-gabegeräten und -Druckern, stark angestiegen. Allerdings konnten diese Technologien wegen mangelnder Inhalte nicht ihr volles Potential entwickeln. Methoden zur Erfassung der realen Welt, welche 3D-Modelle aus Bildern oder Videos generieren, sind daher ein brandaktuelles Forschungsthema im Bereich Computergrafik und Bildverstehen. Trotz erheblichen Fortschritts in dieser Richtung sind viele Methoden noch stark eingeschränkt und benötigen viele Voraussetzungen um erfolgreich zu sein. Markerloses Performance Capturing ist ein solches Verfahren, das dynamische Szenen rekonstruiert, aber noch auf Studio-Umgebungen beschränkt ist. Die spezifischen Anforderung solcher Verfahren, wie zum Beispiel einen Mehrkameraaufbau, maßgeschneiderte, kontrollierte Beleuchtung oder Greenscreen-Hintergründe verhindern die Verbreitung dieser Verfahren in der Filmindustrie und besonders bei Endbenutzern. Im Bereich der Szenenrekonstruktion aus Bildern oder Videos schlägt diese Dissertation neue Methoden vor, welche in beliebigen Umgebungen und auch mit nur wenigen (zwei) Kameras funktionieren. Dazu werden Schritte unternommen, um die Einschränkungen bisheriger Verfahren des markerlosen Performance Capturings im Hinblick auf Beleuchtung, Hintergründe und die erforderliche Anzahl von Kameras zu verringern. Der wichtigste theoretische Beitrag liegt in der Untersuchung von Licht-Transportmechanismen für hochwertige 3D-Rekonstruktionen in beliebigen Umgebungen. Dabei werden mehrere Schritte unternommen, um das Ziel der Szenenrekonstruktion in beliebigen Umgebungen anzugehen. Zunächst wird die Anwendung von inversem Rendering auf die Rekonstruktion von statischen Szenen dargelegt, indem ein hochwertiges 3D-Rekonstruktionsverfahren aus Mehransichtsaufnahmen unter beliebiger, unbekannter Beleuchtung entwickelt wird. Dann wird dieses Konzept auf die dynamische Szenenrekonstruktion basierend auf Mehransichtsvideos erweitert, wobei detaillierte 3D-Modelle von dynamischen Szenen unter beliebiger und auch veränderlicher Beleuchtung vor einem allgemeinen Hintergrund ohne Greenscreen erfasst werden. Schließlich werden Anstrengungen unternommen die Anzahl der eingesetzten Kameras zu reduzieren. Dazu werden neue Verfahren des Performance Capturings, unter Verwendung von lediglich zwei Kameras vorgeschlagen, um hochwertige 3D-Geometrie im beliebigen Umgebungen, sowie im Freien, zu erfassen

Innovative Techniques for Digitizing and Restoring Deteriorated Historical Documents

Recent large-scale document digitization initiatives have created new modes of access to modern library collections with the development of new hardware and software technologies. Most commonly, these digitization projects focus on accurately scanning bound texts, some reaching an efficiency of more than one million volumes per year. While vast digital collections are changing the way users access texts, current scanning paradigms can not handle many non-standard materials. Documentation forms such as manuscripts, scrolls, codices, deteriorated film, epigraphy, and rock art all hold a wealth of human knowledge in physical forms not accessible by standard book scanning technologies. This great omission motivates the development of new technology, presented by this thesis, that is not-only effective with deteriorated bound works, damaged manuscripts, and disintegrating photonegatives but also easily utilized by non-technical staff. First, a novel point light source calibration technique is presented that can be performed by library staff. Then, a photometric correction technique which uses known illumination and surface properties to remove shading distortions in deteriorated document images can be automatically applied. To complete the restoration process, a geometric correction is applied. Also unique to this work is the development of an image-based uncalibrated document scanner that utilizes the transmissivity of document substrates. This scanner extracts intrinsic document color information from one or both sides of a document. Simultaneously, the document shape is estimated to obtain distortion information. Lastly, this thesis provides a restoration framework for damaged photographic negatives that corrects photometric and geometric distortions. Current restoration techniques for the discussed form of negatives require physical manipulation to the photograph. The novel acquisition and restoration system presented here provides the first known solution to digitize and restore deteriorated photographic negatives without damaging the original negative in any way. This thesis work develops new methods of document scanning and restoration suitable for wide-scale deployment. By creating easy to access technologies, library staff can implement their own scanning initiatives and large-scale scanning projects can expand their current document-sets

3D Reconstruction using Active Illumination

In this thesis we present a pipeline for 3D model acquisition. Generating 3D models of real-world objects is an important task in computer vision with many applications, such as in 3D design, archaeology, entertainment, and virtual or augmented reality. The contribution of this thesis is threefold: we propose a calibration procedure for the cameras, we describe an approach for capturing and processing photometric normals using gradient illuminations in the hardware set-up, and finally we present a multi-view photometric stereo 3D reconstruction method. In order to obtain accurate results using multi-view and photometric stereo reconstruction, the cameras are calibrated geometrically and photometrically. For acquiring data, a light stage is used. This is a hardware set-up that allows to control the illumination during acquisition. The procedure used to generate appropriate illuminations and to process the acquired data to obtain accurate photometric normals is described. The core of the pipeline is a multi-view photometric stereo reconstruction method. In this method, we first generate a sparse reconstruction using the acquired images and computed normals. In the second step, the information from the normal maps is used to obtain a dense reconstruction of an object’s surface. Finally, the reconstructed surface is filtered to remove artifacts introduced by the dense reconstruction step