Using the beat histogram for speech rhythm description and language identification

In this paper we present a novel approach for the description of speech rhythm and the extraction of rhythm-related features for automatic language identification (LID). Previous methods have extracted speech rhythm through the calculation of features based on salient elements of speech such as consonants, vowels and syllables. We present how an automatic rhythm extraction method borrowed from music information retrieval, the beat histogram, can be adapted for the analysis of speech rhythm by defining the most relevant novelty functions in the speech signal and extracting features describing their periodicities. We have evaluated those features in a rhythm-based LID task for two multilingual speech corpora using support vector machines, including feature selection methods to identify the most informative descriptors. Results suggest that the method is successful in describing speech rhythm and provides LID classification accuracy comparable to or better than that of other approaches, without the need for a preceding segmentation or annotation of the speech signal. Concerning rhythm typology, the rhythm class hypothesis in its original form seems to be only partly confirmed by our results

Emotion Recognition from Acted and Spontaneous Speech

Dizertační práce se zabývá rozpoznáním emočního stavu mluvčích z řečového signálu. Práce je rozdělena do dvou hlavních častí, první část popisuju navržené metody pro rozpoznání emočního stavu z hraných databází. V rámci této části jsou představeny výsledky rozpoznání použitím dvou různých databází s různými jazyky. Hlavními přínosy této části je detailní analýza rozsáhlé škály různých příznaků získaných z řečového signálu, návrh nových klasifikačních architektur jako je například „emoční párování“ a návrh nové metody pro mapování diskrétních emočních stavů do dvou dimenzionálního prostoru. Druhá část se zabývá rozpoznáním emočních stavů z databáze spontánní řeči, která byla získána ze záznamů hovorů z reálných call center. Poznatky z analýzy a návrhu metod rozpoznání z hrané řeči byly využity pro návrh nového systému pro rozpoznání sedmi spontánních emočních stavů. Jádrem navrženého přístupu je komplexní klasifikační architektura založena na fúzi různých systémů. Práce se dále zabývá vlivem emočního stavu mluvčího na úspěšnosti rozpoznání pohlaví a návrhem systému pro automatickou detekci úspěšných hovorů v call centrech na základě analýzy parametrů dialogu mezi účastníky telefonních hovorů.Doctoral thesis deals with emotion recognition from speech signals. The thesis is divided into two main parts; the first part describes proposed approaches for emotion recognition using two different multilingual databases of acted emotional speech. The main contributions of this part are detailed analysis of a big set of acoustic features, new classification schemes for vocal emotion recognition such as “emotion coupling” and new method for mapping discrete emotions into two-dimensional space. The second part of this thesis is devoted to emotion recognition using multilingual databases of spontaneous emotional speech, which is based on telephone records obtained from real call centers. The knowledge gained from experiments with emotion recognition from acted speech was exploited to design a new approach for classifying seven emotional states. The core of the proposed approach is a complex classification architecture based on the fusion of different systems. The thesis also examines the influence of speaker’s emotional state on gender recognition performance and proposes system for automatic identification of successful phone calls in call center by means of dialogue features.

Speech and music discrimination: Human detection of differences between music and speech based on rhythm

Rhythm in speech and singing forms one of its basic acoustic components. Therefore, it is interesting to investigate the capability of subjects to distinguish between speech and singing when only the rhythm remains as an acoustic cue. For this study we developed a method to eliminate all linguistic components but rhythm from the speech and singing signals. The study was conducted online and participants could listen to the stimuli via loudspeakers or headphones. The analysis of the survey shows that people are able to significantly discriminate between speech and singing after they have been altered. Furthermore, our results reveal specific features, which supported participants in their decision, such as differences in regularity and tempo between singing and speech samples. The hypothesis that music trained people perform more successfully on the task was not proved. The results of the study are important for the understanding of the structure of and differences between speech and singing, for the use in further studies and for future application in the field of speech recognition

Perception of Alcoholic Intoxication in Speech

The ALC sub-challenge of the Interspeech Speaker State Chal-lenge (ISSC) aims at the automatic classification of speech sig-nals into intoxicated and sober speech. In this context we con-ducted a perception experiment on data derived from the same corpus to analyze the human performance on the same task. The results show that human still outperform comparable baseline results of ISSC. Female and male listeners perform on the same level, but there is strong evidence that intoxication in female voices is easier to be recognized than in male voices. Prosodic features contribute to the decision of human listeners but seem not to be dominant. In analogy to Doddington’s zoo of speaker verification we find some evidence for the existence of lambs and goats but no wolves. Index Terms: alcoholic intoxication, speech perception, forced choice, intonation, Alcohol Language Corpu

Language identification with suprasegmental cues: A study based on speech resynthesis

This paper proposes a new experimental paradigm to explore the discriminability of languages, a question which is crucial to the child born in a bilingual environment. This paradigm employs the speech resynthesis technique, enabling the experimenter to preserve or degrade acoustic cues such as phonotactics, syllabic rhythm or intonation from natural utterances. English and Japanese sentences were resynthesized, preserving broad phonotactics, rhythm and intonation (Condition 1), rhythm and intonation (Condition 2), intonation only (Condition 3), or rhythm only (Condition 4). The findings support the notion that syllabic rhythm is a necessary and sufficient cue for French adult subjects to discriminate English from Japanese sentences. The results are consistent with previous research using low-pass filtered speech, as well as with phonological theories predicting rhythmic differences between languages. Thus, the new methodology proposed appears to be well-suited to study language discrimination. Applications for other domains of psycholinguistic research and for automatic language identification are considered

Production and perception of speaker-specific phonetic detail at word boundaries

Experiments show that learning about familiar voices affects speech processing in many tasks. However, most studies focus on isolated phonemes or words and do not explore which phonetic properties are learned about or retained in memory. This work investigated inter-speaker phonetic variation involving word boundaries, and its perceptual consequences. A production experiment found significant variation in the extent to which speakers used a number of acoustic properties to distinguish junctural minimal pairs e.g. 'So he diced them'—'So he'd iced them'. A perception experiment then tested intelligibility in noise of the junctural minimal pairs before and after familiarisation with a particular voice. Subjects who heard the same voice during testing as during the familiarisation period showed significantly more improvement in identification of words and syllable constituents around word boundaries than those who heard different voices. These data support the view that perceptual learning about the particular pronunciations associated with individual speakers helps listeners to identify syllabic structure and the location of word boundaries