35 research outputs found

    Computational approaches to Explainable Artificial Intelligence: Advances in theory, applications and trends

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    Deep Learning (DL), a groundbreaking branch of Machine Learning (ML), has emerged as a driving force in both theoretical and applied Artificial Intelligence (AI). DL algorithms, rooted in complex and non-linear artificial neural systems, excel at extracting high-level features from data. DL has demonstrated human-level performance in real-world tasks, including clinical diagnostics, and has unlocked solutions to previously intractable problems in virtual agent design, robotics, genomics, neuroimaging, computer vision, and industrial automation. In this paper, the most relevant advances from the last few years in Artificial Intelligence (AI) and several applications to neuroscience, neuroimaging, computer vision, and robotics are presented, reviewed and discussed. In this way, we summarize the state-of-the-art in AI methods, models and applications within a collection of works presented at the 9 International Conference on the Interplay between Natural and Artificial Computation (IWINAC). The works presented in this paper are excellent examples of new scientific discoveries made in laboratories that have successfully transitioned to real-life applications

    TouchEditor: Interaction design and evaluation of a flexible touchpad for text editing of head-mounted displays in speech-unfriendly environments

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    A text editing solution that adapts to speech-unfriendly (inconvenient to speak or difficult to recognize speech) environments is essential for head-mounted displays (HMDs) to work universally. For existing schemes, e.g., touch bar, virtual keyboard and physical keyboard, there are shortcomings such as insufficient speed, uncomfortable experience or restrictions on user location and posture. To mitigate these restrictions, we propose TouchEditor, a novel text editing system for HMDs based on a flexible piezoresistive film sensor, supporting cursor positioning, text selection, text retyping and editing commands (i.e., Copy, Paste, Delete, etc.). Through literature overview and heuristic study, we design a pressure-controlled menu and a shortcut gesture set for entering editing commands, and propose an area-and-pressure-based method for cursor positioning and text selection that skillfully maps gestures in different areas and with different strengths to cursor movements with different directions and granularities. The evaluation results show that TouchEditor i) adapts to various contents and scenes well with a stable correction speed of 0.075 corrections per second; ii) achieves 95.4% gesture recognition accuracy; iii) reaches a considerable level with a mobile phone in text selection tasks. The comparison results with the speech-dependent EYEditor and the built-in touch bar further prove the flexibility and robustness of TouchEditor in speech-unfriendly environments

    Computational Approaches to Explainable Artificial Intelligence:Advances in Theory, Applications and Trends

    Get PDF
    Deep Learning (DL), a groundbreaking branch of Machine Learning (ML), has emerged as a driving force in both theoretical and applied Artificial Intelligence (AI). DL algorithms, rooted in complex and non-linear artificial neural systems, excel at extracting high-level features from data. DL has demonstrated human-level performance in real-world tasks, including clinical diagnostics, and has unlocked solutions to previously intractable problems in virtual agent design, robotics, genomics, neuroimaging, computer vision, and industrial automation. In this paper, the most relevant advances from the last few years in Artificial Intelligence (AI) and several applications to neuroscience, neuroimaging, computer vision, and robotics are presented, reviewed and discussed. In this way, we summarize the state-of-the-art in AI methods, models and applications within a collection of works presented at the 9 International Conference on the Interplay between Natural and Artificial Computation (IWINAC). The works presented in this paper are excellent examples of new scientific discoveries made in laboratories that have successfully transitioned to real-life applications

    ART THROUGH A DIGITAL LENS: A STUDY OF THE EFFECTS OF NEW MEDIAS ON THE MUSEUM, ITS WORKS, AND THE PUBLIC.

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    Over the last two decades imagery viewed on the internet has grown immensely. Museums, though slow to embrace it, have begun to upload digital images of their traditional artwork to their websites and onto their social media channels. In large measure, the COVID pandemic accelerated this move to engage audiences they feared would dissipate as museum doors closed. Moving digital images online though means giving over control to the protocol and systems of the internet, to profit-seeking corporations, and the volatility of social media platforms. The museum’s long-established authority over artists, artworks, and exhibitions is usurped by power structures existing in capitalization, digitization, and optimization. A digital image of a traditional artwork moves away from its role as a copy of the original to become a new artefact in novel territory as a separate entity. An artwork on a social media feed is detached from the organizational and curatorial oversight of the museum and its work as a representative of the original work of art. It joins a stream of pictures in the ceaseless social media flow where it loses narrative and context to become instead a form of communication. It is also subject to unknowable algorithms designed by large conglomerates. Museums, with stretched budgets and limited staff, place their digital collections into these frameworks without considering what may be lost in efforts to “digitize”. This research uses theories of digimodernism, hypermodernism, and mediation at the interface between viewer, screen, and original object to take a broad look at what digitizing means for the artwork and the museum. It offers suggestions and discussion on how museums can use their institutional abilities and public trust to be engaged and active in their communities in the age of the internet

    Human-Machine Interfaces using Distributed Sensing and Stimulation Systems

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    As the technology moves towards more natural human-machine interfaces (e.g. bionic limbs, teleoperation, virtual reality), it is necessary to develop a sensory feedback system in order to foster embodiment and achieve better immersion in the control system. Contemporary feedback interfaces presented in research use few sensors and stimulation units to feedback at most two discrete feedback variables (e.g. grasping force and aperture), whereas the human sense of touch relies on a distributed network of mechanoreceptors providing a wide bandwidth of information. To provide this type of feedback, it is necessary to develop a distributed sensing system that could extract a wide range of information during the interaction between the robot and the environment. In addition, a distributed feedback interface is needed to deliver such information to the user. This thesis proposes the development of a distributed sensing system (e-skin) to acquire tactile sensation, a first integration of distributed sensing system on a robotic hand, the development of a sensory feedback system that compromises the distributed sensing system and a distributed stimulation system, and finally the implementation of deep learning methods for the classification of tactile data. It\u2019s core focus addresses the development and testing of a sensory feedback system, based on the latest distributed sensing and stimulation techniques. To this end, the thesis is comprised of two introductory chapters that describe the state of art in the field, the objectives, and the used methodology and contributions; as well as six studies that tackled the development of human-machine interfaces

    Proceedings of the 9th Arab Society for Computer Aided Architectural Design (ASCAAD) international conference 2021 (ASCAAD 2021): architecture in the age of disruptive technologies: transformation and challenges.

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    The ASCAAD 2021 conference theme is Architecture in the age of disruptive technologies: transformation and challenges. The theme addresses the gradual shift in computational design from prototypical morphogenetic-centered associations in the architectural discourse. This imminent shift of focus is increasingly stirring a debate in the architectural community and is provoking a much needed critical questioning of the role of computation in architecture as a sole embodiment and enactment of technical dimensions, into one that rather deliberately pursues and embraces the humanities as an ultimate aspiration

    Extending the Design Space of E-textile Assistive Smart Environment Applications

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    The thriving field of Smart Environments has allowed computing devices to gain new capabilities and develop new interfaces, thus becoming more and more part of our lives. In many of these areas it is unthinkable to renounce to the assisting functionality such as e.g. comfort and safety functions during driving, safety functionality while working in an industrial plant, or self-optimization of daily activities with a Smartwatch. Adults spend a lot of time on flexible surfaces such as in the office chair, in bed or in the car seat. These are crucial parts of our environments. Even though environments have become smarter with integrated computing gaining new capabilities and new interfaces, mostly rigid surfaces and objects have become smarter. In this thesis, I build on the advantages flexible and bendable surfaces have to offer and look into the creation process of assistive Smart Environment applications leveraging these surfaces. I have done this with three main contributions. First, since most Smart Environment applications are built-in into rigid surfaces, I extend the body of knowledge by designing new assistive applications integrated in flexible surfaces such as comfortable chairs, beds, or any type of soft, flexible objects. These developed applications offer assistance e.g. through preventive functionality such as decubitus ulcer prevention while lying in bed, back pain prevention while sitting on a chair or emotion detection while detecting movements on a couch. Second, I propose a new framework for the design process of flexible surface prototypes and its challenges of creating hardware prototypes in multiple iterations, using resources such as work time and material costs. I address this research challenge by creating a simulation framework which can be used to design applications with changing surface shape. In a first step I validate the simulation framework by building a real prototype and a simulated prototype and compare the results in terms of sensor amount and sensor placement. Furthermore, I use this developed simulation framework to analyse the influence it has on an application design if the developer is experienced or not. Finally, since sensor capabilities play a major role during the design process, and humans come often in contact with surfaces made of fabric, I combine the integration advantages of fabric and those of capacitive proximity sensing electrodes. By conducting a multitude of capacitive proximity sensing measurements, I determine the performance of electrodes made by varying properties such as material, shape, size, pattern density, stitching type, or supporting fabric. I discuss the results from this performance evaluation and condense them into e-textile capacitive sensing electrode guidelines, applied exemplary on the use case of creating a bed sheet for breathing rate detection

    Labour in a single shot: critical perspectives on Antje Ehmann and Harun Farocki's global video project

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    This collection of essays offers a critical assessment of Labour in a Single Shot, a groundbreaking documentary video workshop. From 2011 to 2014, curator Antje Ehmann and film- and videomaker Harun Farocki produced an art project of truly global proportions. They travelled to fifteen cities around the world to conduct workshops inspired by cinema history’s first film, Workers Leaving the Lumière Factory, shot in 1895 by the Lumière brothers in France. While the workshop videos are in colour and the camera was not required to remain static, Ehmann and Farocki’s students were tasked with honouring the original Lumière film’s basic parameters of theme and style. The fascinating result is a collection of more than 550 short videos that have appeared in international exhibitions and on an open-access website, offering the widest possible audience the opportunity to ponder contemporary labour in multiple contexts around the world.https://library.oapen.org/handle/20.500.12657/5163

    Labour in a Single Shot

    Get PDF
    This collection of essays offers a critical assessment of Labour in a Single Shot, a groundbreaking documentary video workshop. From 2011 to 2014, curator Antje Ehmann and film- and videomaker Harun Farocki produced an art project of truly global proportions. They travelled to fifteen cities around the world to conduct workshops inspired by cinema history’s first film, Workers Leaving the Lumière Factory, shot in 1895 by the Lumière brothers in France. While the workshop videos are in colour and the camera was not required to remain static, Ehmann and Farocki’s students were tasked with honouring the original Lumière film’s basic parameters of theme and style. The fascinating result is a collection of more than 550 short videos that have appeared in international exhibitions and on an open-access website, offering the widest possible audience the opportunity to ponder contemporary labour in multiple contexts around the world
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